Relocated from New Jersey to France by the witness protection program, ex-goodfella Giovanni Manzoni, who has a bounty on his head, tries to lay low, but he and his raucous family can't help attracting attention wherever they go.

Imagine The Sopranos transplanted to the French countryside…. This thrillingly comic, internationally bestselling Mafia farce is the inspiration for the major motion picture The Family starring Robert De Niro, Michelle Pfeiffer, and Tommy Lee Jones, and produced by Martin Scorsese. The Blakes are newcomers to a small town in Normandy. Fred is a historian researching the Allied landings, Maggie enjoys charity work, and their kids are looking forward to meeting other teenagers at the local lycée. Or so it seems. In fact, Fred is really Giovanni Manzoni, an ex-goodfella turned stool pigeon who’s been relocated from New Jersey to France by the FBI’s witness protection program. He’s got a two-million-dollar bounty on his head, but he and his family can’t help attracting attention (imagine the Sopranos in Normandy). And when imprisoned mobster Don Mimino gets wind of their location, it’s Mafia mayhem à la Josh Bazell’s Beat the Reaper, or like The Godfather as if written by Carl Hiaasen. Because while you can take the man out of the Mafia, you can’t take the Mafia out of the man. From the Trade Paperback edition.

In September to be released as the film THE FAMILY, starring Robert De Niro, Michelle Pfeiffer and Tommy Lee Jones. Directed by Luc Besson, produced by Martin Scorsese. Fred Blake has moved to Normandy with his dysfunctional family, ostensibly to write a history of the Allied landings.. But Fred’s real name is Giovanni Manzoni - an ex-Mafia boss who has snitched. And his record in other locations under the FBI Witness Protection Program would indicate that his cover is not likely to last very long.

The internationally bestselling novel originally published as Malavita—now the major motion picture The Family, starring Robert De Niro, Michelle Pfeiffer, and Tommy Lee Jones, directed by Luc Besson, and produced by Martin Scorsese This Deluxe Edition features a look inside The Family—including the theatrical trailer, clips from the film, and stills of the cast The Blakes are newcomers to a small town in Normandy. Fred is a historian researching the Allied landings, Maggie enjoys charity work, and their kids are looking forward to meeting other teenagers at the local lycée. Or so it seems. In fact, Fred is really Giovanni Manzoni, an ex-goodfella turned stool pigeon who’s been relocated from New Jersey to France by the FBI’s witness protection program. He’s got a two-million-dollar bounty on his head, but he and his family can’t help attracting attention (imagine the Sopranos in Normandy). And when imprisoned mobster Don Mimino gets wind of their location, it’s Mafia mayhem à la Josh Bazell’s Beat the Reaper, or like The Godfather as if written by Carl Hiaasen. Because while you can take the man out of the Mafia, you can’t take the Mafia out of the man.

Smuggled out of Naples in his youth after stabbing a brutal night-watchman to death, Antonio Barracano returned home in the 1960s as a wealthy man. He used his newfound status to quash his murder conviction, and was soon feared but respected throughout the city. Don Antonio has made it his life's work to bring rough justice to the criminals of Naples who otherwise have no fear of the law. He rules the city's underbelly with a rod of iron. The play begins when a respectable but poor young man who has resolved to murder his father comes to Don Antonio for advice. The Neapolitan 'Godfather' emerges from the shadows to make the young man's father an offer he can't refuse. The comedy grows blacker as 'respectable' Naples collides with its criminal underworld. A dark comedy of pathos and farce by one of Italy's pre-eminent dramatists of the twentieth century, Eduardo De Filippo's The Syndicate (Il sindaco del rione Sanità) is made newly accessible and contemporary by this translation by Mike Poulton.

Neapolitan Postcards gathers a diverse group of international scholars to investigate unexplored transnational aspects of the intimate yet globally popular canzone napoletana. Performed and beloved worldwide in almost every language, the style had hits such as “Funiculì funiculà” (1880) and “’O sole mio” (1898) which sold millions of copies. These hits fueled the tradition’s spread across the world over the course of the twentieth century with the eventual popularity of covers by singers and musicians of all music genres and styles, from popular music to opera and jazz. This book is the first scholarly work that considers the specific complexities of the international Neapolitan Song scenes through case studies from Argentina, England, Greece, and the United States, employing analyses of compositions, iconographical sources, international films, mechanical musical instruments, performances, and recordings devoted to the canzone napoletana.

**FINALIST for the Compton Crook Award, 2023** Shade Nox is the only witch in a land of wizards – a fiend, a rogue, a wanted criminal. Defying those who think her an abomination, Shade wears her tattoos openly and carries obsidian blades at her hips. For years, she has protected the outcast clans who wander the blighted Wastes, but the land is growing more unstable and her blades are no longer enough. To save her people, Shade vows to raise a Veil of protection – a feat not accomplished in over a hundred years. But the magical Veils are said to belong to the Brotherhood church; if she succeeds in raising one, it will expose their lies. They swear to see her obliterated first. Treading a dangerous path where allies can be as deceitful as enemies, and where demons lurk in the shadows, Shade chases a vision which could lead to her people’s salvation… or her own destruction. File Under: Fantasy [ Tattoos At Dawn | Underestimated Women | Old Jealousies | The End of Whose World ]