A radio presenter interprets one of his dreams as an initiation by the world of spirits into the role of a Manaschi, a Kyrgyz bard and shaman who recites and performs the epic poem, Manas, and is revered as someone connected with supernatural forces. Travelling to his native mountainous village, populated by Tajiks and Kyrgyz, and unravelling his personal and national history, our hero Bekesh instead witnesses a full re-enactment of the epic's wrath. Following on from the award winning The Devils' Dance and Of Strangers and Bees, this is the third and final book in Ismailov's informal Central Asia trilogy. --

This book brings together historical and ethnographic research from Kyrgyzstan, Kazakhstan, and Xinjiang, in order to explore how individuals and communities work to create and maintain forms of ‘culture’ in contexts of ideological repression and erasure. Across Inner Central Asia, in both China and the Soviet Union, while ethnic culture was on one hand lauded and promoted, it was simultaneously folklorized in the face of broader projects of socialist modernity. How do local intellectuals, cultural organizers, and performers work to negotiate their own forms and understandings of cultural meaning within the institutions and frameworks of a long twentieth century? How does scholarly attention to cultural production, tradition, and performance help to inform our understanding of (ethnic) nations not as given, but as coming into being?

丛书共5卷，先后入选“十三五”国家重点图书出版物出版规划项目、2017年国家出版基金项目。《〈玛纳斯〉论》是我国著名《玛纳斯》研究专家郎樱教授的研究专著。全书分为上中下三篇，上篇主要论述史诗的特点、流传变异情况及其在柯尔克孜族人们精神生活中的地位等。中篇主要讨论史诗中的人物形象并通过对人物和其情节内容的分析，对史诗中所反映的神话以及柯尔克孜族民间叙事诗、民歌等民间文学与史诗的关系提出了有价值的观点。下篇主要是运用比较文化学、比较文学的理论，总结出《玛纳斯》史诗的特点以及同世界各类史诗的异同。

Following the break-up of the USSR, Kyrgyzstan soon earned a reputation as the most hospitable and least repressive of the newly emerged central Asian republics. Unlike some of its neighbours, it has actively encouraged foreign tourism and has pursued a policy of supporting community projects with an emphasis on adventure tourism. The Bradt guide details all the services and experiences the country offers including trekking, mountaineering, horseriding and wildlife-watching. Historical sites, cultural activities and background on the Kyrgystan people are all covered by this definitive guide.

After surviving the blitzkrieg of World War II and escaping from two Nazi prison camps, Soviet soldier Azamat Altay was banished as a traitor from his native home land. Chinghiz Aitmatov became a hero of Kyrgyzstan, writing novels about the lives of everyday Soviet citizens but mourning a mystery that might never be solved. While both came from small villages in the beautiful mountainous countryside, they found themselves caught on opposite sides of the Cold War struggle between world superpowers. Altay became the voice of democracy on Radio Liberty, while Aitmatov rose through the ranks of Soviet politics. Yet just as they seemed to be pulled apart in the political turmoil, they found their lives intersecting in moving and surprising ways. Have the Mountains Fallen? traces the lives of these two men as they confronted the full threat and legacy of the Soviet empire. Through personal and intersecting narratives of loss, love, and longing for a homeland forever changed, a clearer picture emerges of the experience of the Cold War from the other side.

In the light of changes the government has launched as part of its welfare to work initiatives, this text explores apprenticeship. The authors set the historical context and discuss the theoretical and practical aspects of acquiring the necessary knowledge and skills for competence.

Zhenhui Liang, Weiguo Chen and Xu Zhang have done a great service to the study of oral epic poetry by translating Adil Jumaturdu’s and Tokon Isak’s detailed and comprehensive biography of Jusup Mamay (1918-2014), the great Kirghiz epic singer from Xinjiang. In this book, the reader learns how this “singer of tales” acquired his impressively large epic repertoire and becomes acquainted with the Kirghiz tradition of the Manas epic and epic cycle, in particular Jusup Mamay’s version, which comprises eight generations. The authors, native Kirghiz from Xinjiang, have had close contact with the singer over many years and offer unique insights into the mind and art of an exceptional epic singer-narrator. ---- Professor Karl Reichl (studying oral epic poetry at Bonn University) The Kirghiz heroic epic Manas boasts a history of around one thousand years. In the process of its development, generation after generation of singers have passed it down today by oral tradition. Jusup Mamay, one of the epic’s master singers, or manaschi, is renowned as the only performer in the world who was able to narrate eight generations of heroes from a single Kirghiz family, the epic’s namesake Manas chief among them. After years of surveys and interviews, the authors have assembled first-hand materials about Jusup Mamay to write a critical biography detailing the singer’s monumental talents and his great efforts in learning Manas. The biography elaborates on Jusup Mamay’s geographical and cultural environment, his apprenticeships under master manaschi, his passion for learning around 230,000-line epic by heart, his two marriages, his family, the features of his unique version of Manas, his many contributions to the inheritance of Kirghiz folk culture, and his influence both within his native China and across the globe. This book is a valuable contribution to the academic literature about the Manas epic and Kirghiz culture as well.