Torpedoed by a German U-boat, adrift on the open ocean, gravely weakened and slowly dying of thirst - the odds of making shore are lengthening with each gruelling hour. Deliverance from the decaying lifeboat will take something far more remarkable than sheer endurance. And after survival at sea, yet more anguish lies in wait. Based on a true incident in 1942. Dignified yet compelling - packs an enormous emotional wallopA"--Mark Thornton, Costa Award judge 2010. A novel of raw intensity and startling emotional powerA"--Lancashire Evening Post. "A remarkable imaginative achievement"--Edward Stourton. "Destined to become a true maritime classic "--Angus Konstam. "A brilliantly conceived story of endurance and romance"--Lord Butler. "A powerful and remarkable novel"--Army Children Archive. "Elevated to the realms of the truly memorable"--Simon Appleby, Bookgeeks. Enhanced edition features exclusive video and audio interviews with author and the 87-year-old survivor of the original wartime incident.

You've seen him head home with countless hotties and a megawatt grin on his face - now learn how he does it... Gary Beadle, better known as Gaz, is the face of hit MTV show Geordie Shore. But there's more to Gaz than just the legendary nights out. From his early years as a paralyzingly shy teen to making it as a Geordie icon, this is his story.

A prominent scholar of the life and work of Thomas More, A. D. Cousins goes beyond the scope of existing studies to focus primarily and closely on More’s interpretations of the major cultural categories informing his view of the common weal, the common good, and correlatively on the (good) state. Thus, this study identifies categories that relate to the individual in civil life, categories that are pervasive and interconnected within More’s nonpolemical writings—most specifically, Cousins focuses on pleasure and gender, considering chance, friendship, and role-play throughout. Exploring pleasure and gender in relation to issues of the common good and of the (good) state, More probes how people make sense of chance (and, alternatively, how they do not), how friendship works interpersonally and beyond national boundaries, and what roles people play (as well as to what roles they can aspire). As Cousins asserts, pursuing the common weal was for More both necessary and desirable, and he himself pursued this on behalf of his country, the republic of letters, and the Church Militant. argues that, from what appears to be his earliest nonpolemical work, Pageant Verses, until what we know to be his last, De Tristitia Christi, More sees the will to pleasure as central to the experience of being human: as a primary human impulse or, at the least, a compelling power within the human consciousness. In tracing how More examines the will to pleasure in our lives, Cousins also examines More’s recurrent concern with gender’s inflecting and expressing this desire. More clearly views gender as potentially restrictive or empowering in many respects, which is discussed in relation to several of More’s texts.