Scott Sebastian is a liar. Fitting, since I'm a liar too. Yet there's no place for me in his glittering world of half-truths. With all our secrets in the open, I should stop trying. What I've learned should send me running far away. I can't keep pining for a man in love if I'm not the woman he's in love with. But it's not that easy to escape the Sebastians. I already knew they owned this city. Now I'll find out if they also own their son.

For readers of Colm Toibin’s The Master and Michael Cunningham’s The Hours, a witty, moving, tender novel of impossible love and the mysterious ways of art. Johann Wolfgang von Goethe is so famous his servant auctions off snippets of his hair and children and adults recite from his many works by memory. When he was a young poet, his first novel, a story of love and romantic fervor ending in suicide, was an international blockbuster that set off a wave of self-inflicted deaths across Europe. Now seventy-three, sought after and busy with scientific pursuits and responsibilities to the Grand Duke, he has fallen in love with a nineteen-year-old, Ulrike von Levetzov. Infatuated, at the spa in Marienbad, he seeks her out. They exchange glances, witty words. In the social swirl, they find each other. On the promenade, they parade together arm in arm. Time spent away from her is sleepless, and when they kiss, it is in the “Goethian” way, from his books: a matter of souls, not mouths or lips. And yet, his years fail him. At an afternoon tea party, a younger man tries to seduce her. At a costume ball, he collapses. When he proposes nonetheless, Ulrike and her mother are already preparing to leave. Caught in a storm of emotion and torn between despair and unwillingness to give up hope, he begins an elegy in his coach as he pursues her: “The Marienbad Elegy,” one of his last great works.

The provocative, audacious, brilliant six-volume autobiographical novel that has unquestionably been the main event of contemporary European literature. It has earned favorable comparisons to its obvious literary forebears "A la recherche du temps perdu" and "Mein Kampf"Nbut has been celebrated as the rare magnum opus that is intensely, addictively readable.

He’s a total player. She’s begging to be played. The Sebastians own this city. Hell, they own the whole world. All I want is one little piece of it, a corner that I can call my own. So when my boss runs away to “find herself”, I seize the opportunity and dive head first into the Sebastian’s glamorous universe. It’s everything I’ve ever wanted - fast paced and high stakes - and, even though I don’t fit in, I’m excellent at faking it. Until I come face-to-face with the man in charge, Scott Sebastian, the arrogant playboy heir with the mind of a devil and the body of a god and a mouth I can’t stop thinking about. He’s infuriating. He’s a distraction. He’s the man who wants me in his bed as much as I want to be there. And, if I get too close, he’ll be the one person who could expose me for what I really am - a fraud. Originally published as two books: Man in Charge and Man in Love. Now includes the whole book as one standalone.

Men are fairly simple creatures with fairly simple needs. Yet women often find themselves frustrated trying to understand those needs in order to improve their marriages. Many wonder, "What does he expect from me? I'm doing everything the best I can. Doesn't he know I'm at the end of my rope here?" Relationship expert Rick Johnson ends the guessing game, giving women an open and honest look inside the world of a man's needs and helping them understand how best to use their influence to have a satisfying and exciting relationship. Rick delves into the not-so-mysterious-after-all world of a man, highlighting his need for respect and admiration, his sexual desires, his communication style, his work, his emotions, and even his relationship with the "other woman"--his mother. Women will appreciate Rick's candor, humor, and insight as they discover that the marriage of their dreams is closer than they ever thought it could be.

An extraordinary, explicitly masculine journey, Men In Love develops a startlingly honest portrayal of what it means to be a man in contemporary America. Here are the unexpurgated dreams, fantasies and fetishes that excite and obsess men today. In creating this historic study, Nancy Friday listened--without disapproval, apology or censorship--to the candid responses of thousands of men aged fourteen through sixty. She gave them a legitimate arena where they could share their "secret gardens"--the hidden and forbidden but nonetheless real and true. Much more than a litany of erotica, this unique volume doesn't tell us how men should love. It tells us how men do love--a stunning insight into the desires that dwell within men's psyches... and their hearts.

Loving: A Photographic Story of Men in Love, 1850-1950 portrays the history of romantic love between men in hundreds of moving and tender vernacular photographs taken between the years 1850 and 1950. This visual narrative of astonishing sensitivity brings to light an until-now-unpublished collection of hundreds of snapshots, portraits, and group photos taken in the most varied of contexts, both private and public. Taken when male partnerships were often illegal, the photos here were found at flea markets, in shoe boxes, family archives, old suitcases, and later online and at auctions. The collection now includes photos from all over the world: Australia, Bulgaria, Canada, Croatia, France, Germany, Japan, Greece, Latvia, the United States, the United Kingdom, Russia, and Serbia. The subjects were identified as couples by that unmistakable look in the eyes of two people in love - impossible to manufacture or hide. They were also recognized by body language - evidence as subtle as one hand barely grazing another - and by inscriptions, often coded. Included here are ambrotypes, daguerreotypes, glass negatives, tin types, cabinet cards, photo postcards, photo strips, photomatics, and snapshots - over 100 years of social history and the development of photography. Loving will be produced to the highest standards in illustrated book publishing, The photographs - many fragile from age or handling - have been digitized using a technology derived from that used on surveillance satellites and available in only five places around the world. Paper and other materials are among the best available. And Loving will be manufactured at one of the world's elite printers. Loving, the book, will be up to the measure of its message in every way. In these delight-filled pages, couples in love tell their own story for the first time at a time when joy and hope - indeed human connectivity - are crucial lifelines to our better selves. Universal in reach and overwhelming in impact, Loving speaks to our spirit and resilience, our capacity for bliss, and our longing for the shared truths of love.