Horror. Graphic novel.

In 1976, a fledgling magazine held forth the the idea that comics could be art. In 2016, comics intended for an adult readership are reviewed favorably in the New York Times, enjoy panels devoted to them at Book Expo America, and sell in bookstores comparable to prose efforts of similar weight and intent. We Told You So: Comics as Art is an oral history about Fantagraphics Books’ key role in helping build and shape an art movement around a discredited, ignored and fading expression of Americana. It includes appearances by Chris Ware, Art Spiegelman, Harlan Ellison, Stan Lee, Daniel Clowes, Frank Miller, and more.

Butch When he was a kid, they noticed that he was bigger than many of the children his age. He was also extraordinarily smart. He lifted weights religiously and was an avid reader. By the time he was seventeen he was muscular and as strong as an ox. ___________________ designers freedom scale: level 3

In The Chuckling Whatsit, Sala weaves the gothic cartooning traditions of Edward Gorey and Charles Addams with a densely constructed, melodramatic murder mystery involving astrology, ghouls, academia and outsider art. Part noir, part horror and part comedy, this labyrinthian tale of intrigue follows an unemployed writer named Broom who becomes unwittingly ensnared in a complex plot involving mysterious outsider artist Emile Jarnac, the shadowy machinations of the Ghoul Appreciation Society Headquarters (GASH), and the enigmatic Mr. Ixnay. Sala's deadpan delivery makes this ingeniously layered narrative a roller-coaster ride of darkly pure comic suspense.

The LUCKY Killer is a story where a killer is doing his best to slaughter his targets in the metropolitan cities, on the other side, a detective is trying his best to trace down the killer and the reason of slaughtering the said targets. It is an intrigue ride of Prehlaj Johar, the detective, who travels the metropolitan cities to catch the killer but every time all he finds is a piece of paper. It is a definite page turner that will take you through the streets of the major cities of India and will give you chills through your body as the story progresses. Readers…stop biting your nails and read how Prehlaj use the piece of paper as a clue and will he be able to track down the killer? Will he ever be able to know the reason behind these killings? Or will the killer never be caught? And why is he the LUCKY killer?

A modern-day retelling of Snow White stood on its head, following the unnamed "Prince Charming" as he searches for Delphine, who vanished with barely a trace. Equally twisted and virtuosic, executed in a rich, ominous duotone by the comics master, Richard Sala.

A cop goes undercover to investigate the murder of a woman on New York’s Fire Island: “A good yarn populated with well-drawn characters” (Booklist). Alison, a young, single Manhattan retail buyer, first met Linda seven years ago, when both answered the same classified ad for a Fire Island share. Since then, they’ve been returning to Seaside Harbor every summer weekend. But one night, after leaving Crane’s, a famed singles bar, Linda is found murdered, and Alison starts to realize how little she really knows about her housemate. Is the killer a spurned suitor? What about the mysterious lover back in the city Linda had spoken of—but whom Alison has never met? Meanwhile, Long Island police officer Joe DiGregorio has been assigned to work undercover on the case, posing as a yuppie accountant. Together, Joe and Alison—who is unaware of Joe’s real identity—are about to unravel Linda’s many secrets . . . “With refreshing insight, Margolis conveys the intensity and the crass materialism that are the hallmarks of a certain breed of young professionals.” —Publishers Weekly