In the exciting conclusion to the Mango Delight trilogy, Mango goes to Hollywood and becomes the star of a television series! Mango Delight Fuller is ready for her next big break, which just might be in Hollywood! So she heads to California and auditions for a new television series. As she and her family settle in, she meets new friends who also end up competing with Mango for roles. Unfortunately, Mango’s big screen test does not go well. But when the star drops out of the show, Mango’s new manager convinces the producers to rework the show with Mango as the star. The new series, Mango All the Time (she’s a girl who sings and time travels), goes into production and Mango must face the realities of success. Will she be able to juggle a star’s extra-heavy workload, while keeping egos in check, heartbreak at bay, and managing the changes to her family’s life?

“Mango is as delightful as her middle name indicates, and middle-grade readers will easily recognize their own experiences in her friendship struggles.” —Booklist (starred review) What happens when your BFF becomes your EFF . . . EX-Friend-Forever? When seventh-grader Mango Delight Fuller accidentally breaks her BFF Brooklyn’s new cell phone, her life falls apart. She loses her friends and her spot on the track team, and even costs her father his job as a chef. But Brooklyn’s planned revenge—sneakily signing up Mango to audition for the school musical—backfires when Mango not only wins the lead role, but becomes a YouTube sensation and attracts the attention of the school’s queen bee, Hailey Jo. Hailey Jo is from a VERY wealthy family, and expects everyone to do her bidding. Soon Mango finds herself forced to make tough choices about the kind of friend she wants to have . . . and, just as important, the kind of friend she wants to be.

NATIONAL BESTSELLER • A coming-of-age classic about a young girl growing up in Chicago • Acclaimed by critics, beloved by readers of all ages, taught in schools and universities alike, and translated around the world—from the winner of the 2019 PEN/Nabokov Award for Achievement in International Literature. “Cisneros draws on her rich [Latino] heritage...and seduces with precise, spare prose, creat[ing] unforgettable characters we want to lift off the page. She is not only a gifted writer, but an absolutely essential one.” —The New York Times Book Review The House on Mango Street is one of the most cherished novels of the last fifty years. Readers from all walks of life have fallen for the voice of Esperanza Cordero, growing up in Chicago and inventing for herself who and what she will become. “In English my name means hope,” she says. “In Spanish it means too many letters. It means sadness, it means waiting." Told in a series of vignettes—sometimes heartbreaking, sometimes joyous—Cisneros’s masterpiece is a classic story of childhood and self-discovery and one of the greatest neighborhood novels of all time. Like Sinclair Lewis’s Main Street or Toni Morrison’s Sula, it makes a world through people and their voices, and it does so in language that is poetic and direct. This gorgeous coming-of-age novel is a celebration of the power of telling one’s story and of being proud of where you're from.

This extraordinary novel in the form of a "discovered journal" tells the story of J., a young botanist who is sent to the remote tropical island of Sakahara to explore the possibility of installing a mango cannery for a multinational corporation. J. has every intention of collecting the necessary samples, writing a report, and returning home to collect his paycheck. But a series of "chance" encounters with an island sage names Katchumo send these plans totally awry. The old man's Buddha-like habit of distilling perfect pearls of wisdom forces J. to question everything from his association with the canning company to his perception of the world around him. With humor and compassion, Katchumo teaches J. the mysterious beauty of simple pleasures as he reveals the seventeen ways. An enchanting story about one man's discovery of life's elusive secrets, SEVENTEEN WAYS TO EAT A MANGO inspires us to embrace the magic in our own lives.

Kama and his sister Nani love to climb the giant mango tree at their grandpa's house. After Grandpa asks them to pick some mangos, he has too many and sends Kama and Nani to share some with the neighbors, who give them goodies in return for their generosity.

