Elmore Johnson has only got two friends, the bottle of Jim Beam in his coat pocket and a revolver named Lorraine. He worked for the Indianapolis Police Department until they booted him for exposing dirty cops. Now he makes a meager living snapping seedy photos. But when Elmore shoots pictures of the daughter of a wealthy CEO making cheap porn, the girl ends up dead. As the bodies pile up, Elmore finds himself trapped in the heart of a bizarre conspiracy until he discovers the horrifying truth about a place called Manifesto Destination. Alec Cizak’s Manifesto Destination will take you back to dystopian 1998 Indianapolis where everyone—the cops, big business, and even the little guy—is dirty and only looking out for themselves. His writing is boiled rock hard and keeps you turning one noir-infested page after another until you find yourself as paranoid as Elmore Johnson. Praise for MANIFESTO DESTINATION: “Alec Cizak finds the naked truth on the printed page. An artist with no fear and thankfully no moral center.” —David Cranmer, editor of Beat To a Pulp “The city of Indianapolis like you haven’t seen it before (at least not yet), seasoned with a splash of noir, a dash of dystopia and almost but not quite hard-boiled. More like Eggs Benedict—though that breakfast was originally invented as a hangover cure, and this might cause one. Alec Cizak’s heady mixture of sci-fi and P.I., bad cops and Big Brothers, is a dark, funny read, full of twists and a barely controlled rage at the state of our corporate nation. And by nudging his detective story into a disturbing but recognizable future, the author paints this concoction with an extra layer of despair, as we realize his Phil Dickian satire of manipulation is not just familiar, but also inevitable. Best read with Charlie Parker in the background (the hero probably wore out his ‘Charlie Parker With Strings’ tape, but it weaves the perfect soundtrack). Jazzy and weird, the whole thing is probably a thinly-veiled threat, but I had too much fun to heed any warnings. See you at the Magic Carpet before they tear it down.” —David James Keaton, author of Fish Bites Cop: Stories To Bash Authorities

In this first book of essays devoted entirely to Nathaniel Mackey's work, prominent critics respond to a major oeuvre that is at once affirmative and utopic, negational and dystopic. Drawing on multiple genealogies and traditions, primarily from African and African diaspora histories and cultures, Mackey's work envisions cultural creation as cross-cultural, based in the damaging relationships of Africans brought against their will to the Americas and the resulting innovations of New World African literatures and music. Contributors: Maria Damon, Joseph Donahue, Rachel Blau DuPlessis, Norman Finkelstein, Luke Harley, Paul Jaussen, Adalaide Morris, Fred Moten, Peter O'Leary, Anthony Reed

INSTANT NEW YORK TIMES BESTSELLER A New York Times Editor’s Choice | A Kirkus Best Nonfiction Book of the Year The Inspiration for the HBO Original Documentary South to Black Power From journalist and New York Times bestselling author Charles Blow comes a powerful manifesto and call to action, "a must-read in the effort to dismantle deep-seated poisons of systemic racism and white supremacy" (San Francisco Chronicle). Race, as we have come to understand it, is a fiction; but, racism, as we have come to live it, is a fact. The point here is not to impose a new racial hierarchy, but to remove an existing one. After centuries of waiting for white majorities to overturn white supremacy, it seems to me that it has fallen to Black people to do it themselves. Acclaimed columnist and author Charles Blow never wanted to write a “race book.” But as violence against Black people—both physical and psychological—seemed only to increase in recent years, culminating in the historic pandemic and protests of the summer of 2020, he felt compelled to write a new story for Black Americans. He envisioned a succinct, counterintuitive, and impassioned corrective to the myths that have for too long governed our thinking about race and geography in America. Drawing on both political observations and personal experience as a Black son of the South, Charles set out to offer a call to action by which Black people can finally achieve equality, on their own terms. So what will it take to make lasting change when small steps have so frequently failed? It’s going to take an unprecedented shift in power. The Devil You Know is a groundbreaking manifesto, proposing nothing short of the most audacious power play by Black people in the history of this country. This book is a grand exhortation to generations of a people, offering a road map to true and lasting freedom.

What price can you put on a human life? Times are tough. Cabbie Lester Banks can’t pay his bills. His gorgeous young neighbor, Chelsea, is also one step from the streets. Lester makes a sordid business deal with her. Things turn out worse than he could ever have imagined. “Alec Cizak demonstrates in Down on the Street that he remains among the top fiction writers alive, regardless of genre. This is a crime story, but it’s so much more. Words like sharpened blades cut out the reader’s heart, emotionally and otherwise. I read this novella in a burst. A week later, I’m still absorbing it.” —Rob Pierce, author of Uncle Dust and With the Right Enemies.

Picking up from where our last issue left off, we have another group of crime stories written especially for us. Starting with ex-police detective Lissa Marie Redmond whose short fiction has appeared in anthologies like Akashic’s Buffalo Noir and whose debut novel will be out in February 2018, we move along to novelist Andrew Welsh-Huggins, author of the Andy Hayes PI series. Then we have a chilling new tale by short story specialist Nick Kolakowsi, followed by this issue’s featured writer, Bill Crider, who takes us to Blacklin County, Texas, where he treats us to a new story starring everyone’s favorite sheriff, Dan Rhodes. Tim Lockhart’s debut novel came out earlier this year amidst a lot of buzz and he’s here with a very dark tale indeed. Next we offer a taste of J.J. Hensley’s fast-paced writing with an airborne story as we await the premiere of a new series early next year. Our trip to the past brings us to the legendary writer Carroll John Daly and his no-holds-barred character Race Williams, who never shot any man that didn’t deserve it. We close out the issue with a story strong with irony by Ben Boulden. Throw in a terrific column by J. Kingston Pierce and you’ve got another issue of Down & Out: The Magazine.

