Jon Hart is not a professional athlete. His one major sports victory is a world championship in roller basketball, which is basketball on in-line skates. More than ten years ago, he started pursuing his own bucket list and embarked on a hilarious and insightful journey into the furthest reaches of the sports world.

SHORTLISTED FOR RUGBY BOOK OF THE YEAR AT THE BRITISH SPORTS BOOK AWARDS 'When I came into the Ulster team,' Stephen Ferris says with typical candour, 'we were crap'. It was, however, preferable to his day job of paving driveways, and that day in 2005 saw the start of an incredible journey for Ferris, Ulster and Ireland rugby. A Celtic League title in his very first senior season with Ulster. A Grand Slam in 2009, followed by a sensational Lions breakthrough. A starring role in Ireland's greatest World Cup win, over Australia in 2011, when Ferris famously picked up Will Genia and carried him ten yards. And leading Ulster from nowhere to the Heineken Cup final. Stephen Ferris had an incredible rugby career, tragically ended by ankle injuries so severe they will never properly heal. He is an inspiration to the population of Ulster, an emblem of the sport that serves as such a positive expression of its culture and identity, and earned the respect and admiration of fans across Ireland for his strength, pace, skill and courage. Fearless, funny and full of an incredible array of stories from behind the scenes of Ulster, Ireland and the Lions, this is the must-have rugby book of the year.

'CENSUS is a vital testament to selfless love; a psalm to commonplace miracles; and a mysterious evolving metaphor. So kind, it aches.' David Mitchell, author of Cloud Atlas A father and son who are census takers journey across a nameless country from the town of A to the town of Z in the wake of the father's fatal diagnosis. Knowing that his time is menacingly short, the father takes his son, who requires close and constant adult guidance, on this trip of indefinite length. Their feelings for each other are challenged and bolstered as they move in and out of a variety of homes, meeting a variety of different people. Census is about the ways in which people react to the son's condition, to the son as a person in the world. It is about discrimination and acceptance, kindness and art, education and love. It is a profoundly moving novel, glowing with wisdom and grace, roaring with a desire to change the world.

Renowned NFL analysts' tips to make football more accessible, colorful, and compelling than ever before More and more football fans are watching the NFL each week, but many of them don't know exactly what they should be watching. What does the offense's formation tell you about the play that's about to be run? When a quarterback throws a pass toward the sideline and the wide receiver cuts inside, which player is to blame? Why does a defensive end look like a Hall of Famer one week and a candidate for the practice squad the next? These questions and more are addressed in Take Your Eye Off the Ball 2.0, a book that takes readers deep inside the perpetual chess match between offense and defense. This book provides clear and simple explanations to the intricacies and nuances that affect the outcomes of every NFL game. This updated edition contains recent innovations from the 2015 NFL season.

Gagosian Gallery is pleased to announce a major sculpture exhibition by the late Franz West. West was actively engaged with the preparation of this exhibition up until his untimely death earlier this summer. Belonging to the generation of artists exposed to Actionist and Performance Art of the 1960s and70s, West instinctively rejected the traditionally passive nature of the relationship betweenartwork and viewer. Being equally opposed to the physical ordeal and existential intensity insisted upon by his performative forbears, he made work that was vigorous and imposing yet free and light-hearted, where form and function were roughly compatible rather than mutually exclusive. In the seventies, he produced the first of the small, portable, mixed media sculptures called Adaptives (Passstucke). These ergonomically inclined objects become complete as artworks only when the viewer holds, wears, carries or performs with them. Transposing the knowledge gained with these formative works, he explored sculpture increasingly in terms of an ongoing dialogue of actions and reactions between viewers and objects in any given exhibition space, while probing the internal aesthetic relations between sculpture and painting."

"Citizen Kane does Adventureland." —The Washington Post The outlandish, hilarious, terrifying, and almost impossible-to-believe story of the legendary, dangerous amusement park where millions were entertained and almost as many bruises were sustained, told through the eyes of the founder's son. Often called "Accident Park," "Class Action Park," or "Traction Park," Action Park was an American icon. Entertaining more than a million people a year in the 1980s, the New Jersey-based amusement playland placed no limits on danger or fun, a monument to the anything-goes spirit of the era that left guests in control of their own adventures--sometimes with tragic results. Though it closed its doors in 1996 after nearly twenty years, it has remained a subject of constant fascination ever since, an establishment completely anathema to our modern culture of rules and safety. Action Park is the first-ever unvarnished look at the history of this DIY Disneyland, as seen through the eyes of Andy Mulvihill, the son of the park's idiosyncratic founder, Gene Mulvihill. From his early days testing precarious rides to working his way up to chief lifeguard of the infamous Wave Pool to later helping run the whole park, Andy's story is equal parts hilarious and moving, chronicling the life and death of a uniquely American attraction, a wet and wild 1980s adolescence, and a son's struggle to understand his father's quixotic quest to become the Walt Disney of New Jersey. Packing in all of the excitement of a day at Action Park, this is destined to be one of the most unforgettable memoirs of the year.

He had forgotten his real name, so they called him "Spingarn" after the last role he had played. He was the man the directors of the Frames regarded as their major headache - for he was guilty of two unforgivable arrogances. He had programmed himself into every one of the vast world-staged dramas he had directed - and he had reactivated the forbidden Frames of the pre-human planet of Talisker. In those days of an overcrowded colonized cosmos, a thousand years from now, the Frames were the major means of diversion. Historical re-creations and fictional dramas played out with planets as stages and while populations as actors - the Frame directors and their robot assistants had become the masters of all life. They could not destroy Spingarn, THE PROBABILITY MAN, but they could sentence him to undo the damage he had done. So he was sent to the mad Frames of Talisker to unravel the secret of their origin a billion years before the universe