Puerto Rico has been an "unincorporated territory" of the United States for over a century. For much of that time, the archipelago has been mostly invisible to US residents and neglected by the government. However, a series of crises in the first two decades of the twenty-first century, from outsized debt to climate fueled disasters, have led to massive protests and brought Puerto Rico greater visibility. Monica A. Jimenez argues that to fully understand how and why Puerto Rico finds itself in this current moment of precarity, we must look to a larger history of US settler colonialism and racial exclusion in law. The federal policies and jurisprudence that created Puerto Rico exist within a larger pantheon of exclusionary, race-based laws and policies that have carved out "states of exception" for racial undesirables: Native Americans, African Americans, and the inhabitants of the insular territories. This legal regime has allowed the federal government plenary or complete power over these groups. Jimenez brings these histories together to demonstrate that despite Puerto Rico's unique position as a twenty-first-century colony, its path to that place was not exceptional.

One summer morning while Aidan and Sarah are visiting their grandfather, they discover a secret compartment in his battered wooden desk. Inside is a yellowed envelope that contains a piece of very thin, almost translucent, white paper, on which, handwritten in black ink, are a series of seemingly random lines; among them are what appear to be fragments of letters, but not enough to make sense. At the bottom of the page is a verse about Peter Peter and a reference to a real hotel in London. As it happens, the family is about to embark on a trip to Europe, so the children decide that while in London, they will try to locate the hotel.

The Man in the Moon has dropped down to earth for a visit. Over the hedge, a rabbit in trousers is having a pipe with his evening paper. Elsewhere, Alice is passing through a looking glass, Dorothy riding a tornado to Oz, and Jack climbing a beanstalk to heaven. To enter the world of children's literature is to journey to a realm where the miraculous and the mundane exist side by side, a world that is at once recognizable and real--and enchanted. Many books have probed the myths and meanings of children's stories, but Goldthwaite's Natural History is the first exclusively to survey the magic that lies at the heart of the literature. From the dish that ran away with the spoon to the antics of Brer Rabbit and Dr. Seuss's Cat in the Hat, Goldthwaite celebrates the craft, the invention, and the inspired silliness that fix these tales in our minds from childhood and leave us in a state of wondering to know how these things can be. Covering the three centuries from the fairy tales of Charles Perrault to Maurice Sendak's Where the Wild Things Are, he gathers together all the major imaginative works of America, Britain, and Europe to show how the nursery rhyme, the fairy tale, and the beast fable have evolved into modern nonsense verse and fantasy. Throughout, he sheds important new light on such stock characters as the fool and the fairy godmother and on the sources of authors as diverse as Carlo Collodi, Lewis Carroll, and Beatrix Potter. His bold claims will inspire some readers and outrage others. He hails Pinocchio, for example, as the greatest of all children's books, but he views C.S. Lewis's The Chronicles of Narnia as a parable that is not only murderously misogynistic, but deeply blasphemous as well. Fresh, incisive, and utterly original, this rich literary history will be required reading for anyone who cares about children's books and their enduring influence on how we come to see the world.

Describes and visualizes over 1,200 magical lands found in literature and film, discussing such exotic realms as Atlantis, Tolkien's Middle Earth, and Oz.

Journey into the world of Peter Pan and its mysterious inhabitants. The book is a feature-length hex crawl campaign, filled with endless adventure, adapted from the tales of Peter Pan, and tailored for an older audience.

Jonathan Bendel has shot himself in the foot in Hollywood terms by producing and directing the greatest bomb in motion picture history. Reduced to hustling paddle tennis games on Venice Beach, Jonathan somehow manages to get to write, produce and direct Popcorn and Harriet. This is the story of how he did it, including the bodies he had to step over, the ladies he had to romance, and the lies he had to tell along the way.

Known as “The Salad Bowl of the World,” California’s Salinas Valley became an agricultural empire due to the toil of diverse farmworkers, including Latinos. A sweeping critical history of how Mexican Americans and Mexican immigrants organized for their rights in the decades leading up to the seminal strikes led by Cesar Chavez, this important work also looks closely at how different groups of Mexicans—U.S. born, bracero, and undocumented—confronted and interacted with one another during this period. An incisive study of labor, migration, race, gender, citizenship, and class, Lori Flores’s first book offers crucial insights for today’s ever-growing U.S. Latino demographic, the farmworker rights movement, and future immigration policy.