The post-Soviet years have widely been interpreted as a period of intense moral questioning, debate, and struggle. Despite this claim, few studies have revealed how this moral experience has been lived and articulated by Russians themselves. This book provides an intimate portrait of how five Muscovites have experienced the post-Soviet years as a period of intense refashioning of their moral personhood, and how this process can only be understood at the intersection of their unique personal experiences, a shared Russian/Soviet history, and increasingly influential global discourses and practices. The result is a new approach to understanding everyday moral experience and the processes by which new moral persons are cultivated.

The post-Soviet years have widely been interpreted as a period of intense moral questioning, debate, and struggle. Despite this claim few studies have revealed how this moral experience has been lived and articulated by Russians themselves. This book provides an intimate portrait of how five Muscovites have experienced the post-Soviet years as a period of intense refashioning of their moral personhood, and how this process can only be understood at the intersection of their unique personal experiences, a shared Russian/Soviet history, and increasingly influential global discourses and practices. The result is a new approach to understanding everyday moral experience and the processes by which new moral persons are cultivated.

Since its publication in 1993, Nations and Politics in the Soviet Successor-States edited by Ian Bremmer and Ray Taras has established itself internationally as the genuinely comprehensive, systematic and rigorous analysis of the nation- and state-building processes of the fifteen states that grew out of the 1991 collapse of the Soviet Union. New States, New Politics: Building the Post-Soviet Nations was first published in 1997 and succeeds and replaces the editors' earlier book with a fresh collection of specially commissioned studies from the world's foremost specialists. Far from eradicating tensions among the former Soviet peoples, the disintegration of empire saw national minorities rediscovering long-suppressed identities. The contributors to New States, New Politics bring together historical and ethnic backgrounds with penetrating political analysis to offer an intriguing record of the different roads to self-assertion and independence being pursued by these young nations.

The Soviet Union created a unique form of urban modernity, developing institutions of social provisioning for hundreds of millions of people in small and medium-sized industrial cities spread across a vast territory. After the collapse of socialism these institutions were profoundly shaken--casualties, in the eyes of many observers, of market-oriented reforms associated with neoliberalism and the Washington Consensus. In Post-Soviet Social, Stephen Collier examines reform in Russia beyond the Washington Consensus. He turns attention from the noisy battles over stabilization and privatization during the 1990s to subsequent reforms that grapple with the mundane details of pipes, wires, bureaucratic routines, and budgetary formulas that made up the Soviet social state. Drawing on Michel Foucault's lectures from the late 1970s, Post-Soviet Social uses the Russian case to examine neoliberalism as a central form of political rationality in contemporary societies. The book's basic finding--that neoliberal reforms provide a justification for redistribution and social welfare, and may work to preserve the norms and forms of social modernity--lays the groundwork for a critical revision of conventional understandings of these topics.

What happens when your once-dignified profession no longer supports a dignified lifestyle? In 1990s St. Petersburg, teachers had to find out the hard way. Although the institutions and ideologies of Soviet life situated them as "cultured" consumers, contemporary processes of marketization and privatization left them unable to attain what they now considered to be respectable material standards of living. In this fascinating new ethnographic study, Patico examines the various ways in which teachers have adjusted their activities and interactions as consumers, demonstrating how this has led to dramatic shifts in their assessments of their own lives and of the society around them. Consumption and Social Change in a Post-Soviet Middle Class presents a much-needed look at the lives of ordinary people in Russia today, in the process contributing both to postsocialist studies of social change and to broader anthropological theorizations of consumption and value.

In Stalinist Russia, the idealized Soviet man projected an image of strength, virility, and unyielding drive in his desire to build a powerful socialist state. In monuments, posters, and other tools of cultural production, he became the demigod of Communist ideology. But beneath the surface of this fantasy, between the lines of texts and in film, lurked another figure: the wounded body of the heroic invalid, the second version of Stalin's New Man. In How the Soviet Man Was Unmade, Lilya Kaganovsky exposes the paradox behind the myth of the indestructible Stalinist-era male. In her analysis of social-realist literature and cinema, she examines the recurring theme of the mutilated male body, which appears with startling frequency. Kaganovsky views this representation as a thinly veiled statement about the emasculated male condition during the Stalinist era. Because the communist state was "full of heroes," a man could only truly distinguish himself and attain hero status through bodily sacrifice-yet in his wounding, he was forever reminded that he would be limited in what he could achieve, and was expected to remain in a state of continued subservience to Stalin and the party.Kaganovsky provides an insightful reevaluation of classic works of the period, including the novels of Nikolai Ostrovskii (How Steel Was Tempered) and Boris Polevoi (A Story About a Real Man), and films such as Ivan Pyr'ev's The Party Card, Eduard Pentslin's The Fighter Pilots, and Mikhail Chiaureli's The Fall of Berlin, among others. The symbolism of wounding and dismemberment in these works acts as a fissure in the facade of Stalinist cultural production through which we can view the consequences of historic and political trauma.

The Unmaking of Soviet Life brings together ten essays from award-winning author Caroline Humphrey. Humphrey explores such topics as the mafia, barter, bribery, and the new shamanism, locating them in the experiences of a wide range of subjects.