Previously hard-to-find information on homosexuality in early America—now in a convenient single volume! Few of us are familiar with the gay men on General Washington’s staff or among the leaders of the new republic. Now, in the same way that Alex Haley’s Roots provided a generation of African Americans with an appreciation of their history, Male-Male Intimacy in Early America: Beyond Romantic Friendships will give many gay readers their first glimpse of homosexuality as a theme in early American history. Honored as a 2007 Stonewall Book Award nonfiction selection, Male-Male Intimacy in Early America is the first book to provide a comprehensive overview of the role of homosexual activity among American men in the early years of American history. This single source brings together information that has until now been widely scattered in journals and distant archives. The book draws on personal letters, diaries, court records, and contemporary publications to examine the role of homosexual activity in the lives of American men in the Colonial period and in the early years of the new republic. The author scoured research that was published in contemporary journals and also conducted his own research in over a dozen US archives, ranging from the Library of Congress to the Huntington Library, from the United Military Academy Archives to the Missouri Historical Society. Male-Male Intimacy in Early America explores: the role of the open frontier and the unregulated seas as places of refuge for men who would not enter into heterosexual relationships the sexual lives of American Indians—particularly the berdache tradition—and how the stereotypes associated with American Indian sexuality molded white America’s attitudes toward homosexuality homosexuality in slave narratives—and the homosexual subtexts of racist minstrel show lyrics the formation of European gay communities during American colonial times, with an emphasis on Berlin, Paris, and London—with English translations of material previously available only in German or French! homosexuality as presented in eighteenth-century novels popular with American readers, plus information on homosexuality that was published in medical treatises of the period United States Army and Navy courts-martial that focused on sodomy the sublimation of homosexuality by religious revival movements of the early nineteenth century, particularly among Quakers, Mormons, and Oneida Perfectionists social groups as a perceived cover for homosexual activity, with an emphasis on the Masonic Order non-procreative sexuality as a theme and as a threat during the American revolution the West in American literary tradition—and the role of popular writers such as James Fenimore Cooper and Davy Crockett in creating the myth of individual sexual freedom on the margins of American society Author William Benemann rejects Foucault’s contention that homosexuality is an artificial construct created by medico-legal authorities in the latter half of the nineteenth century. He recognizes that men have been sexually attracted to other men throughout American history, and in this book, examines their historical options for expressing that attraction. He also addresses related issues surrounding race and gender expectations, population and migration patterns, vocational choice, and information exchange. Written in a straightforward style that can easily be understood by lay readers, Male-Male Intimacy in Early America is an ideal choice for educators, students, and individuals interested in this unexplored area of American history and sexuality studies.

The American West of the nineteenth century was a world of freedom and adventure for men of every stripe—not least also those who admired and desired other men. Among these sojourners was William Drummond Stewart, a flamboyant Scottish nobleman who found in American culture of the 1830s and 1840s a cultural milieu of openness in which men could pursue same-sex relationships. This book traces Stewart’s travels from his arrival in America in 1832 to his return to Murthly Castle in Perthshire, Scotland, with his French Canadian–Cree Indian companion, Antoine Clement, one of the most skilled hunters in the Rockies. Benemann chronicles Stewart’s friendships with such notables as Kit Carson, William Sublette, Marcus Whitman, and Jim Bridger. He describes the wild Renaissance-costume party held by Stewart and Clement upon their return to America—a journey that ended in scandal. Through Stewart’s letters and novels, Benemann shows that Stewart was one of many men drawn to the sexual freedom offered by the West. His book provides a tantalizing new perspective on the Rocky Mountain fur trade and the role of homosexuality in shaping the American West.

These photographs, spanning from before the Civil War to the 1950s, reveal a lost world. Rather than imposing contemporary notions of sexuality by assuming the images only illustrate a portion of the gay past, Ibson returns them to their own time to examine what they meant to the subjects. His perspective unearths a hidden aspect of American men's history. 140 photos.

In its voracious hunger to fill its decks and spars with the bodies of strong young sailors, nineteenth century maritime culture welcomed eccentrics, criminals, freaks and misfits. Sailors were to a large extent outcasts from society, but they were outcasts into a community of the marginalized, one that held very different values and expectations than the towns and villages from which the young men fled, a community that offered these men a tentative refuge. The United States Navy and the commercial maritime industry during the Age of Sail unwittingly created an environment where men who were attracted to other men -- later to be known as homosexual or gay -- could explore their sexuality at a distance from family and friends, with a freedom and openness they had never known on land. William Benemann is the author of A Year of Mud and Gold: San Francisco in Letters and Diaries, 1849-1850; Male-Male Intimacy in Early America: Beyond Romantic Friendships; and Men in Eden: William Drummond Stewart and Same-Sex Desire in the Rocky Mountain Fur Trade.

