When she’s very, very bad... Gina Carrington knows exactly how to have fun! But when she slept with her friend’s brother, the off-limits Carter, she quickly discovered she’d overstepped the mark...

Samuel Tucker is absolutely the last person scientist Cassie Barclay would ever date. So when he asks her to dance at her friend Reese's non–wedding she's wondering why on earth she says yes! Tuck is used to people assuming he's all brawn and no brain, but when he finally takes her to bed, suddenly it's Tuck who can show Cassie a thing or two! Can he convince her that love and sex have nothing to do with logic but everything to do with chemistry?

"Lurie takes particular interest in the influence of cinema on Faulkner's fiction and the visual strategies he both deployed and critiqued. These include the suggestion of cinematic viewing on the part of readers and of characters in each of the novels; the collective and individual acts of voyeurism in Sanctuary and Light in August; the exposing in Absalom! Absalom! and Light in August of stereotypical and cinematic patterns of thought about history and race; and the evocation of popular forms like melodrama and the movie screen in If I forget thee, Jerusalem. Offering innovative readings of these canonical works, this study sheds new light on Faulkner's uniquely American modernism."--BOOK JACKET.

Reproduction of the original: Strange True Stories of Louisiana by George W. Cable