This volume offers a selection of interface studies in generative linguistics, a valuable “one-stop shopping” opportunity for readers interested in the ways in which the various modules of linguistic analysis intersect and interact. The boundaries between the lexicon and morphophonology, between morphology and syntax, between morphosyntax and meaning, and between morphosyntax and phonology are all being crossed in this volume. Though its focus is on theoretical approaches, experimental studies are also included. The empirical focus of many of the contributions is on Hungarian, and several chapters respond to work published by István Kenesei, to whom the volume is dedicated.

Although Sumatra is the sixth largest island in the world and home to an estimated 44 million Indonesians, its musical arts and cultures have not been the subject of a book-length study until now. Documenting and explaining the ethnographic, cultural, and historical contexts of Sumatra's performing arts, Musical Journeys in Sumatra also traces the changes in their style, content, and reception from the early 1970s onward. Having dedicated almost forty years of scholarship to exploring the rich and varied music of Sumatran provinces, Margaret Kartomi provides a fascinating ethnographic record of vanishing musical genres, traditions, and practices that have become deeply compromised by the pressures of urbanization, rural poverty, and government policy. This deeply informed collection showcases the complex diversity of Indonesian music and includes field observations from six different provinces: Aceh, North Sumatra, Riau, West Sumatra, South Sumatra, and Bangka-Belitung. Featuring photographs and original drawings from Kartomi's field observations of instruments and performances, Musical Journeys in Sumatra provides a comprehensive musical introduction to this neglected, very large island, with its hundreds of ethno-linguistic-musical groups.

This publication brings together current scholarship that focuses on the significance of performing arts heritage of royal courts in Southeast Asia. Royal courts have long been sites for the creation, exchange, maintenance, and development of myriad forms of performing arts and other distinctive cultural expressions. The first volume, Pusaka as Documented Heritage, consists of historical case studies, contexts and developments of royal court traditions, particularly in the nineteenth and twentieth centuries.

That is why the impressive results of the fieldwork and subsequent analytical research by the German scholar, Dr. Uli Kozok, are remarkable. By devoting considerable time and funds to his project in the interior of Sumatra, Kozok has produced results that will change the writing of the history of Malay. [...] By conducting fieldwork (Kozok saw the text in Kerinci in August 2002), by following up leads from the colonial literature (Voorhoeve's compilation), by analyzing the text without depending on accepted knowledge and by taking the step of using the latest technology to obtain an empirical perspective about the material, Kozok has succeeded in laying a major part of a foundation for the rewriting of the history of Malay in Indonesia! - James T. Collins (2004, pp. 18-19) The e-chapter on " Pusaka: Kerinci Manuscripts" , is downloadable free of charge.