Deals With `Manasollasa` Composed By Calukya Ruler Somesvaradeva. The Monograph Has 5 Chapters-Manasollasa And Its Significance, Ancient Treatises Of Ayurveda, Basic Concepts Of Ayurveda, Environment And Ayurveda And Significance Of Physical And Mental Health. Also Contains A Glossary Of Select Sanskrit Words, A Bibliography And An Index.

A comprehensive overview of Ayurveda.

Discover India's age-old beauty secrets through the ancient wellness regimen known as Ayurveda. Healing therapies are clearly explained and illustrated with lovely photographs that bring to life the benefits of this 5,000-year-old Asian medical tradition. Treatments and practices from India's other healing systems--Unani, Siddha and Tibetan traditional medicine--are also included in the book. With sections devoted to various meditation and yoga practices as well as natural beauty treatments for hair, face and body, Ayurveda: Asian Secrets of Wellness, Beauty and Balance is an enlightening introduction to holistic health systems with ultimate spiritual goals. Discover Indian beauty secrets and information on healing with metals, minerals, crystals and gemstones as well as mendhi (henna) and chakra alignment. Includes a helpful listing of ayurvedic hospitals, homestays and treatment centers.

Motilal Banarsidass, Delhi motilalbanarsidass.com, [email protected] The Matamata is a Vastusastra, i.e. a treatise on dwelling, and as such, it deals with all the facets of gods' and men's dwellings, from the choice of the site to the iconography of the temple walls. It contains numerous and precise descriptions of villages and towns as well as of temples, houses, mansions and palaces. It gives indications for the selection of proper orientation, correct dimensions, and appropriate materials. It intends to be a manual for the architect and a guidebook for the layman. Well thought of by traditional architects (sthapati-s) of South India, the treatise is of great interest at a time when technical traditions, in all fields, are being scrutinized for their possible modern application. The present bilingual edition prepared by Dr Bruno Dagens contains critically edited Sanskrit text which is an improvement over the earlier edition by the same scholar and published as No.40 of Publications de L'Institut Francaisd' Indologie, Pondicherry. The English translation, also published earlier, has now been revised with copious notes. The usefulness of the edition has been further enhanced by adding an analytical table of contents and a comprehensive glossary. In the series of Kalamulasastra early texts on music, namely, Matralaksanam, Dattilam and Brhaddest, have been published. The medieval texts on music, especially, the Sribastamuktavali (No.3 in the series) and the Nartananirnaya (No.17 in the series), bring us up to the 15th and 16th centuries. In the case of architecture, despite the IGNCA's endeavour to publish portions of the Brhatsamhita, the Agni Purana and the Visnudharmottara-Purana, first, this has not been possible. Instead, our scholars were able to complete work first on a late but important text, namely, Silparatnakosa. We hope that the sections on architecture in the Brhatsamhita, the Agni Purana and the Visnudharmottara-Purana which predate the medieval texts, will be published soon, along with revised and re-edited texts of Manasollasa and Aparajitaprccha. The Mayamatam is the fourteenth and fifteenth volume in the Kalamulasastra series of the Indira Gandhi National Centre for the Arts (IGNCA).

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"There is only one known copy of the Sultan's Book of Delights in existence and it is held in the Oriental and India Office Collections of the British Library (BL. Persian 149). The manuscript is illustrated with fifty elegant miniature paintings, most of which show the Sultan, Ghiyath Shahi, observing the women of his court as they prepare and serve him various dishes. The book is fascinating in that the text documents a remarkable stage in the history of Indian cookery whilst the miniatures demonstrate the influence of imported Persian artists on the style of the Indian artists employed in Ghiyath Shahi's academy."--Jacket.