First published in 1974, this book is a collection of nine essays written by Victor Ehrenberg between 1925 and 1967, five of which had not been published before. They deal with a number of aspects of Greek and Roman history, and with the nature of ancient history in the East and West. The first essay is a broad survey of interactions between opposing forces and ideas in the world as seen from the most ancient Near Eastern civilizations to the beginning of the western Middle Ages and the era of Byzantium; this is followed by discussions of topics from Classical and Hellenistic Greece and Republican and Imperial Rome, with the accent on the history of ideas and institutions –freedom, the Greek city-state, and Roman concepts of state and empire. The final chapter consists of personal reflections on the meaning of history from the writer’s own characteristic viewpoint, and is, as he admits, more in the way of a confession than pure scholarship.

"For God, for country, and for Yale... in that order," William F. Buckley Jr. wrote as the dedication of his monumental work—a compendium of knowledge that still resonates within the halls of the Ivy League university that tried to cover up its political and religious bias. In 1951, a twenty-five-year-old Yale graduate published his first book, which exposed the "extraordinarily irresponsible educational attitude" that prevailed at his alma mater. The book, God and Man at Yale, rocked the academic world and catapulted its young author, William F. Buckley Jr. into the public spotlight. Now, half a century later, read the extraordinary work that began the modern conservative movement. Buckley's harsh assessment of his alma mater divulged the reality behind the institution's wholly secular education, even within the religion department and divinity school. Unabashed, one former Yale student details the importance of Christianity and heralds the modern conservative movement in his preeminent tell-all, God and Man at Yale: The Superstitions of "Academic Freedom."

Man, God, Religion, and State, is a reflection on our physical, philosophical, and political, past, present, and possible future. This book may challenge the religious views of some readers, but it is not my intention to cause offence to any religious believer. We are all living in a time of anxiety and insecurities, which may prevent us from embracing our humanity. But we should never allow either the pain and sorrow of the past or the threats and fears of the present to obscure our vision of what is just and truthful. Our present socioeconomic relationships are based on injustice and falsehood, which is unsustainable. We must therefore adjust our level and rates of consumption before we cross the line of no-return. In this sense, Man, God, Religion, and State is a warning to us all.

Extraordinary independent scholar of comparative religion and mythology Walker examines a time when the Goddess and her consort/son ruled supreme and forward into the era when the patriarchy usurped Her worship.

The major American artist invented the concept of a wordless novel with this evocative, text-free "woodcut" narrative. Autobiographical in nature, the novel recounts Ward's struggles with his craft and with life in the 1920s. The intricate woodcuts transcend all barriers of language, and fresh details reward the eye with every review. 139 black-and-white illustrations.