Florence Knoll (1917–2019) was a leading force of modern design. She worked from 1945 to 1965 at Knoll Associates, first as business partner with her husband Hans Knoll, later as president after his death, and, finally, as design director. Her commissions became hallmarks of the modern era, including the Barcelona Chair by Mies van der Rohe, the Diamond Chair by Harry Bertoia, and the Platner Collection by Warren Platner. She created classics like the Parallel Bar Collection, still in production today. Knoll invented the visual language of the modern office through her groundbreaking interiors and the creation of the acclaimed "Knoll look," which remains a standard for interior design today. She reinvigorated the International Style through humanizing textiles, lighting, and accessories. Although Knoll's motto was "no compromise, ever," as a woman in a white, upper-middle-class, male-dominated environment, she often had to make accommodations to gain respect from her colleagues, clients, and collaborators. No Compromise looks at Knoll's extraordinary career in close-up, from her student days to her professional accomplishments.

Making No Compromise is the first book-length account of the lives and editorial careers of Margaret Anderson and Jane Heap, the women who founded the avant-garde journal the Little Review in Chicago in 1914. Born in the nineteenth-century Midwest, Anderson and Heap grew up to be iconoclastic rebels, living openly as lesbians, and advocating causes from anarchy to feminism and free love. Their lives and work shattered cultural, social, and sexual norms. As their paths crisscrossed Chicago, New York, Paris, and Europe; two World Wars; and a parade of the most celebrated artists of their time, they transformed themselves and their journal into major forces for shifting perspectives on literature and art. Imagism, Dada, surrealism, and Machine Age aesthetics were among the radical trends the Little Review promoted and introduced to US audiences. Anderson and Heap published the early work of the "men of 1914"—Ezra Pound, James Joyce, William Butler Yeats, and T. S. Eliot—and promoted women writers such as Djuna Barnes, May Sinclair, Dorothy Richardson, Mina Loy, Mary Butts, and the inimitable Baroness Elsa von Freytag-Loringhoven. In the mid-1920s Anderson and Heap became adherents of George I. Gurdjieff, a Russian mystic, and in 1929 ceased publication of the Little Review. Holly A. Baggett examines the roles of radical politics, sexuality, modernism, and spirituality and suggests that Anderson and Heap's interest in esoteric questions was evident from the early days of the Little Review. Making No Compromise tells the story of two women who played an important role in shaping modernism.

Softcover Reprint

When Jolene Walker, the ambitious executive director of The Sanctuary, a program dedicated to helping victimized women, encounters United States Army Captain Michael Kirkland, she succumbs to his tender touch, surrending to passion, but their newfound happiness is threatened by Jolene's mysterious and dangerous new client. Original.

The 25th Anniversary Edition of Keith Green's inspiring biography, revised and updated by his wife, Melody. This expanded biography contains many added stories and insights, never before published photos, extra selections from Keith's private journals, and glimpses into Melody's season of grieving and raising their two surviving children on her own. He was only twenty-eight when he died in a plane crash with two of his small children, but singer/songwriter Keith Green had already created a legacy of music and inspiration that would outlive him. A spiritual revolutionary, he found freedom through Jesus, not religion, and spent his last years convincing others to refuse to accept the status quo and instead to bring compassion and honesty back to the church. He touched people through vibrant lyrics in songs like "Your Love Broke Through," "You Put This Love In My Heart," and "Asleep In The Light." Last Days Ministries, which he and his wife Melody founded, went on to challenge thousands of people to take to the mission fields of the world. Now, on the 25th anniversary of his death, Melody has updated her husband's biography with new photos, essays from current musicians who were influenced by Keith, selections from Keith's private journal, and stories about what it was like raising their two remaining children on her own.

An explosive docu-biography of New York's most subversive punk band Suicide, who along with the New York Dolls, the Ramones, Blondie, Television and Talking Heads defined the US punk scene centered around Max's Kansas City and CBGB's. The book features new interview material with many of the leading lights of the NY punk scene, including Alan Vega and Martin Rev from the band, as well as Debbie Harry and Chris Stein from Blondie, Moby, Henry Rollins, Marc Almond, Bobby Gillespie (Primal Scream), Jim Reid (Jesus & Mary Chain), Lydia Lunch, Jane County, amongst others. Illustrated with over 100 photos and memorabilia from Vega and Rev's own archives, Nobakht's penetrating biography recreates the '70s world of New York City.

James Joyce's Ulysses first appeared in print in the pages of an American avant-garde magazine, The Little Review, between 1918 and 1920. The novel many consider to be the most important literary work of the twentieth century was, at the time, deemed obscene and scandalous, resulting in the eventual seizure of The Little Review and the placing of a legal ban on Joyce's masterwork that would not be lifted in the United States until 1933. For the first time, The Little Review “Ulysses” brings together the serial installments of Ulysses to create a new edition of the novel, enabling teachers, students, scholars, and general readers to see how one of the previous century's most daring and influential prose narratives evolved, and how it was initially introduced to an audience who recognized its radical potential to transform Western literature. This unique and essential publication also includes essays and illustrations designed to help readers understand the rich contexts in which Ulysses first appeared and to trace the complex changes Joyce introduced after it was banned.