"Featuring 15 ... popular songs, four rounds, a harmonica lesson, backseat drumming, and more"--Front cover.

“God knows Mama and I traveled many roads long, hard, and far! Neither journey easy, but truly this is our only meeting place. He has reserved our time.” Mama, Don’t Stop The Music! a contemporary fiction with light paranormal twists into the supernatural, takes you on an emotional roller coaster ride. It leaves you with an experience of joy, laughter, and pain as it tells the story of a mother and daughter’s journey – one through life, the other through death. When thirty-three-year-old Nadine Allen comes face to face with her mother on her deathbed, she comes to terms with her own faults and guilt, essentially finding similarities between herself and the woman she had grown to despise. Seeing her mother battle with death, Nadine learns amazing strength and courage, while discovering a spiritual revelation within herself and a family secret that haunts her mother until the day she dies. Desperately seeking connection, acknowledgement, and forgiveness, Nadine tells the story of her life for the past twenty-one years to her comatose mother who left her at the age of twelve. Faith leads Nadine to God, her mother, and an unbreakable bond to them both through music.

Talkin' to Myself: Blues Lyrics, 1921-1942 is a compendium of lyrics by the great blues recording artists of the classic blues era. It includes over 2000 songs, transcribed directly from the original recordings, making it by far the most comprehensive and accurate collection of blues lyrics available.

This compilation of essays takes the study of the blues to a welcome new level. Distinguished scholars and well-established writers from such diverse backgrounds as musicology, anthropology, musicianship, and folklore join together to examine blues as literature, music, personal expression, and cultural product. Ramblin' on My Mind contains pieces on Ella Fitzgerald, Son House, and Robert Johnson; on the styles of vaudeville, solo guitar, and zydeco; on a comparison of blues and African music; on blues nicknames; and on lyric themes of disillusionment. Contributors are Lynn Abbott, James Bennighof, Katharine Cartwright, Andrew M. Cohen, David Evans, Bob Groom, Elliott Hurwitt, Gerhard Kubik, John Minton, Luigi Monge, and Doug Seroff.

In the late 1950s there was a skiffle craze in Great Britain. With its strong beat and fast tempos, skiffle music challenged the emerging rock n roll. Estimates suggest that at the height of the craze there were upwards of 30,000 skiffle groups in the country. This book contains the full lyrics and guitar chords for 50 skiffle songs made famous by the likes of: the Vipers, Chas McDevitt, Lonnie Donegan, Ken Colyer, and the City Ramblers skiffle groups. Songs include: Rock Island Line ; Midnight Special ; Putting On The Style ; Maggie May ; Freight Train ; Don t You Rock Me Daddy-O ; Pick a Bale of Cotton ... and many other classics from the repertoires of professional and amateur skiffle groups of the era. Each song is presented over a double-page spread with chords above the lyrics. There is also instruction in how to strum the guitar when playing skiffle songs, and a valuable explanation of the three chord trick . All profits from this book are donated to Save the Children.

Three-time national flatpicking champion Steve Kaufman teaches you how to buy a guitar, the easy way to fret a note, how to read chord charts and play all the basic chords, basic bluegrass strumming patterns, bass runs and walks, hammer-ons and pull-offs, how to read tablature, picking lead, crosspicking, practice techniques, and much more.

(Meredith Music Resource). This comprehensive collection of folk songs used in band masterworks is a wonderful source for determining interpretation and style, and will open the door to creative teaching. Folk song overviews include notated tunes, lyrics and brief historical annotations. A must-have for the imaginative teacher/conductor! "This volume should be on the shelf of every wind conductor's library." Allan McMurray, Director of Bands, University of Colorado