‘Suddenly, towards the late afternoon, darkness fell and a monstrous pre-monsoon storm broke loose. Leaves of the bamboo and the jackfruit tree, dust and bits of straw came whirling into their courtyard filling it up in seconds. Durga sped out of the house to pick up falling mangoes and Apu ran after his sister . . .’ In the little village of Nishchindipur, a brother and sister grow up, their days filled with discoveries of the world around them, and innocent play. Apu, a six year old towards the beginning of the book, and his elder sister Durga, roam the beautiful countryside gathering fruits, getting into scrapes with other children, trying their hands at cooking, and even make a long trek to the railway line in the hope of seeing the majestic steam train---until one day, poverty and fate deal a tragic blow. Making a Mango Whistle (Aam Anthir Bhenpu) was first published in 1944, when the author’s path-breaking Song of the Road (Pather Panchali) was abridged for children. Immortalized on film by Satyajit Ray, the story of Apu and Durga is a classic of Bengali children’s literature. Evocative of the joys and traumas of childhood, Making a Mango Whistle, now available to a wider readership in this brilliant new translation, is sure to touch hearts with its simple yet poignant story.

International Journal on Multicultural Literature (IJML) Volume 7 Number 2 (July 2017)ÿISSN 2231-6248. Highlights include Solutions to Religious Communalism as Projected in Mahesh Dattani's Final Solutions: An Analysis by S. ChelliahK.V. Dominic's Winged Reason: A Portrait of Social Realism by D.C. ChambialTracing Political Bricoleurs in Winston Churchill'sÿThoughts and Adventuresÿand Khushwant Singh'sÿThe End of Indiaÿby Sreedevi R. & Raichel M. SylusPlay/Games as Sublimation of Juvenile Delinquency: An Exploration into the World of Children's Literature by Sijo VargheseIntrinsic Journey into the Epic, Savitri: A Symbolic Exploration by Santanu BasakFeminine or Feminist: Ambiguous Women in The Moor's Last Sigh by Sharmila BhattacharjeeElement of Grotesque in Carson McCullers' The Ballad of the Sad Cafe by Sarika TiwariAlec Derwent Hope on Poet and Art of Poetry by Amodini SreedharanWomen as Victims: A Study of Nalini Sharma'sÿStrange Equationsÿby S. BarathiMahesh Dattani's Final Solutions: Deconstruction of Communalism - Nidhish Kumar SinghAuthenticity of Rural Life in the Novels of Chinua Achebe, Kamala Markandaya and Ramesh K. Srivastava by Smita DasLives on Pyre: A Socio-realistic Portrayal in D.C. Chambial'sÿThe Cargoes of the Bleeding Heartsÿby Parthajit Ghosh & Madhu KamraAn Evolution of His Demography: A Socio-cultural Flow in the Fictional World of Manoj Das by Suresh Bera & Somali GuptaMaya Angelou'sÿShaker, Why Don't You Sing?: a Paroxysm of Confession by Ishita Pramanik & Shukla BanerjeeFruits of Delight in the Fields of Despair in Manas Bakshi's Dance of Satan and Other Poems by T.V. Reddy IJML is a peer-reviewed research journal in English literature published from Thodupuzha, Kerala, India. The publisher and editor is Prof. Dr. K. V. Dominic, renowned English language poet, critic, short story writer and editor who has to his credit 27 books. He is also the secretary of Guild of Indian English Writers, Editors and Critics (GIEWEC). Since 2010, IJML is a biannual journal published in January and July. The articles are sent first to the referees by the editor and only if they accept, the papers will be published. Although based in India, each issue includes worldwide contributors. Although IJML concentrates on multiculturalism, it also encompasses other literature. Each issue also includes poems, short stories, review articles, book reviews, interviews, general essays etc. under separate sections. IJML is available in paperback, Kindle, ePub, and PDF editions. Distributed by Modern History Press LCO004020 LITERARY COLLECTIONS / Asian / Indic LIT008020 Literary Criticism : Asian - Indic POL035010 Political Science : Political Freedom & Security - Human Rights Learn more at www.profKVDominc.com

