During the Khmer Rouge's brutal reign in Cambodia during the mid-to-late 1970s, a former math teacher named Duch served as the commandant of the S-21 security center, where as many as 20,000 victims were interrogated, tortured, and executed. In 2009 Duch stood trial for these crimes against humanity. While the prosecution painted Duch as evil, his defense lawyers claimed he simply followed orders. In Man or Monster? Alexander Hinton uses creative ethnographic writing, extensive fieldwork, hundreds of interviews, and his experience attending Duch's trial to create a nuanced analysis of Duch, the tribunal, the Khmer Rouge, and the after-effects of Cambodia's genocide. Interested in how a person becomes a torturer and executioner as well as the law's ability to grapple with crimes against humanity, Hinton adapts Hannah Arendt's notion of the "banality of evil" to consider how the potential for violence is embedded in the everyday ways people articulate meaning and comprehend the world. Man or Monster? provides novel ways to consider justice, terror, genocide, memory, truth, and humanity.

By the Hand of Men by Irwin Silva A doctor bent on creating life under his own image; to prove to the world that there is no God; only men and science! Creating life from the parts of dead men – which becomes his downfall – a monster to look and resemble men, with great strength, but his lack of understanding makes the monster unpredictable and dangerous, causing the death of both man and monster. Life ends for the first doctor, but begins again when a colleague who studies and believes in the same idea, and has learned from the great doctor, steps into the picture and follows his lead. But unknown to the doctor, the new body parts carry a curse. A dangerous curse, the price death – when the moon is full and the wolf bane blooms, a terror unlike no other walks among men unnoticed.

THE HOLLOW EARTH: Sci-Fi Boxed Set - 24 Tales of Lost Worlds & Alternative Universes masterfully compiles a vast array of narratives exploring subterranean adventures and unknown realms, blending scientific curiosity with unfettered imagination. This anthology spans a broad spectrum of literary styles, from the pioneering speculative fiction of Francis Bacon to the adventure-laden tales of Edgar Rice Burroughs, embodying a significant epoch in the evolution of science fiction and fantasy. Highlighting the diversity and complexity of these imagined universes, the collection presents a unique opportunity to revisit classics and discover lesser-known gems within the genre, underscoring the thematic and stylistic richness of hollow earth literature and its contribution to speculative fiction. The contributing authors, including luminaries like Jules Verne, Arthur Conan Doyle, and Philip K. Dick, bring a remarkable depth of cultural, philosophical, and scientific inquiry to the anthology. Their collective works reflect not only the technological optimism and colonial mindset of their times but also a profound engagement with the unknown. This anthology aligns with historical and literary movements that questioned the limits of human knowledge and existence, offering a panoramic view of the imaginative landscapes that have captivated readers for centuries. THE HOLLOW EARTH: Sci-Fi Boxed Set invites readers on an exploratory journey that transcends the mere confines of the earths surface, delving into realms that challenge our understanding of the world and ourselves. It is an indispensable collection for aficionados of classic science fiction and fantasy, educators seeking to enrich their curriculum, and anyone eager to embark on adventures to lost worlds and alternative universes. This anthology not only pays homage to the visionary authors who laid the groundwork for modern speculative fiction but also encourages a continued dialogue between their extraordinary worlds and contemporary scientific and philosophical thought.

Monsters are a part of every society, and ours is no exception. They are deeply embedded in our history, our mythos, and our culture. However, treating them as simply a facet of children’s stories or escapist entertainment belittles their importance. When examined closely, we see that monsters have always represented the things we fear: that which is different, which we can’t understand, which is dangerous, which is Other. But in many ways, monsters also represent our growing awareness of ourselves and our changing place in a continually shrinking world. Contemporary portrayals of the monstrous often have less to do with what we fear in others than with what we fear about ourselves, what we fear we might be capable of. The nineteen essays in this volume explore the place and function of the monstrous in a variety of media – stories and novels like Baum’s Oz books or Gibson’s Neuromancer; television series and feature films like The Walking Dead or Edward Scissorhands; and myths and legends like Beowulf and The Loch Ness Monster – in order to provide a closer understanding of not just who we are and who we have been, but also who we believe we can be – for better or worse.

This collection of essays focuses on the ways in which our society 'processes' Shakespeare and the purposes for which this seems to be done.

The book covers unusual and often surprising areas of horror film history: (1) The harrowingly tragic life of Dracula's leading lady, Helen Chandler, as intimately remembered by her sister-in-law. (2) John Barrymore's 1931 horror vehicles Svengali and The Mad Genius, and their rejection by the public. (3) The disastrous shooting of 1933's Murders in the Zoo, perhaps the most racy of all Pre-Code horror films. (4) A candid interview with the son of legendary horror star Lionel Atwill. (5) The censorship battles of One More River, as waged by Frankenstein director James Whale. (6) The adventures (and misadventures) of Boris Karloff as a star at Warner Bros. (7) The stage and screen versions of the horror/comedy Arsenic and Old Lace. (8) Production diaries of the horror noirs Cat People and The Curse of the Cat People. (9) Frankenstein Meets the Wolf Man revisited. (10) Horror propaganda: The production of Hitler's Madman. (11) Horror star John Carradine and the rise and fall of his Shakespearean Repertory Company. (12) The Shock! Theatre television phenomenon. And (13) A Tribute to Carl Laemmle, Jr., producer of the original Universal horror classics, including an interview with his lady friend of almost 40 years.

In this striking social history, Barbara M. Benedict draws on the texts of the early modern period to discover the era's attitudes toward curiosity, a trait we learn was often depicted as an unsavory form of transgression or cultural ambition.