This volume discusses Mamluk historical texts with an emphasis on literary/stylistic analysis, basically ignoring issues of 'factuality' versus 'fictivity'. None of the authors set out to write 'fiction'; nor would their audience have received their accounts as such. The events depicted were a matter of historical record; but their meaning was geared both to contemporary and to general concerns. The fact of telling them is part and parcel of the historian's task; the means of telling them has to do with the historian's choice of style; and style is all-important in conveying meaning. Were these accounts not considered 'true', the purpose behind their telling and the meaning they convey, would, arguably, be lost; but were they not told in the most effective manner, their meaning might not be clearly grasped.

The Mamluk Sultanate represents an extremely interesting case study to examine social, economic and cultural developments in the transition into the rapidly changing modern world. On the one hand, it is the heir of a political and military tradition that goes back hundreds of years, and brought this to a high pitch that enabled astounding victories over serious external threats. On the other hand, as time went on, it was increasingly confronted with "modern" problems that would necessitate fundamental changes in its structure and content. The Mamluk period was one of great religious and social change, and in many ways the modern demographic map was established at this time. This volume shows that the situation of the Mamluk Sultanate was far from that of decadence, and until the end it was a vibrant society (although not without tensions and increasing problems) that did its best to adapt and compete in a rapidly changing world.

The only Arabic voice to have witnessed the Ottoman conquest of Cairo, Ibn Iyās, is an eminent historical source for the late Mamluk period. This book is the first to take stock of the author's complete works, approaching him through an examination of his narrative voice and writing strategies. Tracing Ibn Iyās's working process by compilation analysis, it shows how the author adapted his representations of Egyptian history to his writing projects and audience. Ibn Iyās's ways of worldmaking are shaped deeply by beliefs, biases and intellectual trends as well as the impact of the social and historical context the author wrote in. Knowing these conditioning factors allows to understand his presentation of history as an individual voice of his time.

The general field of study of this volume is the history and culture of the Mamluk Sultanate (1250–1517). It contains the proceedings of the First German-Japanese Workshop held at the Toyo Bunko in Tokyo, Japan. The authors write about a variety of topics from rural irrigation systems to high diplomacy vis à vis the Safavid empire and the Ottoman threat. The volume includes case studies of important personalities and families living in the centres of Mamluk power such as Cairo and Damascus as well as analyses of contemporary writers and their stance toward the ruling military class. Next to innovation in the field, this volume is an agenda of an increasing globalisation of scholarship that is fertilizing future research.

The so-called Mamluk sultans who ruled Egypt and Syria between the late thirteenth and early sixteenth centuries AD have often been portrayed as lacking in legitimacy due to their background as slave soldiers. Sultanic biographies written by chancery officials in the early period of the sultanate have been read as part of an effort of these sultans to legitimise their position on the throne. This book reconsiders the main corpus of six such biographies written by the historians Ibn ʿAbd al-Ẓāhir (d. 1293) and his nephew Shāfiʿ ibn ʿAlī (d. 1330) and argues that these were in fact far more complex texts. An understanding of their discourses of legitimisation needs to be embedded within a broader understanding of the multi-directional discourses operating across the texts. The study proposes to interpret these texts as "spectacles", in which authors emplotted the reign of a sultan in thoroughly literary and rhetorical fashion, making especially extensive use of textual forms prevalent in the chancery. In doing so the authors reimagined the format of the biography as a performative vehicle for displaying their literary credentials and helping them negotiate positions in the chancery and the wider courtly orbit.

In Making Sense of History: Narrativity and Literariness in the Ottoman Chronicle of Naʿīmā, Gül Şen offers the first comprehensive analysis of narrativity in the most prominent official Ottoman court chronicle