Comprised of histories of hard rock bands in the eighties and nineties and their struggles with major record labels, interviews with over thirty musicians, and short stories by the author which reflect a particular time in the music industry.

Songwriters, performers and producers Erik Appelwick, Eric Fawcett, John Hermanson and Darren Jackson were important players in an early 2000s musical collective. This collective included genres such as folk, power pop, R & B, electro-funk and indie rock. Well-known bands Storyhill, Spymob, Alva Star, Kid Dakota, Vicious Vicious, Tapes 'n Tapes, Olympic Hopefuls and others were part of this movement. These four men worked for their rock 'n' roll dreams, producing well-crafted albums and exciting live performances along the way. Their shared biography draws from dozens of new interviews and hundreds of articles to document their intersecting musical journeys--from playing air guitar to KISS records to rocking gyms in high school cover bands to touring the world with some of pop music's biggest names. Equal parts celebration and cautionary tale, this book discusses both the rewards and difficulties of life as an independent musician.

Majorlabelland and Assorted Oddities is comprised of an essay about hard rock bands in the eighties and nineties and their struggles with major record labels which resulted in several albums that have never been released. Interviews have been conducted with almost forty musicians from some two dozen bands and they all graciously agreed to chat about their career and the problems they encountered that ended some of their careers dead in its tracks. The book is also comprised of short stories that have been complied since the author was in college and they fi t the feel of the book: very antiestablishment and hovering on the fringes of society and conformity. Closing out the book are interviews done with several other musicians, most of which have never been published before. They are all intriguing because the musicians talk about facets of their career that they havent spoken about in years if at all. This book captures a time in the music industry when there were no rules.

From the early days of music, record producers have served an important role in the studio, providing musical ideas, sonic beds and inspiration. Styles range from Svengali-like dictators to the nearly absent, yet producers are a constant in some of the best known recordings of the day. "Producing Hit Records" takes a behind the scenes look with today's top record producers at what it takes to sit in the big chair. Producers talk about how they got into the field, how they continue to get work, how they motivate artists to come up with that great take and what it's like to workin an industry that's constantly changing.

First published in 1996, this work covers all the major sectors of policing in the United States. Political events such as the terrorist attacks of September 11, 2001, have created new policing needs while affecting public opinion about law enforcement. This third edition of the "Encyclopedia" examines the theoretical and practical aspects of law enforcement, discussing past and present practices.

(Book). For the first time ever, Rock Tracks lists every artist and song to appear on Billboard 's "Modern Rock Tracks" (also known as "Alternative") and "Mainstream Rock Tracks" charts all in one combined, comprehensive A-to-Z artist listing! This all-inclusive format gathers all chart data from both charts in one master listing so it's easy for you to instantly compare your favorite artist's achievements on either or both of Billboard 's two premier Rock charts.

The only book that looks at the business of concert promotion. Concerts are part art, part party—and a big part business. This Business of Concert Promotion and Touring is the first to focus on that all-important business aspect, from creating a show, to selling a show, to organizing the show, to staging the show. Working with venues, personnel, booking, promoting, marketing, publicity, public relations, financial management, and much more are covered in this indispensable one-volume resource. And the ideas and techniques explained here can be used for every type of concert promotion, including college shows, artist showcases, club gigs, as well as major events handled by local promoters, nationwide promoters, and worldwide promoters. Concert promoters and tour managers at every level need to know This Business of Concert Promotion and Touring