Malcolm Arnold's music encompassed a variety of forms from opera and ballet through orchestral and chamber music to film scores. His most famous film score, for which he won an Oscar award in 1957, is The Bridge on the River Kwai. In 1953 he was commissioned to compose Homage to the Queen, a ballet to celebrate the coronation of Queen Elizabeth II. Arnold was knighted by the Queen in 1993 in honor of his contributions to English music. As with the other volumes in the Greenwood Bio-Bibliographies in Music series, this work includes a brief biography, discography, complete list of works and performances, and an annotated bibliography. Music scholars, musicians, and those with an interest in the music of Malcolm Arnold will appreciate the extensive information gathered in this one volume. Since Malcolm Arnold has retired from composing, this book features the most complete list of his compositions, including some of his newly discovered early works. The works are listed alphabetically within genre. The author also provides a chronological listing of the works through which trends and developments in Arnold's compositions may be traced. Sir Malcolm Arnold's input with the project assures the accuracy and completeness of this bio-bibliography.

First published in 2003. 'All of my music is biographical' declared Sir Malcolm Arnold in an interview in 1991. Arnold's turbulent life has permeated his music to a greater degree than probably any other British composer as Paul Jackson reveals in this illuminating account. Interweaving biographical details with close analyses of Arnold's major works, particularly the nine symphonies, and drawing on sketch materials never previously examined, Jackson provides fascinating insights into Arnold's compositional process, and the ideas informing works such as the John Field Fantasy and the 7th Symphony. Extensive interviews with Arnold himself as well as with his family, friends and colleagues add further perspectives on his relationships with fellow composers and musicians, publishers, critics and family. A combination of joie de vivre and periods of depression and personal tragedy, Arnold's life has mirrored his music in its combination of seemingly disparate elements that make a compelling whole.

This study of Malcolm Arnold puts the composer into perspective and covers almost all his compositions including lesser-known occasional pieces, film and ballet music, vocal and orchestral works. The author argues that one must examine all aspects of his work in order to appreciate his character.

History remembers this proud, talented, and conflicted man solely through the lens of his last desperate act of treason. Yet the fall of Benedict Arnold remains one of the Revolutionary period’s great puzzles. Why did a brilliant military commander, who repeatedly risked his life fighting the British, who was grievously injured in the line of duty, and fell into debt personally funding his own troops, ultimately became a traitor to the patriot cause? Throughout, Malcolm weaves in portraits of Arnold’s great allies—George Washington, General Schuyler, his beautiful and beloved wife Peggy Shippen, and others—as well as his unrelenting enemy John Adams, British General Clinton, and master spy John Andre. Thrilling and thought-provoking, The Tragedy of Benedict Arnold sheds new light on a man—as well on the nuanced and complicated time in which he lived.

Recordings of works composed for band and suitable for grades 2-5.