Throughout the ages man has struggled with his perceived place in the natural world. The idea of humans cultivating the Earth fo suit specific needs is one of the greatest points of contention in this struggle. Man and the Natural World explores how man's ascendancy over the natural world gave way to a new concern for the environment and sense of kinship with other species. 22 halftones.

First published in 1864, Marsh's ominous warnings inspired environmental conservation and reform. By linking culture with nature, science with history, "Man and Nature" was the most influential text of its time next to Darwin's "On the Origin of Species."

Arguing that humanity has lost its symbiotic relationship with nature regarding housing, a cultural evaluation of architecture considers the evolution of structure development and the possibility of combining the expertise of environmentalists and builders to promote indigenous architecture. UP.

A penetrating take on how our planet would respond without the relentless pressure of the human presence

A pioneering exploration of the roots of our attitudes toward nature, Paul Shepard's most seminal work is as challenging and provocative today as when it first appeared in 1967. Man in the Landscape was among the first books of a new genre that has elucidated the ideas, beliefs, and images that lie behind our modern destruction and conservation of the natural world. Departing from the traditional study of land use as a history of technology, this book explores the emergence of modern attitudes in literature, art, and architecture--their evolutionary past and their taproot in European and Mediterranean cultures. With humor and wit, Shepard considers the influence of Christianity on ideas of nature, the absence of an ethic of nature in modern philosophy, and the obsessive themes of dominance and control as elements of the modern mind. In his discussions of the exploration of the American West, the establishment of the first national parks, and the reactions of pioneers to their totally new habitat, he identifies the transport of traditional imagery into new places as a sort of cultural baggage.

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