LGBT individuals and families are increasingly visible in popular culture and local communities; their struggles for equality appear regularly in news media. If history museums and historic sites are to be inclusive and relevant, they must begin incorporating this community into their interpretation. Interpreting LGBT History at Museums and Historic Sites is straightforward, accessible guidebook for museum and history professionals as they embark on such worthy efforts. This book features: An examination of queer history in the United States. The rapid rate at which queer topics have entered the mainstream could conceivably give the impression that LGBT people have only quite recently begun to contribute to United States culture and this misconception ignores a rich history. A brief overview of significant events in LGBT history highlights variant sexuality and gender in U.S. history, from colonization to the first decades of the twenty-first century. Case studies on the inclusion and telling of LGBT history. These chapters detail how major institutions, such as the Chicago History Museum, have brought this topic to light in their interpretation. An extensive bibliography and reading list. LGBT history is a fascinating story, and the limited space in this volume can hardly do it justice. These features are provided to guide readers to more detailed information about the contributions of LGBT people to U.S. history and culture. This guide complements efforts to make museums and historic sites more inclusive, so they may tell a richer story for all people.

In his 1859 “Live Oak, with Moss,” Walt Whitman’s unpublished sheaf of twelve poems on manly passion, the poet dreams of a city where men who love men can live and love openly. The revised “Live Oak, with Moss” poems became “Calamus,” Whitman’s cluster of poems on “adhesive” and manly love, comradeship, and democracy, in Leaves of Grass. Commemorating both the first publication of the “Calamus” poems and the little-known manuscript of notebook poems out of which the “Calamus” cluster grew, Whitman scholar Betsy Erkkila brings together in a single edition for the first time the “Live Oak, with Moss” poems, the 1860 “Calamus” poems, and the final 1881 “Calamus” poems. In addition to honoring the sesquicentennial of the “Calamus” cluster, she celebrates the ongoing legacy of Whitman’s songs of manly passion, sex, and love. The volume begins with Whitman’s elegantly handwritten manuscript of the “Live Oak, with Moss” poems, printed side by side with a typeset transcription and followed by a facsimile of the 1860 version of the “Calamus” poems. The concluding section reprints the final version of the “Calamus” poems from the 1881 edition of Leaves of Grass. In an afterword, Erkkila discusses the radical nature of these poems in literary, sexual, and social history; the changes Whitman made in the “Live Oak” and “Calamus” poems in the post–Civil War and Reconstruction years; the literary, political, and other contests surrounding the poems; and the constitutive role the poems have played in the emergence of modern heterosexual and homosexual identity in the United States and worldwide. The volume closes with a selected bibliography of works that have contributed to the critical and interpretive struggles around Whitman’s man-loving life. One hundred and fifty years after Whitman’s brave decision to speak publicly about a fully realized democracy, his country is still locked in a struggle over the rights of homosexuals. These public battles have been at the very center of controversies over the life, work, and legacy of Walt Whitman, America’s (and the world’s) major poet of democracy and its major singer of what he called “manly love” in all its moods. Together the poems in this omnibus volume affirm his creation of a radical new language designed to convey and affirm the poet’s man love.

Why do the earliest representations of cowboy-figures symbolizing the highest ideals of manhood in American culture exclude male-female desire while promoting homosocial and homoerotic bonds? Evidence from the best-known Western writers and artists of the post-Civil War period - Owen Wister, Mark Twain, Frederic Remington, George Catlin - as well as now-forgotten writers, illustrators, and photographers, suggest that in the period before the word 'homosexual' and its synonyms were invented, same-sex intimacy and erotic admiration were key aspects of a masculine code. These males-only clubs of journalists, cowboys, miners, Indian vaqueros defined themselves by excluding femininity and the cloying ills of domesticity, while embracing what Roosevelt called 'strenuous living' with other bachelors in the relative 'purity' of wilderness conditions. Queer Cowboys recovers this forgotten culture of exclusively masculine, sometimes erotic, and often intimate camaraderie in fiction, photographs, illustrations, song lyrics, historical ephemera, and theatrical performances.