Gary Chance is a former Australian army driver, ex-bouncer and thief. His latest job takes him to Surfers Paradise, Queensland, working for aging standover man, Dennis Curry. Curry runs off-site, non-casino poker games, and wants to rob one of his best customers, a high roller called Freddie Gao. The job seems straightforward but Curry’s crew is anything but. Frank Dormer is a secretive ex-soldier turned private security contractor. Sophia Lekakis is a highly-strung receptionist at the hotel where Gao stays when he visits Surfers Paradise. Amber, Curry’s female housemate, is part of the lure for Gao. Chance knows he can’t trust anyone, but nothing prepares him for what unfolds when Curry’s plan goes wrong. Praise for GUNSHINE STATE: “Part heist novel, part revenge tale, Gunshine State is a searing action story in exotic locales populated by fascinating grifters and unsavory characters. You won’t know where it’s going next but you’ll love getting there. Add this to your must read list.” —Eric Beetner, author of Criminal Economics and The Year I Died Seven Times “A tense, fast-moving, vividly-drawn thriller.” —Garry Disher, author of the Wyatt novels “A gritty slice of Down-Under noir, served lean and mean.” —Wallace Stroby, author of The Devil’s Share and Shoot the Woman First “A phenomenal, hard-as-nails thriller with more tight corners than a maze and a double cross around every one of them. I loved it.” —Timothy Hallinan, award-winning author of the Poke Rafferty and Junior Bender mysteries “A lean, mean, hard-boiled knockout.” —David Whish-Wilson, author of Line of Sight and Zero at the Bone “Gunshine State moves like a bullet. The prose is taught without sacrificing atmosphere, character or psychological depth. Brimming with evocative settings, sharp dialogue and vibrant characters, this novel firmly positions Nette as one of Australia’s leading writers of hard-boiled crime.” —Alex Hammond, author of The Unbroken Line and Blood Witness “Gunshine State is magnificent. Taut, tense-a tremendous thriller.” —Andrew Grant, author of False Positive and Run “Gunshine State is a breakneck ride from first page to last. Nette drags the reader into a sharply drawn world of dark motives and even darker morals. A must for lovers of hard-boiled crime fiction.” —Emma Viskic, author of Resurrection Bay “This brutal, hard-boiled thriller comes at you like a furious street brawler and pins you to the wall with a white-knuckle plot and authentic characters. Like a vicious left hook to the ribs it will leave you breathless.” —Leigh Redhead, author of Peepshow, Rubdown, Cherry Pie and Thrill City

Andy DeMarco and his little sister Angela worshiped their Uncle Paulie. To them, he was a god, an enigmatic savior, the man who took the place of their absent father, who protected them and their mother, and who taught them about the true nature of life and family. But one horrible summer day something unspeakable happened to little Angela, and everyone’s world changed forever. Now, twenty years later, in the middle of a snowstorm, Andy has returned home to bury his uncle, a man with a shady past that ended with a caper gone wrong and a bullet in the back of his head. Only now can Andy begin to understand who his uncle truly was, and in doing so, finally begin to also understand who he is, and who he may still one day become. Praise for SAYING UNCLE: “This quietly powerful short novel should bring much deserved attention to Gifune, who succeeds in imbuing what could have been a clichéd and formulaic noir premise with haunting emotional depth. Fans of understated, sophisticated crime fiction are in for a treat.” —Publishers Weekly, Starred Review “Saying Uncle is steeped in some serious atmosphere. It’s the kind of book that you’ll want to rip through and yet also savor. You’ll reread passages for the pure poetry of sound as well as for the dazzling imagery. It’s that lush and affecting.” —Tom Piccirilli, author of Shadow Season “Saying Uncle is a tightly-crafted novel that is both an action story and an emotional one. Gifune’s words flow like mountain streams, and like those streams they bite hard when you step into their icy waters. It is a coming-of-age story filled with all the right components: strong characters, dark secrets, dangerous situations, and deep emotions. In short, it’s the kind of book other writers will wish they had written, and readers will be recommending to their friends.” —Dark Scribe Magazine “Devastating, in a good way, I feel like I experienced Gifune’s novel Saying Uncle firsthand. Wonderfully crafted on so many levels: description, characterization, atmosphere, thematically. A must read.” —Lisa von Biela, author of The Genesis Code “This—like most of Gifune’s vast body of work—is a novel first and a genre entry only secondarily. It’s a dark psychological study, engrossing and disturbing, profoundly reminiscent of the great “noir” classics of a generation ago…while remaining on the cutting edge of contemporary crime fiction. More people need to discover this excellent book. It’s hard to imagine a reader who wouldn’t be struck by its brilliance.” —Robert Dunbar, author of The Pines “Brilliant, grim, and absolutely devastating. An amazing work from quite possibly the greatest dark fiction author of our time.” —Sandy DeLuca, author of Descent