This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. The Malleus is an important text and is frequently quoted by authors across a wide range of scholarly disciplines. Yet it also presents serious difficulties: it is difficult to understand out of context, and is not generally representative of late medieval learned thinking. This, the first book-length study of the original text in English, provides students and scholars with an introduction to this controversial work and to the conceptual word of its authors. Like all witch-theorists, Institoris and Sprenger constructed their witch out of a constellation of pre-existing popular beliefs and learned traditions. Therefore, to understand the Malleus, one must also understand the contemporary and subsequent debates over the reality and nature of witches. This book argues that although the Malleus was a highly idiosyncratic text, its arguments were powerfully compelling and therefore remained influential long after alternatives were forgotten. Consequently, although focused on a single text, this study has important implications for fifteenth-century witchcraft theory. This is a fascinating work on the Malleus Maleficarum and will be essential to students and academics of late medieval and early modern history, religion and witchcraft studies.

The Malleus Maleficarum, first published in 1486–7, is the standard medieval text on witchcraft and it remained in print throughout the early modern period. Its descriptions of the evil acts of witches and the ways to exterminate them continue to contribute to our knowledge of early modern law, religion and society. Mackay's highly acclaimed translation, based on his extensive research and detailed analysis of the Latin text, is the only complete English version available, and the most reliable. Now available in a single volume, this key text is at last accessible to students and scholars of medieval history and literature. With detailed explanatory notes and a guide to further reading, this volume offers a unique insight into the fifteenth-century mind and its sense of sin, punishment and retribution.

This title offers a new translation of the medieval treatise on witchcraft, the Malleus Maleficarum, by the Dominican inquisitor Heinrich Institoris.

In The Astronomer and the Witch, Ulinka Rublack pieces together the tale of this extraordinary episode in Kepler's life, one that takes us to the heart of his changing world.

In 1487, Heinrich Kramer and Jacob Sprenger wrote the Malleus Maleficarum, the premiere manual for exposing, capturing, prosecuting, and burning witches used by every right-thinking European magistrate of the late middle ages. Cartoonist Mike Rosen has adapted this warm and uplifting tome which fueled a wave of witch-hunting that lasted for nearly two centuries and cost nearly 60,000 people (mostly women) their lives. The adaptation's tongue-in-cheek tone exposes a kind of paranoid thinking which exists to this day in some circles and answeres all of those nagging eternal questions; Do witches kill newborn babies for use in their rituals? Can they turn men into beasts? Can they steal mens' penises, collecting them in great numbers, to hide in, say, a bird's nest up in a tree, where they then move around like squiggly phallic snakes and eat corn and oats? Finally, most importantly, do witches have sexual relations with devils? How do they have sexual relations with devils? And could we hear some more about these sexual relations with devils? Nothing makes for a fun read like torture, murder, infanticide, and disembodied penises! Always fun and educational.

A thoroughly revised, greatly expanded edition of the most important documentary history of European witchcraft ever published.

This book critiques historians’ assumptions about witch-hunting as well as their explanations for this complex and perplexing phenomenon. It shows that large numbers of men were accused of witchcraft in their own right, in some regions, more men were accused than women. The authors insist on the centrality of gender, tradition, and ideas about witches in the construction of the witch as a dangerous figure. They challenge the marginalization of male witches by feminist and other historians.