In Mani at the Court of the Persian Kings the authors explore evidence arising from their project to edit the Chester Beatty Kephalaia codex. This new text presents Mani at the heart of Sasanian Iran in dialogue with its sages and nobles, acting as a cultural mediator between East and West and interpreter of Christian, Iranian, and Indian traditions. Nine chapters study Mani’s appropriation of the ‘law of Zarades’ and of Iranian epic; suggest a new understanding of his last days; and analyse his formative role in the history of late antique religions. These interdisciplinary studies advance research in several fields and will be of interest to scholars of Manichaeism, Sasanian Iran, and the development of religions in Late Antiquity.

Mani at the Court of the Persian Kings explores new evidence from the Chester Beatty Kephalaia, which presents Mani at the heart of Sasanian Iran, in dialogue with sages and nobles, acting as a cultural mediator between East and West.

The Chapters of the Wisdom of My Lord Mani, a Coptic papyrus codex preserved at the Chester Beatty Library in Dublin, describes Mani’s mission, teachings and debates with sages in the courts of the Sasanian empire during the reign of Shapur I; with an extended account of his last days and death under Bahram I. The text offers an unprecedented new source for the history of religions in Late Antiquity, including interactions of Manichaean, Zoroastrian, Christian, Jewish, and Buddhist traditions in Iran, remarkably transmitted into the Mediterranean world as part of Manichaean missionary literature. This is the first of four fascicles constituting the editio princeps, based on enhanced digital and multispectral imaging and extended autoptic study of the manuscript.

The founder of Manichaeism, Mani (216-274/277 CE), not only wrote down his teachings to prevent their adulteration, but also created a set of paintings—the Book of Pictures—to be used in the context of oral instruction. That pictorial handscroll and its later editions became canonical art for Mani's followers for a millennium afterwards. This richly illustrated study systematically explores the artistic culture of religious instruction of the Manichaeans based on textual and artistic evidence. It discusses the doctrinal themes (soteriology, prophetology, theology, and cosmology) depicted in Mani’s canonical pictures. Moreover, it identifies 10th-century fragments of canonical picture books, as well as select didactic images adapted to other, non-canonical art objects (murals, hanging scrolls, mortuary banners, and illuminated liturgical manuscripts) in Uygur Central Asia and Tang-Ming China.

The Medinet Madi Library comes of age in this landmark volume as one of the 20th century’s major finds of religious manuscripts. Discovered in Egypt’s Fayum region in 1929, these Coptic codices contain a cross-section of the sacred literature of the Manichaean religion. Early work on the collection in the 1930s was cut short by the ravages of the second world war. Recent decades have brought multiple new editorial projects, on which this volume offers a comprehensive set of status reports, as well as individual studies on aspects of the Manichaean religion informed by the library’s contents.