&Lsquo;If You Hear This You Will Find Your Heads Are Getting Muddled, Some Of You Will Fathom Fully, Some Will Stay Befuddled.&Rsquo; The Bengali Language Has Never Been Quite So Much A Living, Breathing Creature Of Whimsy As In Sukumar Ray&Rsquo;S Hands, And His Creations&Mdash;Wild And Wicked, Dreamy And Delirious&Mdash;Have Thrilled Children And Adults Alike. T His Selection Offers You The Best Of His World&Mdash;Pun-Riddled, Fun-Fiddled Poetry From Abol Tabol And Khai-Khai, Stories Of Schoolboy Pranks (Pagla Dashu) And Madcap Explorers (Heshoram Hushiyarer Diary), And The Unforgettable Harum-Scarum Classic Of Haw-Jaw-Baw-Raw-Law, Presented Here For The First Time In Its Entirety. All The Stories And Poems Are Accompanied By Sukumar Ray&Rsquo;S Inimitable Illustrations. Sampurna Chattarji&Rsquo;S Lively Translation Captures The Magical Nonsense Groove Of The Bengali Original Through A Freewheeling Play Of Sound And Sense. With A Sparkling New Introduction By Ruskin Bond, This Book Is Sure To Captivate Sukumar Ray&Rsquo;S Fans And Win Him A Whole New Generation Of Admirers. Age Group Of Target Audience (Puffin): 10+ &Nbsp;

NATIONAL BESTSELLER • A coming-of-age classic about a young girl growing up in Chicago • Acclaimed by critics, beloved by readers of all ages, taught in schools and universities alike, and translated around the world—from the winner of the 2019 PEN/Nabokov Award for Achievement in International Literature. “Cisneros draws on her rich [Latino] heritage...and seduces with precise, spare prose, creat[ing] unforgettable characters we want to lift off the page. She is not only a gifted writer, but an absolutely essential one.” —The New York Times Book Review The House on Mango Street is one of the most cherished novels of the last fifty years. Readers from all walks of life have fallen for the voice of Esperanza Cordero, growing up in Chicago and inventing for herself who and what she will become. “In English my name means hope,” she says. “In Spanish it means too many letters. It means sadness, it means waiting." Told in a series of vignettes—sometimes heartbreaking, sometimes joyous—Cisneros’s masterpiece is a classic story of childhood and self-discovery and one of the greatest neighborhood novels of all time. Like Sinclair Lewis’s Main Street or Toni Morrison’s Sula, it makes a world through people and their voices, and it does so in language that is poetic and direct. This gorgeous coming-of-age novel is a celebration of the power of telling one’s story and of being proud of where you're from.

'I was then about seven or eight. I had no useful role to play in this world; and that old palki, too, had been dismissed from all forms of useful employment...' Hidden inside an ancient palanquin on a hot, lonely afternoon, a young boy sets off on an imaginary adventure. He encounters gangs of bandits, arrives at palaces where kings bathe in sandalwood-scented water, and the hunter accompanying him gets rid of the tiger lurking in the forest with a bang of his gun. The boy, gifted with a vivid imagination and a sensitive mind, grew up to become one of India's greatest poets and thinkers. In Boyhood Days, Rabindranath Tagore recounts his growing up years with gentle wit and humour. He describes life in nineteenth-century Kolkata when the only light in the evening came from castor-oil lamps; when hackney carriages raced through the city's streets and women travelled in palanquins to the Ganga for their bath.

Ten classic stories from the master of Hindi literature Nearly a century after they were written, Premchand’s numerous short stories, novels and plays, written both in Hindi and Urdu, continue to be a mirror to Indian society and its traditions. A Winter’s Night and Other Stories brings together, for young readers, some of his most powerful short stories. This is a world inhabited by people like Halku, forced to spend the bitterly cold winter night in the open, without a blanket; Kaki, the old invalid aunt, ill-treated by her own relatives; and Shankar, reduced to being a bonded labour for the sake of a handful of wheat. Premchand describes their plights with unflinching honesty. Yet all is not hopeless in this world. There is also little Hamid, who buys tongs for his old grandmother rather than toys for himself; Ladli, who saves her share of puris for her blind aunt; and Big Brother, trying in vain to remember the strange names of English kings and queens. Greed, dishonesty, cruelty abound in this world, as do kindness, bravery and humour. These ten stories are an ideal introduction to Premchand and his concerns and ideas that remain relevant to this day.