A play by Arnold James Freeman, performed by the Sheffield Educational Settlement Players.

1910. A miserable New Year's Eve in deepest Louisiana. Everything goes wrong for Toby and his Uncle Theo's down-at-heel troupe of travelling actors. Then chance brings them to the ruined mansion of Illyria - but nothing is as it seems. This is a world of magic, murder and mystery.

Malvolio seeks revenge upon the whole pack of the, as promised in Twelfth Night

What do audiences do as they watch a Shakespearean play? What makes them respond in the ways that they do? This book examines a wide range of theatrical productions to explore the practice of being a modern Shakespearean audience. It surveys some of the most influential ideas about spectatorship in contemporary performance studies, and analyses the strategies employed both in the texts themselves and by modern theatre practitioners to position audiences in particular ways.

Professor Cedric Watts discusses 25 puzzles presented by the works of Shakespeare. For instance: The Sonnets - autobiographical or fictional? What is the plot of the long-lost Love's Labour's Won? What are the 'glass eyes' in King Lear? Prospero's epilogue: it is really Shakespeare's farewell? Repeatedly, these challenging discussions reveal and resolve problematic features of the works, and demonstrate the linkage of minor and major concerns. Cedric Watts, Emeritus Professor of English at Sussex University, was co-author (with John Sutherland) of the acclaimed book, Henry V: War Criminal? and Other Shakespeare Puzzles. This new selection of puzzles was first published in Around the Globe, the magazine of Shakespeare's Globe Theatre in London.

The work of Georges Bataille (1897-1962) has often been reduced to his outrageous, erotic, and libertine fiction and essays. This book presents contemporary interpretations that situate Bataille in French and European intellectual traditions, and brings forward key concepts to understand the challenges posed by his important work and philosophy