" ... Finely crafted scholarship. Elegant and graceful, yet packed with knowledge and information, it embodies the aesthetic qualities which it describes and explores." American Ethnologist "The text is detailed and informative, and enjoyable reading ..." Choice "The Mande Blacksmith is an important book ... sensitive, sympathetic, multifaceted, and thorough ..." African Arts "McNaughton's Mande Blacksmiths is undeniably the most profound study of African artists yet published." Ethnoarts " ... penetrating ... McNaughton boldly grapples with the thorniest issues related to his subject and articulates them with clarity and precision." International Journal of African Historical Studies " ... a work in the best tradition of ethnographic research ... critical reappraisal, innovative inquiry, and fresh observation ... make this book an invaluable fund of new material on Mande societies ..." American Anthropologist "McNaughton ... provides an important interpretation of these artists' conceptual place as members of a complex culture." Religious Studies Review Examining the artistic, technological, social, and spiritual dimensions of Mande blacksmiths, who are the sculptors of their society, McNaughton defines these artists conceptual place as extraordinary members of a complex culture.

With Mande Music, Eric Charry offers the most comprehensive source available on one of Africa's richest and most sophisticated music cultures. Using resources as disparate as early Arabic travel accounts, oral histories, and archival research as well as his own extensive studies in Mali, Guinea, Senegal, and the Gambia, Charry traces this music culture from its origins in the thirteenth-century Mali empire to the recording studios of Paris and New York. He focuses on the four major spheres of Mande music—hunter's music, music of the jelis or griots, jembe and other drumming, and guitar-based modern music—exploring how each evolved, the types of instruments used, the major artists, and how each sphere relates to the others. With its maps, illustrations, and musical transcriptions as well as an exhaustive bibliography, discography, and videography, this book is essential reading for those seeking an in-depth look at one of the most exciting, innovative, and deep-rooted phenomena on the world music scene. A compact disc is available separately.

With Mande Music, Eric Charry offers the most comprehensive source available on one of Africa's richest and most sophisticated music cultures. Using resources as disparate as early Arabic travel accounts, oral histories, and archival research as well as his own extensive studies in Mali, Guinea, Senegal, and the Gambia, Charry traces this music culture from its origins in the thirteenth-century Mali empire to the recording studios of Paris and New York. He focuses on the four major spheres of Mande music—hunter's music, music of the jelis or griots, jembe and other drumming, and guitar-based modern music—exploring how each evolved, the types of instruments used, the major artists, and how each sphere relates to the others. With its maps, illustrations, and musical transcriptions as well as an exhaustive bibliography, discography, and videography, this book is essential reading for those seeking an in-depth look at one of the most exciting, innovative, and deep-rooted phenomena on the world music scene. A compact disc is available separately.

Studies in West African Islamic History explores the diffusion of Islam throughout West Africa from 1523 to 1927. Beginning with a discussion of the evolution of religious brotherhoods in North and Northwest Africa, the book then goes on to discuss the writings of al-Hajj 'Umar al-Futi and Shaykh Mukhtar b. Wadi'at Allah, before concluding with an analysis of Ahmad Bamba.

From its medieval origins to the present, Mandé culture in West Africa is known for its highly intriguing art and tradition of hunting; undeniably one of its most conspicuous distinctive features. Totally entrenched in myth, legend and history; firmly grounded in the supernatural, the divine and the abstruse, hunting is altogether a cult, a ritual gesture, a token of allegiance to divine forces. Considered to be a dauntless intrusion of man into the realm of metaphysics and the “unknown”, the hunting vocation transcends by far the confines of human and tangible spheres. This study examines various articulations of the hunting art and tradition as they are conveyed in numerous African literary and cinematographic works. It elucidates the mythical and supernatural magnitude of the hunting activity by showing how it is presided over by immutable deities and tutelary figures. Held to be endowed with infrangible supernatural and esoteric proportions, hunting is deemed to be a reflection of Mandé people’s worldview, a vibrant expression of how they perceive and articulate their existence as part of, and in relation to the world. From all perspectives, traditional hunting in Mandé society is viewed as a noble, dignified and revered activity; sustained by a vehement sense of brotherhood, esprit de corps, faithful loyalty, compassion, munificence. It encompasses a set of principles and values enjoined by transcendent forces, in illo tempore, and meant to serve as timeless paradigmatic ideals to be preserved and handed down along generations. By persistently echoing the magnificence of the hunting art and tradition, African artists place the vocation at the heart of contemporary Africans’ yearning quest for origins, identity and plenitude.