This book explores the medieval art, architecture, and archaeology of the city of Mainz and of the middle Rhine valley. It considers the architecture and archaeology of the early medieval and Romanesque period, including the Carolingian monastery of Lorsch and the cathedrals of Mainz and Worms.

Using the most recently discovered archaeological and textual evidence, Christopher Loveluck explores the transformation of Northwest Europe, from c.AD 600 to 1150.

This book explores the remarkable flourishing of art and architecture in Bohemia, and Prague as it became the political centre of Charles IV's Holy Roman Empire. It focuses on cultural exchange and the links that can be traced through the artwork across Europe.

The twenty-four studies in this volume propose a new approach to framing the debate around the history of medieval art and architecture to highlight the multiple roles played by women, moving beyond today's standard division of artist from patron.

The Slavic Letters of St. Jerome is the first book-length study of the medieval legend that Church Father and biblical translator St. Jerome was a Slav who invented the Slavic (Glagolitic) alphabet and Roman Slavonic rite. Julia Verkholantsev locates the roots of this belief among the Latin clergy in Dalmatia in the 13th century and describes in fascinating detail how Slavic leaders subsequently appropriated it to further their own political agendas. The Slavic language, written in Jerome's alphabet and endorsed by his authority, gained the unique privilege in the Western Church of being the only language other than Latin, Greek, and Hebrew acceptable for use in the liturgy. Such privilege, confirmed repeatedly by the popes, resulted in the creation of narratives about the distinguished historical mission of the Slavs and became a possible means for bridging the divide between the Orthodox and Catholic Churches in the Slavic-speaking lands. In the fourteenth century the legend spread from Dalmatia to Bohemia and Poland, where Glagolitic monasteries were established to honor the Apostle of the Slavs Jerome and the rite and letters he created. The myth of Jerome's apostolate among the Slavs gained many supporters among the learned and spread far and wide, reaching Italy, Spain, Switzerland, and England. Grounded in extensive archival research, Verkholantsev examines the sources and trajectory of the legend of Jerome's Slavic fellowship within a wider context of European historical and theological thought. This unique volume will appeal to medievalists, Slavicists, scholars of religion, those interested in saints' cults, and specialists of philology.

The theme of the book is the origin of Late Gothic architecture in Europe around the year 1300. It was then that Gothic ecclesiastical architecture graduated from a largely French into a wholly European phenomenon with new centres of art production (Cologne, Florence, York, Prague, Krakow) and newly-empowered institutions: kings, the higher nobility, towns and friars. Profound changes in spiritual and devotional life had a lasting effect on the relationship between architecture and liturgy. In short, architecture around 1300 became at once more cosmopolitan and more heterogeneous. The book addresses these radical changes on their own terms- as an international phenomenon. By bringing together specialists in art, architecture and liturgy from many parts of Europe and from the USA it aims to employ their separate expertise, and to integrate each into a broader European perspective. Dr. Zoe Opacic is lecturer in the history and theory of architecture at Birkbeck College, University of London. She specialises in the field of late medieval architecture and art, particularly in Central Europe.Dr. Alexandra Gajewski, FSA is visiting assistant professor at the University of Michigan, Ann Arbor. She works on Burgundian Gothic architecture and on Cistercian art in medieval France and the Empire.