The West, especially the Intermountain states, ranks among the whitest places in America, but this fact obscures the more complicated history of racial diversity in the region. In Making the White Man’s West, author Jason E. Pierce argues that since the time of the Louisiana Purchase, the American West has been a racially contested space. Using a nuanced theory of historical “whiteness,” he examines why and how Anglo-Americans dominated the region for a 120-year period. In the early nineteenth century, critics like Zebulon Pike and Washington Irving viewed the West as a “dumping ground” for free blacks and Native Americans, a place where they could be segregated from the white communities east of the Mississippi River. But as immigrant populations and industrialization took hold in the East, white Americans began to view the West as a “refuge for real whites.” The West had the most diverse population in the nation with substantial numbers of American Indians, Hispanics, and Asians, but Anglo-Americans could control these mostly disenfranchised peoples and enjoy the privileges of power while celebrating their presence as providing a unique regional character. From this came the belief in a White Man’s West, a place ideally suited for “real” Americans in the face of changing world. The first comprehensive study to examine the construction of white racial identity in the West, Making the White Man’s West shows how these two visions of the West—as a racially diverse holding cell and a white refuge—shaped the history of the region and influenced a variety of contemporary social issues in the West today.

Drawing on current theory in symbolic anthropology and sociolinguistics, this interpretive essay investigates a complex form of joking based on material collected in a Western Apache community wherein Apaches stage carefully crafted imitations of Anglo-Americans.

'This book rewarded me with dark, dry chuckles on every page' Reni Eddo-Lodge 'Hilarious . . . This original approach to discussing race is funny, intellectual and timely' Independent 'The work of a true mastermind' Benjamin Zephaniah I learned early on that, for me as a black professional, to rise through the ranks and really attain power, I needed to adopt the most ruthless of mindsets possible: the mindset of the White Man who would tear your cheek from your face before he even considered turning his one first.

In this “powerful debut novel,” an American relief worker falls in love with the Ivory Coast as the country descends into civil war (St. Louis Post-Dispatch). In an Ivory Coast village where Christians and Muslims are squaring off for war, against a backdrop of bloody conflict and vibrant African life, Jack Diaz—an American relief worker—and Mamadou, his village guardian, learn that hate knows no color and that true heroism waits where we least expect it. During lulls in the violence, Jack learns the cycles of Africa—of hunting in the rain forest, cultivating the yam, and navigating the nuances of the language; of witchcraft, storytelling, and chivalry. Despite the omnipresence of AIDS, he courts a stunning Peul girl, meets his neighbor’s wife in the darkened forest, and desperately pursues the village flirt. Still, Jack spends many nights alone in his hut, longing for love in a place where his skin color excludes him. Brimming with dangerous passions and the pressures of life in a time of war, Whiteman is a stunning debut and a tale of desire, isolation, humor, action, and fear.