Sandro Miller re-created 26 photographs paying homage to the world's greatest photographers, using John Malkovich as the subject in each image.

Over the course of seventeen years, award-winning photographer Sandro Miller and inimitable actor John Malkovich combined their larger-than-life personas and talents to produce a series of portraits and films, most notably those that reconstruct the most iconic images in photographic history, in their Homage series. Others in the collection here capture the genius and range of Malkovich's acting ability in distinctive portraits as well as in film works. For lovers of the arts, photography, and John Malkovich, this book is indispensable. The first section of the book, Portraits, includes Malkovich in a variety of costumes and characters, ranging from playful to serious; while the second section, Homage, is devoted to recreating some of the most iconic portraits of all time: the artworks that originally inspired Miller to become a photographer. Here are representations of the likes of Annie Leibowitz's image of Yoko Ono and John Lennon; Bert Stern's photographs of Marilyn Monroe, and Dorothea Lange's "Migrant Mother." At first glance, it is difficult to tell that the subject in the photograph is in fact Malkovich, emphasizing the unique nature of Malkovich's formidable acting ability and Miller's talent for perfectly creating the lighting, environment and demeanor of the original photographs. Finally, the third section of the book contains photographs from experimental films created by the artists in tandem. As one of pop culture's most cultish personalities, Malkovich's fluid ability as an actor perfectly complements Miller's talents as a photographer and director. Rarely is an art book published that exhibits so gorgeously and extravagantly the talents of two extraordinary individuals working in collaboration over such a long period of time, that also provides so much delight to those who are not cognoscenti, but merely aficionados of great and distinctive work.

Winner of the 2013 Women's Prize for Fiction—A darkly comic novel of twenty-first-century domestic life by a writer who is always “compelling, devastating, and furiously good” (Zadie Smith) Harold Silver has spent a lifetime watching his younger brother, George, a taller, smarter, and more successful high-flying TV executive, acquire a covetable wife, two kids, and a beautiful home in the suburbs of New York City. But Harry, a historian and Nixon scholar, also knows George has a murderous temper, and when George loses control the result is an act of violence so shocking that both brothers are hurled into entirely new lives in which they both must seek absolution. Harry finds himself suddenly playing parent to his brother’s two adolescent children, tumbling down the rabbit hole of Internet sex, dealing with aging parents who move through time like travelers on a fantastic voyage. As Harry builds a twenty-first-century family created by choice rather than biology, we become all the more aware of the ways in which our history, both personal and political, can become our destiny and either compel us to repeat our errors or be the catalyst for change. May We Be Forgiven is an unnerving, funny tale of unexpected intimacies and of how one deeply fractured family might begin to put itself back together.

The bold and boundlessly original debut novel from the Oscar®-winning screenwriter of Being John Malkovich, Adaptation, Eternal Sunshine of the Spotless Mind, and Synecdoche, New York. LONGLISTED FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE • “A dyspeptic satire that owes much to Kurt Vonnegut and Thomas Pynchon . . . propelled by Kaufman’s deep imagination, considerable writing ability and bull’s-eye wit."—The Washington Post “An astonishing creation . . . riotously funny . . . an exceptionally good [book].”—The New York Times Book Review • “Kaufman is a master of language . . . a sight to behold.”—NPR NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR AND MEN’S HEALTH B. Rosenberger Rosenberg, neurotic and underappreciated film critic (failed academic, filmmaker, paramour, shoe salesman who sleeps in a sock drawer), stumbles upon a hitherto unseen film made by an enigmatic outsider—a film he’s convinced will change his career trajectory and rock the world of cinema to its core. His hands on what is possibly the greatest movie ever made—a three-month-long stop-motion masterpiece that took its reclusive auteur ninety years to complete—B. knows that it is his mission to show it to the rest of humanity. The only problem: The film is destroyed, leaving him the sole witness to its inadvertently ephemeral genius. All that’s left of this work of art is a single frame from which B. must somehow attempt to recall the film that just might be the last great hope of civilization. Thus begins a mind-boggling journey through the hilarious nightmarescape of a psyche as lushly Kafkaesque as it is atrophied by the relentless spew of Twitter. Desperate to impose order on an increasingly nonsensical existence, trapped in a self-imposed prison of aspirational victimhood and degeneratively inclusive language, B. scrambles to re-create the lost masterwork while attempting to keep pace with an ever-fracturing culture of “likes” and arbitrary denunciations that are simultaneously his bête noire and his raison d’être. A searing indictment of the modern world, Antkind is a richly layered meditation on art, time, memory, identity, comedy, and the very nature of existence itself—the grain of truth at the heart of every joke.

THE STORY: The place is a Manhattan loft shared by Anna, a lithe young dancer-choreographer, and her two gay roommates--her collaborator, Robby, who has just been killed in a freak boating accident, and Larry, a world-weary, caustically funny young adverti

John Malkovich and Sandro Miller pay homage to the icons of photography that have changed our collective imagination. Meryl Streep is a myth, even without the celebrated portrait taken by Annie Leibovitz in 1981, and another myth - John Malkovich - pays homage to her talent with Sandro Miller in a project designed to bring to life the works of master photographers that have changed our collective imagination. In this original project, Sandro Miller uses the celebrated actor to recreate some of the most famous portraits of all time. This book is a sort of magic formula with no need for Photoshop, relying simply on the actor's chameleon-like talent to open the doors of our imagination. Thanks to meticulous make-up sessions, costumes and sets, coming after months of research, Malkovich becomes Albert Einstein sticking his tongue out at Arthur Sasse (1951), Che Guevara as captured by Alberto Korda (1960), Jack Nicholson behind the mask of the Joker by Herb Ritts (1988). Malkovich also represents Robert Mapplethorpe's transgressive Self and animates Andres Serrano's plastic crucifix (1987) and Andy Warhol's pop art. With a fur wrapped around his head, Malkovich becomes Mick Jagger as depicted by David Bailey (1964) and even transforms into Richard Avedon's famous Beekeeper.

"Even before the Oscars, the buzz of the British Academy Film Awards gives a unique energy to awards season, making one night in early February a highlight for everyone in the film business. Thus in 1999, Charles Finch’s now-famous pre-BAFTA party was born, and in the years since, Finch’s charismatic charm and creative skills have turned a small gathering on the eve of the BAFTA Awards into a star-studded bash. With a foreword by John Malkovich, The Night Before BAFTA is a behind-the-scenes invitation to this glamorous night, featuring iconic images of British actors and films, anecdotes from the party’s guests and notable figures, and the story of the famed British Academy of Film and Television Arts. Readers are welcomed into the exclusive club venue, Annabel’s, to peruse an impressive photo collection of the who’s who of British film, complemented by former Harper’s Bazaar UK editor Lucy Yeomans’s insights on Red Carpet fashion moments in film"--Provided by the publisher.