For more than forty years, Jack Germond has been covering politics for Gannett newspapers, the Washington Star, and the Baltimore Sun, and talking politics on the Today show, The McLaughlin Group, and Inside Washington. Now, in Fat Man Fed Up, Germond confronts the most critical issues raised by our election process and offers a scathing but wry polemic about what’s wrong with American politics. Is there any connection between what happens in campaigns and what happens in government? And if not, where does the blame for the discontent lie? Was Tocqueville right? Do we get the leaders we deserve? Indeed, according to Germond, the politicians aren’t the only ones to blame, or even the chief culprits. He describes how he and his colleagues in the news media have been guilty of dumbing-down the political process–and how the voters are too apathetic to demand better coverage and better results. Instead, they simply turn away and too often end up enduring third-rate presidents. This no-sacred-cows manifesto faces the problems many are reluctant to address: • Polls and how they are used and abused by politicians and press to mislead gullible voters. • The critical failure of the press to accurately portray figures in the political realm, from Eugene McCarthy to Barbara Bush to Al Sharpton. • How the complaints about liberal bias in the press miss the real point: whether that bias, if it exists, colors the way editors and reporters work. • The staggering influence of television, and the networks’ inability to provide anything but the most simplistic coverage of politics. • The “big lie” school of campaigning. From “Where’s the beef?” to “compassionate conservatism,” the politics of empty slogans has always placed noise above nuance: Say anything loudly enough and long enough, and voters are bound to mistake it for the truth. Along the way, Germond illustrates his arguments by drawing from his war chest of priceless anecdotes from decades in the business. With his inimitable combination of incisive journalism and sardonic and witty straight talk, Germond guides us through the fog created by candidates and the media. In this timely, outrageous, and compulsively readable book, no one is let off the hook. Fat Man Fed Up is a bracing look at how we never seem to get the truth about the people we’re electing.

TIME IS NOT ON HIS SIDE. Sean Bennett is just your everyday, ordinary lab worker in a high-tech lab with a prototype time machine. And, yeah, he's got the same temptations any of us would have about going back in time, just a bit, to correct mistakes of the past and right old wrongs. So when he meets a version of himself from the future who encourages him to do just that, Sean takes the temporal plunge. Only ... can you guess what happens next? Did you read the book title? Yup. All of TIME is f#&%ed up now, and it's up to Sean to correct it - or else! Presenting a time-twisted sci-fi action-comedy, a butterfly effect noir, by multiple Eisner-winning writer John Layman (Chew, Outer Darkness, ELEANOR & THE EGRET) and talented newcomer Karl Mostert.

Osho Says It Is Imperative That We Become New Human Beings As We Enter The New Millennium. He Elucidates The Seven Essential Qualities Of The New Man And Examines Issues That Have Bedevilled Generations: Love, Relationships, Marriage, Family, Money, Power, Work, And Morality. Showing Us How To Let Go Of Our Past, He Invites Us To Wake Up To Our Enlightenment.

Agnes Boulton's memoir of her first two years of marriage to Eugene O'Neill was published in 1958, two years after the premiere of O'Neill's masterpiece, Long Day's Journey into Night. Contemporary critics dismissed the book as impressionistic, and it received little popular attention. Now held as a classic depicting one woman's strivings for self-representation, this new edition restores two sections previously excised for now-obsolete legal reasons. The new text features corrected misspellings and the addition of footnotes to clarify reference points and correct errors. Boulton's memoir represents an important addition to women's literature, as well as literary biography and autobiography.

In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.

Story of a bar girl, Hawa, who has spent her life circulating between urban centers and rural homelands in Ghana, Togo, and Burkina Faso. She roams this fractured post-colonial landscape, seamlessly connecting the world of the village (where familial relationships never die and witchcraft captures the imagination) to that of the city (where evading police and government officials and constantly struggling to live off the uncertain spoils of the nightlife are everyday occurances) to the baroque, surreal, and often obscene world of the European expatriate. Charles Piot [back cover].