John Philip Sousa's mature career as the indomitable leader of his own touring band is well known, but the years leading up to his emergence as a celebrity have escaped serious attention. In this revealing biography, Patrick Warfield explains how the March King came to be by documenting Sousa's early life and career. Covering the period 1854 to 1893, this study focuses on the community and training that created Sousa, exploring the musical life of late nineteenth-century Washington, D.C., and Philadelphia as a context for Sousa's development. Warfield examines Sousa's wide-ranging experience composing, conducting, and performing in the theater, opera house, concert hall, and salons, as well as his leadership of the United States Marine Band and the later Sousa Band, early twentieth-century America's most famous and successful ensemble. Sousa composed not only marches during this period but also parlor, minstrel, and art songs; parade, concert, and medley marches; schottisches, waltzes, and polkas; and incidental music, operettas, and descriptive pieces. Warfield's examination of Sousa's output reveals a versatile composer much broader in stylistic range than the bandmaster extraordinaire remembered as the March King. In particular, Making the March King demonstrates how Sousa used his theatrical training to create the character of the March King. The exuberant bandmaster who pleased audiences was both a skilled and charismatic conductor and a theatrical character whose past and very identity suggested drama, spectacle, and excitement. Sousa's success was also the result of perseverance and lessons learned from older colleagues on how to court, win, and keep an audience. Warfield presents the story of Sousa as a self-made business success, a gifted performer and composer who deftly capitalized on his talents to create one of the most entertaining, enduring figures in American music.

From Dr. Martin Luther King's sister, the definitive tribute to the man, the march, and the speech that changed a nation.On a hot August day in 1963, hundreds of thousands of people made history when they marched into Washington, D.C., in search of equality. Martin Luther King, Jr., the younger brother of Christine King Farris, was one of them.Martin was scheduled to speak to the crowds of people on that day. But before he could stand up and inspire a nation, he had to get down to business. He first had to figure out what to say and how to say it. So he spent all night working on his "I Have a Dream" speech, one that would underscore a landmark moment in civil rights history--the Great March on Washington. This would be one of the first events televised all over the globe. The world would be listening, as one of the greatest orators of our time shared his vision for a new day.From the sister of Dr. Martin Luther King, Jr., comes this moving account of what that day was like for her, and for the man who inspired a crowd--and convinced a nation to let freedom ring.London Ladd's beautiful full-color illustrations bring to life the thousands of people from all over the country who came to the nation's capital. They sing, they join hands, they march, and they listen as speaker after speaker inspires social change, culminating in Dr. King's "I Have a Dream" speech.

Packed with over 200 color photos, this visual journey through Black history and the Civil Rights Movement is told through the objects—buttons, badges, flyers, pennants, posters, and more—designed by activists as tools to advance the fight for justice and freedom, offering a unique perspective on the Civil Rights Movement from Emancipation through the present day. From Reconstruction through Jim Crow, through the protest era of the 1960s and '70s, to current-day resistance and activism such as the Black Lives Matter movement, the material culture of the Civil Rights Movement has been integral to its goals and tactics. During decades of sit-ins, marches, legal challenges, political campaigns, boycotts, and demonstrations, objects such as buttons, flyers, pins, and posters have been key in the fight against racism, oppression, and violence. Making the Movement presents more than 200 of these nonviolent weapons alongside the stories of the activists, organizations, and campaigns that defined and propelled the cause of civil rights. It is a must-read for anyone seeking to learn about Black and African American history in the United States and about strategies to combat racism and the structures that support it.

Born to poor immigrant parents, Sousa succeeded through hard work, talent, and self-motivated drive. This is the story of the man, his music, and his era.

When he was twenty-five, Sam Aldrich danced with Queen Elizabeth II in London. By the time he was thirty-seven, he was marching with Martin Luther King Jr. in Selma. Recounting the journey between and beyond those two points, and musing over the irony of the contrast they represent, is the subject of this remarkable and entertaining memoir. After a cosseted childhood in New York's silk stocking district, including weekends on Long Island's Gold Coast and summers in Dark Harbor, Maine, Aldrich was expected to follow in his father's footsteps and pursue a career in high finance. "Dancing with the queen of England was just a small function of the privileged life and family into which I was born," he writes, "and events such as this would be a regular part of my upper-class, well-traveled social life." Instead, and to his parents' chagrin, he chose decades of hard work in the public sector, serving as deputy police commissioner in New York City, director of the New York State Division for Youth, executive assistant to Governor Nelson Rockefeller, president of the Brooklyn Center of Long Island University, and commissioner of the New York State Office of Parks, Recreation and Historic Preservation, before entering teaching full-time at midlife. Illustrated with photographs from Aldrich's personal collection, this lively memoir offers personal insights into New York State politics and history. Whether working to develop an effective system for rehabilitating juvenile offenders in New York City, trying to find an environmentally sound means for development in the Hudson River Valley, or teaching public policy at SUNY's Empire State College, Aldrich shows what it means to follow one's passions and interests, and to take the gifts one has been given and use them to try to make this world a better place.

In 'The Camp Fire Girls on the March; Or, Bessie King's Test of Friendship' by Jane L. Stewart, readers are taken on a delightful and heartwarming journey alongside the Camp Fire Girls as they face challenges that test their friendship and loyalty. The book is written in a captivating and engaging style that keeps readers hooked from beginning to end, with vivid descriptions that bring the characters and settings to life. Set in the early 1900s, the book provides a glimpse into the lives of young girls during that time period, emphasizing the values of courage, kindness, and camaraderie. Stewart's attention to detail and character development make this a timeless classic in the literary world. Jane L. Stewart, known for her strong female characters and uplifting themes, drew inspiration from her own experiences to create the Camp Fire Girls series. Her passion for empowering young girls is evident in the positive messages woven throughout the book, making it both entertaining and educational. Stewart's background in education and literature shines through in her ability to craft a story that resonates with readers of all ages. I highly recommend 'The Camp Fire Girls on the March; Or, Bessie King's Test of Friendship' to readers looking for a charming and inspiring read that celebrates the power of friendship and the importance of loyalty. Stewart's timeless tale will leave a lasting impact and remind readers of the value of staying true to oneself and those around them.