Four friends, three days, two lovers, and one very haunted theme park On a stormy Halloween weekend, Ray enlists his best friends Joaquin, Sofia, and Isabella to help him make a documentary of Malicia, the abandoned theme park off the coast of the Dominican Republic where his mother and brother died in a mass killing thirteen years ago. But what should be an easy weekend trip quickly turns into something darker because all four friends have come to Malicia for their own reasons: Ray has come to Malicia to find out the truth of the massacre that destroyed his family. Isabella has come to make art out of Ray’s tragedy for her own personal gain. Sofia has come to support her friends in one last adventure before she goes to med school. Joaquin already knows the truth of the Malicia Massacre and he has come to betray his crush Ray to the evil that made the park possible. With an impending hurricane and horrors around every corner, they all struggle to face the deadly storm and their own inner demons. But the deadliest evil of all is the ancient malignant presence on the island

The Idea of a Moral Economy is the first modern edition and English translation of three questions disputed at the University of Paris in 1330 by the theologian Gerard of Siena. The questions represent the most influential late medieval formulation of the natural law argument against usury and the illicit acquisition of property. Together they offer a particularly clear example of scholastic ideas about the nature and purpose of economic activity and the medieval concept of a moral economy. In his introduction, editor Lawrin Armstrong discusses Gerard's arguments and considers their significance both within the context of scholastic philosophy and law and as a critique of contemporary mainstream economics. His analysis demonstrates how Gerard's work is not only a valuable source for understanding economic thought in pre-modern Europe, but also a fertile resource for scholars of law, economics, and philosophy in medieval Europe and beyond.

In?"The Stain"?Rikki Ducornet tells the story of a young girl named Charlotte, branded with a furry birthmark in the shape of a dancing hare, regarded as the mark of Satan. "Sadistic nuns, scatology, butchered animals, monkish rapists, and Satan" (Kirkus), as well as the village exorcist, inhabit this bawdy tale of perversion, power, possession, and the rape of innocence. Ducornet weaves an intricate design of fantasy and reality, at once surreal, hilarious, and terrifying.

V. 1-11. House of Lords (1677-1865) -- v. 12-20. Privy Council (including Indian Appeals) (1809-1865) -- v. 21-47. Chancery (including Collateral reports) (1557-1865) -- v. 48-55. Rolls Court (1829-1865) -- v. 56-71. Vice-Chancellors' Courts (1815-1865) -- v. 72-122. King's Bench (1378-1865) -- v. 123-144. Common Pleas (1486-1865) -- v. 145-160. Exchequer (1220-1865) -- v. 161-167. Ecclesiastical (1752-1857), Admiralty (1776-1840), and Probate and Divorce (1858-1865) -- v. 168-169. Crown Cases (1743-1865) -- v. 170-176. Nisi Prius (1688-1867).

Lumar: a magical little stone with a love of travel and a destiny that launches him on a grand journey of high adventure but also of great peril. Malicia: beautiful, mercurial, evil. A powerful young sorceress from the village of Kindi who is obsessed with darkness and her own sinister ambitions. Trapper: Malicia’s cat and unwilling companion. He is privy to her dark intentions and knows all her secrets. The destinies of these three entwine in unexpected ways and weave a web of intrigue and struggle that enmeshes them all. As the struggle intensifies and becomes more menacing, the fate of each and also that of Kindi and all its inhabitants hangs in the balance.

By means of compositional devices and a masterful use of Greek language that the author adapts to the contents, Galen achieves an accurate and didactic exposition, which presents the vivacity of oral speech. Dealing with a humoral unbalance that is on the basis of many local and general affections inflammation and fevers among them , this small treatise also includes key notions of Anatomy and Physiology. On those grounds it became a bestseller in the Middle Ages and the Renaissance (translations into Syrian, Arabic, Latin 8 versions and Hebrew; 14 commentaries from 1290 to 1567). This first critical edition presents a continuous text no chapters and points to the internal structure created by the author in order to make his text readily accessible and unforgettable. A thorough Introduction the textual transmission, the fundamental topics , is coupled by an ample Commentary that deals with alteration and pain, qualities and humours, no less than with scribal errors and grammatical explanations.