Oh I Do Like to Be Beside the Seaside - Christopher Fowler Christopher Fowler explains "'. . . Seaside' came about firstly because I was commissioned to write a story for the World Horror Convention souvenir book and, as the event was to take place in Brighton, it seemed logical to set a tale on the South coast of England. "I had written a fantasy novel, Calabash, some years earlier, hinting at the dark madness of such seaside towns, which are the antithesis of their Mediterranean counterparts. I thought of the depressing Morrissey song "Every Day is Like Sunday", which captures the awfulness of English resorts. "Coincidentally, Kim Newman and I were discussing the inherent creepiness of pantomime dames, and I decided it was time to give vent to my horror of these coastal pleasure domes. I wish I'd thought to include screaming gangs of hen-nighters as well. And I thought it was a nice touch to have everyone in the story telling the hero to 'fuck off' until he finally does." Featherweight - Robert Shearman "I don't like writing at home much," admits the author. "Home is a place for sleeping and eating and watching afternoon game shows on TV. There are too many distractions. So, years ago, I decided I'd only write first drafts in art galleries. "And the best of them all is the National Gallery, in London, a pigeon's throw from Nelson's Column. I can walk around there with my notebook, thinking up stories - and if I get bored, there are lots of expensive pictures to look at. Perfect. "A lot of those paintings, however, have angels in them. They're all over the place, wings raised, halos gleaming - perching on clouds, blowing trumpets, hovering around the Virgin Mary as if they're her strange naked childlike bodyguards. And I began to notice. That, whenever the writing is going well, the angels seemed happy, and would smile at me. And whenever the words weren't coming out right, when I felt sluggish, when I thought I'd rather take off and get myself a beer, they'd start to glare. "I wrote this story in the National Gallery. Accompanied by a lot of glaring angels. Enjoy." Lesser Demons - Norman Partridge "I was surprised to receive an invitation for S.T. Joshi's Black Wings," reveals Partridge, "an anthology of Lovecraftian fiction. Although I knew S.T. admired my work, I've never quite seen myself as a Mythos writer. "While I respect H.P. Lovecraft and his contribution to horror, I've never felt that his worldview (or maybe I should say universeview) meshed with mine. "In the end, that's what made the story work . . . at least for me. I concentrated on my differences with Lovecraft, and approached the material from a place where Jim Thompson would be more comfortable than HPL. And I'm delighted that so many people have enjoyed the tale - it was a lot of fun to write."

Twenty-seven fantasy tales from Neil Gaiman to George R. R. Martin, plus many more, are collected in this anthology of speculative fiction. The renowned storytellers assembled here will challenge our concept of good and evil and provide us with new ways of seeing right and wrong: even angels can fall and demons will strive for redemption.

In this grizzly anthology of the undead, four fascinatingly horrid dystopian universes are described, with zombies taking centre stage. Included are: What Will Come After - Scott Edelman In this most personal of zombie stories, the author imagines himself as the protagonist, looking ahead to what would happen after his own death . . . and rebirth. Christmas with the Dead - Joe R. Lansdale The ultimate in holiday horror stories. Fort Clay, Louisiana: A Tragical History - Albert E. Cowdrey When a young photographer welcomes an elderly man to her house to see the book she has published about a long-deserted 19th century military fort on the Mississippi, watery southern horrors emerge from the past. When the Zombies Win - Karina Sumner-Smith The ultimate in dystopian what-ifs, Karina Sumner-Smith's story is set after the zombie apocalypse has reached its zenith. When there's no one left to infect, where do the zombies turn?

