This professional reference provides solid advice to academic and public librarians for managing performing arts collections. The volume is divided into sections on the history of performing arts librarianship, dance collections, film studies collections, music collections, and theater collections. Each chapter is written by one or more expert contributors and presents current and reliable information on collection management. They discuss personnel management, collection development, technical services, public services, the impact of new technologies, facilities management, financial planning, and political considerations. Each chapter closes with references cited in the chapter, and the volume concludes with a valuable selected, annotated bibliography of important background sources and management tools.

Music Collection Development and Management in the Digital Age offers both a theoretical context and practical approaches to the issues facing today’s music collection builders and managers. In this exciting new book, Kirstin Dougan Johnson engages readers with many of the core responsibilities involved with music collections, in both music library and general library settings. The author examines the whole of music collections, incorporating into that vision guidance on the principles and tasks involved with collection building, acquisitions, management, and assessment. Details include music formats and publishing, music identification and discoverability, the context of music collections and the tasks involved in building and scoping them, diversity and inclusion in music collections, budgets and acquisitions workflows, pre- and post-order tasks, collection management and assessment, and future directions for collection development in music. With its focus on issues related to music scores and media in physical and electronic forms, Music Collection Development and Management in the Digital Age directly addresses subject librarians who select music materials in academic libraries. The volume also serves music librarians in other settings, such as public and conservatory libraries. All in all, Music Collection Development and Management in the Digital Age is an essential reference for all who work with music collections, whether in music libraries specifically, general library collections with music holdings, or centralized library acquisitions departments.

The National Information Infrastructure will bring information to the doorstep of every household. Librarianship must respond to this development through the National Electronic Library. Librarianship as a profession must set the information agenda if it is to be a viable and influential entity in the electronic environment. Traditional library services are being redefined by technology, and the concept of the National Electronic Library must combine the roles of the academic institution, public enterprise, and library education. This professional reference is a guide to assist librarians in planning for the future. The volume maintains that the growing electronic environment is driving a cultural transformation in which libraries must examine and understand what libraries have been, what they are, and what they need to be. Libraries need to participate actively in this transformation in order to remain the central providers of information and related services. The book explores the National Electronic Library as a concept and formal organization. Library services, collections, and the physical facility are examined in terms of present and future needs based on the rapidly changing electronic environment, and the volume relates the future management of information to administrative structures, constituencies, public and technical services, collection development, education, and strategic planning.

Health sciences librarianship today demands a balance among computer files, human ingenuity, and print sources. The many information sources presently available enable health sciences librarians to do a better job, but that job has also become correspondingly more difficult. This professional reference surveys the various types of print and electronic resources important to the health sciences and provides valuable practical advice to librarians for meeting the information needs of researchers, practicing physicians, and other health professionals. Health sciences librarianship today demands a balance among electronic files, human ingenuity, and print sources. Thanks to computerization and telecommunications, librarians can do much more now than just a few years ago. While the tremendous growth in available resources has enabled librarians to provide more thorough information to patrons, the process of doing so has become correspondingly more complex. While librarians still need to use many traditional skills, they must also develop new ways of finding and utilizing information. This professional reference surveys the field of health sciences librarianship and provides extensive practical advice to assist health sciences librarians in meeting the information needs of their patrons. Because journal literature is the principal medium of information in the health sciences, the book begins with an examination of the roles that journals play as well as the large proportion of the library budget that they consume. The volume then discusses techniques of searching journal literature, such as print and electronic indexing and abstracting tools. Additional chapters are devoted to the selection and organization of health sciences books, and reference tools and services. Special attention is given to the electronic distribution of biomedical information. With important sources of health information now becoming available via the Internet, this book provides a point of departure to evaluate those sources. The final chapter discusses the various environments that shape health sciences librarianship, such as library settings, professional associations, and economic contexts.

C'est un défi de taille, pour les archivistes, les bibliothécaires, les muséologues ou les documentalistes spécialisés, de conserver la mémoire et la trace du spectacle vivant, dans une société où les techniques évoluent sans cesse. Les techniques d'enregistrement audiovisuel et les supports pour conserver les images se sont modifiés. La mise en valeur de nouveaux médias est une gageure dans la conception des expositions. Enfin, les pratiques de recherche et l'essor conjoint des bases de données ont modifié la donne. Tels sont les nombreux sujets de réflexion qui se sont offerts aux membres de la SIBMAS (Société internationale des bibliothèques et musées des arts du spectacle) lors de son 25e Congrès, qui s'est tenu à Barcelone en 2004. En voici les Actes qui, par des approches diverses, tenteront d'éclairer ces interrogations. In a world where technologies are constantly evolving, it is a real challenge for archivists, librarians, museum curators and information professionals to keep track of and record living theatre. Audiovisual recording techniques are now cheap and accessible to many; electronic storage and dissemination of information and images has radically altered the relationship between the managers of collections and their potential users; new techniques have introduced new possibilities for interactivity in exhibitions and displays. These are just some of the issues addressed by the SIBMAS (International Association of Libraries and Museum of the Performing Arts) during its 25thAnnual Conference, held in Barcelona in 2004.

Le défi du patrimoine immatériel est de capturer l'essence du spectacle : l'idée de « capture » a cela d'intéressant qu'elle suppose que les professionnels impliqués dans la SIBMAS soient comme des chasseurs, sur la piste, de toutes sortes de façons, afin de coincer et de recueillir un petit quelque chose d'éphémère, qui en vaut la peine, et qui nous en apprend sur nous-mêmes et sur notre monde. Certains chasseurs se servent des bases de données, d'autres des écrits ou des images - mais tous partagent un même objectif : ne pas laisser se perdre un moment spécial, magique, que seule la vie du spectacle peut générer. The challenge of intangible heritage is to capture the essence of performance: the idea of capturing is interesting as it implies that the professionals, involved in SIBMAS, are on a hunt, a hunt in a number of different ways to pin down and preserve something ephemeral and something worth preserving, something that tells us more about ourselves and the world we live in. Some hunters use the database, some the written word, some the camera but all share a common goal: not to let go of a particular moment, a magic moment that only the live event can create.

Careers in Music Librarianship II is a necessary resource for aspiring music librarians, as well as established music librarians looking for a dose of inspiration and current information on the state of their profession."--BOOK JACKET.