An epic novel stretching out from Samoa to Europe, America and New Zealand, from the turn of the nineteenth century, through the First World War, the Spanish Influenza Epidemic and beyond. Since the 1960s, Albert Wendt has created a profound and fabulous Pacific world that is uniquely his own. A fictional world focused on Samoa and New Zealand and reaching out to the centres of the world, a world inhabited by the richest menagerie of characters in Pacific fiction, characters whose lives and stories reflect our own complex depths. Sixteen years in the writing, The Mango's Kiss is a striking addition to that world. Pele's first moment of remembered consciousness is the morning kiss of the mango fruit on her cheek. That kiss brings with it the awareness of mortality, pleasure and pain. It is a gift from her father, Mautu Tuifolau, the local pastor, the man she adores. Love is never simple, though, and in this story of the struggles and passions of Pele and her family, it must adapt to the growing world that stretches out from village life in Samoa to the cities of Europe, America and New Zealand. It must accommodate the conflicts of a gifted family and the attraction of extraordinary outsiders, from a famous English writer to an American anthropologist, missionaries and the trader Barker, with his quest for gold and epic tales of an adventurous past. And it must encompass the family's links to the ancient gods of pre-missionary times and move through the turn of the nineteenth century, the First World War, the terrible Spanish Influenza Epidemic and beyond.

e-artnow presents to you the collection of the great love stories of the past, the best historical novels in one edition:_x000D_ Uarda: A Romance of Ancient Egypt (Georg Ebers)_x000D_ The New Abelard: Love in the Times of Cathedrals (Robert Williams Buchanan)_x000D_ Hildebrand: The Days of Queen Elizabeth (Anonymous) _x000D_ Love-at-Arms (Rafael Sabatini) _x000D_ The Making Of A Saint (W. Somerset Maugham) _x000D_ The Cloister and the Hearth (Charles Reade) _x000D_ The Princess of Cleves (Madame de La Fayette)_x000D_ The Forest Lovers (Maurice Hewlett) _x000D_ Malcolm (George MacDonald) _x000D_ Scarlet Letter: Love in the Colonial Period (Nathaniel Hawthorne) _x000D_ The Wild Irish Girl (Lady Sydney Morgan) _x000D_ Sophia (Stanley John Weyman) _x000D_ Paul and Virginia (Bernardin de Saint-Pierre) _x000D_ Memoirs of Emma Courtney (Mary Hays) _x000D_ Powder and Patch (Georgette Heyer)_x000D_ The Black Moth: A Romance of the XVIIIth Century (Georgette Heyer)_x000D_ The History of Miss Betsy Thoughtless (Eliza Haywood)_x000D_ Fantomina (Eliza Haywood)_x000D_ Olinda's Adventures (Catharine Trotter Cockburn)_x000D_ Belinda (Maria Edgeworth)_x000D_ Dangerous Liaisons (Pierre Choderlos de Laclos)_x000D_ Evelina (Fanny Burney)_x000D_ Pamela Trilogy_x000D_ Mary (Mary Wollstonecraft)_x000D_ Jane Austen:_x000D_ Pride & Prejudice_x000D_ Sense & Sensibility_x000D_ Mansfield Park_x000D_ Emma_x000D_ Persuasion_x000D_ Miss Marjoribanks & Phoebe, Junior (Mrs. Olifant)_x000D_ Vanity Fair (Thackeray)_x000D_ Mr. Rowl (D. K. Broster)_x000D_ The Battle of the Strong (Gilbert Parker)_x000D_ Kitty Alone (Sabine Baring-Gould) _x000D_ Sentimental Education (Gustave Flaubert) _x000D_ Lady Anna (Anthony Trollope)_x000D_ The Manoeuvring Mother (Lady Charlotte Bury)_x000D_ Ramona (Helen Hunt Jackson) _x000D_ Jane Eyre (Charlotte Brontë)_x000D_ Wuthering Heights (Emily Brontë)_x000D_ The Tenant of Wildfell Hall (Anne Brontë)_x000D_ The Lady of the Camellias (Alexandre Dumas)_x000D_ The Portrait of a Lady & The Wings of the Dove (Henry James)_x000D_ Anna Karenina (Leo Tolstoy)_x000D_ The Age of Innocence (Edith Wharton)_x000D_ Tess of the d'Urbervilles (Thomas Hardy)_x000D_ Bel Ami (Guy de Maupassant) _x000D_ The Squatter and the Don (María Ruiz de Burton) _x000D_ Maria Chapdelaine (Louis Hémon)_x000D_ The Four Feathers (A. E. W. Mason) _x000D_ The Miranda Trilogy (Grace Livingston Hill)_x000D_ The Great Gatsby (F. Scott Fitzgerald)