The Pier - Thana Niveau "The pier exists," explains Thana Niveau, "and yes, it is decorated with strange plaques and cryptic memorials, although none are quite as morbid as I've invented. "It's mostly Clevedon Pier, which is where the story was born. I was reading the plaques one day and a couple of the quirkier ones made me wonder. What if they weren't written by the living to remember the dead at all, but were instead a channel for voices from somewhere else? "Somerset is the original Wicker Man country, after all. It's a place rich in pagan tradition and many of its strange rituals are lost to time. Or are they?" Fallen Boys - Mark Morris "Porthellion Quay, which features in this story, is a real place - only the name is different," says Morris. "My family and I spent a lovely, sunny day there one summer a few years ago during a Cornish holiday. "I love Cornwall not only because it's breathtakingly beautiful, but also because it is wild and rugged and desolate, and because past echoes and ancient legends seem to seep out of the very rock. It's a landscape which lends itself perfectly to the kinds of ghost stories I love, of which it seems there are far too few these days - stories which are not cosy and comforting and familiar, but which are dark and insidious, and evoke a crawling sense of dread." Lavender and Lychgates - Angela Slatter "'Lavender and Lychgates' is the second last story in Sourdough and Other Stories," recalls Slatter. "I had ideas I wanted to continue to explore - consequences of actions in an earlier story in the collection - and I had a picture in my head of a young girl in a graveyard. "Many years ago, a friend had told me a garbled tale of lilacs and lychgates, the details of which I cannot remember. I managed to garble it even more, and I couldn't get the words 'lavender and lychgates' out of my head, nor the image of shadows swirling in the apex of a lychgate roof above the heads of people passing out underneath. I also wondered what happens when you hang onto a memory too tightly." With the Angels - Ramsey Campbell "My fellow clansman Paul Campbell will remember the birth of this tale," he reveals. "At the Dead Dog party after the 2010 World Horror Convention in Brighton, someone was throwing a delighted toddler into the air. I was ambushed by an idea and had to apologise to Paul for rushing away to my room to scribble notes. The result is here."

After the Ape - Stephen Volk "The notion of 'what happened next?' following a classic monster movie - probably the biggest and best - was an intriguing one to me," says Stephen Volk, "and not only the initial considerations of public health issues. "Somehow kicking this off and shadowing its development was reading somewhere that King Kong was Hitler's favourite film. Why? "Anyway the ape is not the monster in this tale. Far from it." The Nonesuch - Brian Lumley Brian Lumley reveals "readers who attended the KeoghCons in Torquay, Devon, will immediately recognize the only slightly disguised location in which this story is set... two previous tales in this sequence ('The Thin People' and 'Stilts') were narrated first-person by the protagonist, an unfortunate fellow who, where weird or unconventional collisions are concerned, appears to be accident prone - in spades! And being a recovering alcoholic hasn't much helped his case, because pink elephants just don't compare with the creatures he's wont to bump into. "The earlier tales are alluded to, but briefly, which barely interferes with the pace of the current story. As to why I wrote this one: it's simply that I have a fondness for trilogies, let alone outré encounters . . ."

Six short stories to shake you to your core. Out and Back by Barbara Roden An abandoned amusement park attracts unwary thrill seekers The Game of Bear - Reggie Oliver & M. R. James Reggie Oliver completes M. R. James' unfinished classic. Shem-el-Nessim: An Inspiration in Perfume - Chris Bell Venturi - Richard Christian Matheson Party Talk - John Gaskin Princess of the Night - Michael Kelly

Taken from The Mammoth Book of Best New Horror 22, edited by Stephen Jones. As Smith recalls: "This story came about in the simplest way, the way I always enjoy most - something happening in real life that makes you think 'What if?' "Our household gets a lot of its food via an online delivery service, and one day when I was unpacking what had just been dropped at our house I gradually realised there was something...not quite right about the contents of the bags. "There's two things that are strange about that experience. The first is that - given that every household is likely to buy at least some things in common - you don't realise straight away that you've been given the wrong shopping. You don't immediately think 'This is wrong', more like . . . 'This is weird'. The second is how personal it is, gaining accidental access to this very tangible evocation of some other family's life. You can't help but wonder about the people the food was really destined for. "In real life, I just called up the delivery guy and got it sorted out: but in fiction, you might tackle things slightly differently . . ."