A Mario Balzic Detective Novel.

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There's a double robbery in two identical apartments, rented but hardly ever used by a Pittsburg drug dealer who's clean with the law. A young woman is found shot dead on the street. She can't be identified, but her murder has all the appearances of a professional hit. The mayor is near hysteria, and he smears the case all over Balzic, who not only has to solve the murder but teach his nosy new boss the not-so-plain facts of police work.

What do men-white straight men in particular-want? In a series of witty and provocative investigations of American popular culture, Fred Pfeil exposes the contradictions in the construction of white heterosexual masculinity over the last fifteen years. White Guys probes such topics as the rock'n'roll bodies of Bruce Springsteen, Axl Rose, and the late Kurt Cobain; the "male rampage" films Die Hard and Lethal Weapon and the films of "sensitive transformation" that followed in their wake; and the curious yet symptomatic activities of the men's movement whose "rituals" Pfeil has investigated firsthand.

Though American crime novels are often derided for containing misogynistic attitudes and limiting ideas of masculinity, Greg Forter maintains that they are instead psychologically complex and sophisticated works that demand closer attention. Eschewing the synthetic methodologies of earlier work on crime fiction, Murdering Masculinities argues that the crime novel does not provide a consolidated and stable notion of masculinity. Rather, it demands that male readers take responsibility for the desires they project on to these novels. Forter examines the narrative strategies of five novels--Hammett's The Glass Key, Cain's Serenade, Faulkner's Sanctuary, Thompson's Pop. 1280, and Himes's Blind Man with a Pistol--in conjunction with their treatment of bodily metaphors of smell, vision, and voice. In the process, Forter unearths a "generic unconscious" that reveals things Freud both discovered and sought to repress.