On May 14, 1948 the State of Israel was declared, announced by David Ben-Gurion at a small gathering that assembled in the main hall of the Tel Aviv Art Museum. Within a time frame of only nineteen years, culminating in the Six-Day War, Israel fought three separate wars. But within its first four years, thanks to mass immigration, its population doubled. Furthermore, Israel had been confronted with acute economic difficulties, intra Jewish ethnic tensions, a problematic Arab minority and a secular-religious divide. Apart from defence issues, Israel faced a generally hostile or, at best, indifferent international community rendering it hard pressed in securing great power patronage or even official sympathy and understanding. Based on a wide range of sources, both in Hebrew and English, this book contains a judicious synthesis of the received literature to yield the general reader and student alike a reliable, balanced, and novel account of Israel?s fateful and turbulent infancy.

Benny Morris is the founding father of the New Historians, a group of Israeli scholars who have challenged long-established perceptions about the origins of the Israeli-Palestinian conflict. Their research rigorously documented crimes and atrocities committed by the Israeli armed forces, including rape, torture, and ethnic cleansing. With Making Israel, Morris brings together the first collection of translated articles on the New History by leading Zionist and revisionist Israeli historians, providing Americans with a firsthand view of this important debate and enabling a better understanding of how the New Historians have influenced Israelis' awareness of their own past. "The study of Israeli history, society, politics, and economics over the past two decades has been marked by a fierce and sometimes highly personal debate between 'traditionalists'---scholars who generally interpreted Israeli history and society within the Zionist ethos---and 'revisionists'---scholars who challenged conventional Zionist narratives of Israeli history and society. Making Israel brings together traditionalists and revisionists who openly and directly lay out their key insights about Israel's origins. It also introduces multidisciplinary perspectives on Israel by historians and sociologists, each bringing into the debate its own jargon, its own epistemology and methodology, and its own array of substantive issues. This is essential reading for anybody who wants to understand the different interpretations of Israeli society and perhaps the central debate among students of modern Israel." ---Zeev Maoz, Professor of Political Science at the University of California, Davis, and Distinguished Fellow at the Interdisciplinary Center, Herzliya "Israel's 'new historians' have done a great service to their country, and to all who care about the Arab-Israeli conflict. By challenging myths, reexamining evidence, and asking truly important questions about the past they help to confront the present with honesty and realism. This book provides a sampling of the best of what these courageous voices have to offer." ---William B. Quandt, University of Virginia Benny Morris is Professor of Middle East history at Ben-Gurion University in Beersheba, Israel, and is the author of Righteous Victims: A History of the Zionist-Arab Conflict, 1881-1999.

"Dreaming Gardens is a work that provides, for the first time, a framework for understanding the contributions of landscape architecture in the creation of Israel. The development of the landscape architecture profession in Israel paralleled the development of the state, as immigrants brought skills and ideas from the Diaspora, creating a unique opportunity for designers to help shape their national identity. Helphand's clear writing, complemented by copious color illustrations, charts the shifting attitudes of this singular culture toward its land, landscapes, communities, and nation."--BOOK JACKET.

During the Six Day War of 1967, polls showed that Americans favored the Israelis over the Arabs by overwhelming margins. In Europe, support for Israel ran even higher. In the United Nations Security Council, a British resolution essentially gave Israel the terms of peace it sought and when the Arabs and their Soviet supporters tried to override the resolution in the General Assembly, they fell short of the necessary votes. Fast forward 40 years and Israel has become perhaps the most reviled country in the world. Although Americans have remained constant in their sympathy for the Jewish state, almost all of the rest of the world treats Israel as a pariah. What caused this remarkable turnabout? Making David into Goliath traces the process by which material pressures and intellectual fashions reshaped world opinion of Israel. Initially, terrorism, oil blackmail, and the sheer size of Arab and Muslim populations gave the world powerful inducements to back the Arab cause. Then, a prevalent new paradigm of leftist orthodoxy, in which class struggle was supplanted by the noble struggles of people of color, created a lexicon of rationales for taking sides against Israel. Thus, nations can behave cravenly while striking a high-minded pose in aligning themselves on the Middle East conflict.

"Once in the military system, Israelis never fully exit," writes the prizewinning journalist Patrick Tyler in the prologue to Fortress Israel. "They carry the military identity for life, not just through service in the reserves until age forty-nine . . . but through lifelong expectations of loyalty and secrecy." The military is the country to a great extent, and peace will only come, Tyler argues, when Israel's military elite adopt it as the national strategy. Fortress Israel is an epic portrayal of Israel's martial culture—of Sparta presenting itself as Athens. From Israel's founding in 1948, we see a leadership class engaged in an intense ideological struggle over whether to become the "light unto nations," as envisioned by the early Zionists, or to embrace an ideology of state militarism with the objective of expanding borders and exploiting the weaknesses of the Arabs. In his first decade as prime minister, David Ben-Gurion conceived of a militarized society, dominated by a powerful defense establishment and capable of defeating the Arabs in serial warfare over many decades. Bound by self-reliance and a stern resolve never to forget the Holocaust, Israel's military elite has prevailed in war but has also at times overpowered Israel's democracy. Tyler takes us inside the military culture of Moshe Dayan, Yitzhak Rabin, Ariel Sharon, and Benjamin Netanyahu, introducing us to generals who make decisions that trump those of elected leaders and who disdain diplomacy as appeasement or surrender. Fortress Israel shows us how this martial culture envelops every family. Israeli youth go through three years of compulsory military service after high school, and acceptance into elite commando units or air force squadrons brings lasting prestige and a network for life. So ingrained is the martial outlook and identity, Tyler argues, that Israelis are missing opportunities to make peace even when it is possible to do so. "The Zionist movement had survived the onslaught of world wars, the Holocaust, and clashes of ideology," writes Tyler, "but in the modern era of statehood, Israel seemed incapable of fielding a generation of leaders who could adapt to the times, who were dedicated to ending . . . [Israel's] isolation, or to changing the paradigm of military preeminence." Based on a vast array of sources, declassified documents, personal archives, and interviews across the spectrum of Israel's ruling class, FortressIsrael is a remarkable story of character, rivalry, conflict, and the competing impulses for war and for peace in the Middle East.

Yehuda Amichai is one of the twentieth century’s (and Israel’s) leading poets. In this remarkable book, Nili Scharf Gold offers a profound reinterpretation of Amichai’s early works and reconstructs his poetic biography. Her close reading of his oeuvre, untapped notebooks, and a cache of unpublished letters to a woman identified as Ruth Z. that Gold discovered convincingly demonstrates how the poet’s German past infused his work, despite his attempts to conceal it as he adopted an Israeli identity.