Art must be the faithful expression of a society, since it represents it by its works as it has created them -- undeniable witnesses of its spirit and manners for future generations. But it must be acknowledged that art is only the consequence of the ideas which it expresses; it is the fruit of civilization, not its origin. To understand the Middle Ages and the Renaissance, it is necessary to go back to the source of its art, and to know the life of our fathers; these are two inseparable things, which entwine one another, and become complete one by the other. - Preface.

First published in 1876, Manners, Customs, and Dress during the Middle Ages and during the Renaissance Period offers a fascinating glimpse into the art and lifestyles of the people of the Middle Ages and Renaissance era. Complete with hundreds of illustrations from wooden engravings and more than a dozen replications of beautifully intricate chromolithographic prints, this resurrected classic is rich with history and retains its ancient appeal. As articulated in the Preface: “Art must be the faithful expression of a society, since it represents it by its works as it has created them . . . But it must be acknowledged that art is only the consequence of the ideas which is expresses; it is the fruit of civilization, not its origin.” This exploration of a cultural movement and the arts and behaviors of its people extends through chapters on the condition of persons and lands; privileges and rights; food and cookery; games and pastimes; commerce; taxes, money, and finance; secret tribunals; punishments; costumes; and more. Within these pages, experience the social and artistic revolution born through the Renaissance and told by a renowned historian of the period.

Reproduction of the original.

A notable contribution to our understanding of ourselves. This book explores the realm of human behavior in social situations and the way that we appear to others. Dr. Goffman uses the metaphor of theatrical performance as a framework. Each person in everyday social intercourse presents himself and his activity to others, attempts to guide and cotnrol the impressions they form of him, and employs certain techniques in order to sustain his performance, just as an actor presents a character to an audience. The discussions of these social techniques offered here are based upon detailed research and observation of social customs in many regions.