Teach Your Students How to Use Computing to Explore Powerful and Creative IdeasIn the twenty-first century, computers have become indispensable in music making, distribution, performance, and consumption. Making Music with Computers: Creative Programming in Python introduces important concepts and skills necessary to generate music with computers.

From using a computer as a simple keyboard to enhancing presentations with sound to creating a home studio, Making Music with Your PC explains the choices and options available today. This easy-to-understand book answers common questions about how computer users can take full advantage of the sound manipulation capabilities of their home computers.

A handbook on making music using a computer. Topics covered include MIDI sequencing, music notation and printing, hard disk recording, multimedia, connecting computers and instruments, and sychronization. It includes a directory of music hardware and software manufacturers and a glossary of terms.

"Making Music On Your PC" is written for beginners who want to learn how to make and play music on their PC, with or without a boost from the Internet. It's for those who want to play as well as for those who need to know about business applications for sound, such as embedding music in presentation documents. The CD-ROM contains a one-minute sound track for sampling, plus shareware music utilities.

Making Music With Samples is packed with creative, hands-on tips - aimed at getting the reader actively enjoying the art of sampling as quickly and easily as possible - interspersed with snippets of essential theoretical stuff: whether it's the science of sound, or copyright legalities. Starting with the absolute basics of what sampling is, author Dan Duffell progresses from simpler, widely-used tools like small loop-based samplers, through the various platforms available to the sample user - the different methods and equipment required to create and manipulate samples, including: hardware samplers, sampling/keyboard workstations, computer setups, software samplers, drum samplers, etc. He then describes the setting up procedures needed to get you started - connections and installation, signal levels and so on - at the same time providing some relevant background information on how a sampler actually works. Next: choosing source material - whether created you, or from sample CDs like the one attached, or from other people's recordings - which inevitably also raises the thorny subject of copyright and licensing: sampling and the law.Then there's a section depicting the basic layout and operation of some well-known software and hardware samplers, and a look at Sampling & Synthesis and Modular Systems...

Gone are the days when recording an album required a large, expensive recording studio and piles of ultra hi-tech equipment. Lily Allen's myspace video netted her no.1 in the UK singles chart and an NME nomination, folk singer Seth Lakeman made an album in his kitchen for £300 and has been nominated for a Mercury Prize. And of course, there's the Arctic Monkeys - winners of a Mercury Prize, a Brit Award and two NME awards, who marketed their album through demo tapes and file sharing. Nicola Slade shows how anyone can record and mix killer music from the comfort of their bedroom. The author explains what hardware, software and mixing equipment is required, and includes a history of the digitisation of music, advice on marketing and promoting your music and contributions from DIY music artists who have made it big.

Making Music with Java is an introduction to music making through software development in the Java programming language using the jMusic library. It explains musical and programming concepts in a coordinated way. The book is written for the musician who wishes to learn about Java programming and computer music concepts, and for the programmer who is interested in music and sound design with Java. It assumes little musical or programming experience and introduces topics and issues as they arise. Sections on computer music and programming are interlaced throughout, but kept separate enough so that those with experience in either area can skip ahead as required.