Maeve Fitzpatrick has always been brave. Moving from Ireland to America was just a big adventure to her, but the reality has turned out to be so much less than she imagined. Living in grey and dreary Pittsburgh is hardly her dream come true! But she is not one to ever give up on herself, or her goals and so she places an advertisement to find herself a husband, eager for the opportunity that another change of scenery might bring. But, there are obstacles to face she had never considered, obstacles she cannot change alone. Jesse Fountain has a great job, working for a man he admires and respects, and after many years of wandering has finally found the place he wants to call home. Faith Creek has welcomed him with open arms, and he is found well enough that he wants to build his own home and fill the rooms with a wife and children. But his past is always lurking, always threatening to resurface. Will he ever allow himself to take the biggest risk of all? To leave it all behind him and allow himself to love and be loved?

Bored and lonely New York socialite, Carolynne Forbes, longs to leave her wealthy past behind her and become a musician. She has both the talent and the dedication required, but does not know how to defy her family's expectations, or Society's rules. But a chance meeting with an acknowledged rake sparks her courage to find out if she truly does have what it takes. But can she convince him that he is as deserving of happiness and fulfilment in his own life too? Elliot Grady is wealthy, charming and very clever. But his life has always bored him. Secretly he has always longed for the life of a writer, but has always dismissed it from his mind as he pursued an existence filled with shooting parties and balls, pretty girls and gambling. But his meeting Miss Forbes reminds him that he too once had ambitions, and that he has been a fool to let them go. He takes his own advice, and ignores the conventions that his own wealthy Boston background has dictated and takes to the road. But will he convince himself that he is good enough to wed the woman he loves?

Challenging conventional wisdom on grief, a pioneering therapist offers a new resource for those experiencing loss When a painful loss or life-shattering event upends your world, here is the first thing to know: there is nothing wrong with grief. “Grief is simply love in its most wild and painful form,” says Megan Devine. “It is a natural and sane response to loss.” So, why does our culture treat grief like a disease to be cured as quickly as possible? In It’s OK That You’re Not OK, Megan Devine offers a profound new approach to both the experience of grief and the way we try to help others who have endured tragedy. Having experienced grief from both sides—as both a therapist and as a woman who witnessed the accidental drowning of her beloved partner—Megan writes with deep insight about the unspoken truths of loss, love, and healing. She debunks the culturally prescribed goal of returning to a normal, “happy” life, replacing it with a far healthier middle path, one that invites us to build a life alongside grief rather than seeking to overcome it. In this compelling and heartful book, you’ll learn: • Why well-meaning advice, therapy, and spiritual wisdom so often end up making it harder for people in grief • How challenging the myths of grief—doing away with stages, timetables, and unrealistic ideals about how grief should unfold—allows us to accept grief as a mystery to be honored instead of a problem to solve • Practical guidance for managing stress, improving sleep, and decreasing anxiety without trying to “fix” your pain • How to help the people you love—with essays to teach us the best skills, checklists, and suggestions for supporting and comforting others through the grieving process Many people who have suffered a loss feel judged, dismissed, and misunderstood by a culture that wants to “solve” grief. Megan writes, “Grief no more needs a solution than love needs a solution.” Through stories, research, life tips, and creative and mindfulness-based practices, she offers a unique guide through an experience we all must face—in our personal lives, in the lives of those we love, and in the wider world. It’s OK That You’re Not OK is a book for grieving people, those who love them, and all those seeking to love themselves—and each other—better.

A study of Neopagan religious movements in North America, the United Kingdom, and Europe where people increasingly turn to ancestral religions, not as amusement or matters of passing interest, but in an effort to practice those religions as they were before the advent of Christianity.

In this “extraordinary family memoir,”* the National Book Award–winning author of The Future Is History reveals the story of her two grandmothers, who defied Fascism and Communism during a time when tyranny reigned. *The New York Times Book Review In the 1930s, as waves of war and persecution were crashing over Europe, two young Jewish women began separate journeys of survival. Ester Goldberg was a rebel from Bialystok, Poland, where virtually the entire Jewish community would be sent to Hitler’s concentration camps. Ruzya Solodovnik was a Russian-born intellectual who would become a high-level censor under Stalin’s regime. At war’s end, both women found themselves in Moscow. Over the years each woman had to find her way in a country that aimed to make every citizen a cog in the wheel of murder and repression. One became a hero in her children’s and grandchildren’s eyes; the other became a collaborator. With grace, candor, and meticulous research, Masha Gessen, one of the most trenchant observers of Russia and its history today, peels back the layers of time to reveal her grandmothers’ lives—and to show that neither story is quite what it seems. Praise for Masha Gessen “One of the most important activists and journalists Russia has known in a generation.”—David Remnick, The New Yorker “Masha Gessen is humbly erudite, deftly unconventional, and courageously honest.”—Timothy Snyder, author of On Tyranny

Most often remembered for her gestures, expressive eyes, and body language on the screen, ZaSu Pitts was an unusual actress (and also an excellent cook: she often gave homemade candies to her coworkers, and her collection of candy recipes was published posthumously). This affectionate study of both her private life off-screen and her public persona details how the multi-talented actress become one of filmdom's favorite comediennes and character players. The book includes many rare photographs.