The history and meaning of Stonehenge with photographs of the ancient monument as it is today.

Has proved to be the most sought after set of books on magic and alchemy ever published. Powerful work and considered so dangerous that for many years, rare copies could only be found in certain libraries, locked away from the general public and from those who would use (or misuse) its power. Original set first published in 1801. by author who spent many years of study before releasing them. Includes rare illustrations from original sources. Covers natural magic, amulets and charms, potions, precious stones, candles, alchemy, the philosophers stone, transmutation, the four elements, numbers, and the planets.

Dark Magus is a warts-and-all look at the real Miles Davis. As told by his son, this book strips away the public perception of Davis often concocted through other books written without such intimate access to the man and gets down to the realities of his personality and quirks. Despite being a jazz superstar for decades, Davis was reclusive and deeply distrustful of other people. Dark Magus details Davis's Jekyll-and-Hyde personality, including his prodigious drug use, his misogynistic attitude towards women, his self-centeredness and selfishness, his obsessive chasing of young women, his use of amphetamines during concerts, and his distressing tendency to use violence to get his way or exact revenge for slights real and imagined. Other fascinating details abound, including Davis's relationship with Charlie Parker, his obsession with sports (especially boxing), his likes and dislikes, his personal philosophies, and his often gruelling work with younger musicians.

This book is an exploration of the post-New Testament figure of Simon Magus spanning the patristic era, Middle Ages, and the early modern period as found in art, vernacular literatures, heresiologies, theological texts, hagiographies and homilies.

This book about receptions of Simon Magus uncovers further facets of one who was held to be the evil archetype of heretics. Ephraim Nissan and Alberto Ferreiro explore how Simon Magus has been represented in text, visual art, and music. Special attention is devoted to the late medieval Catalan painter Lluís Borrassà and the Italian librettist and musician Arrigo Boito. The tradition of Simon Magus’ demonic flight, ending in his crashing down, first appears in the patristic literature. The book situates that flight typologically across cultures. Fascinating observations emerge, as the discussion spans flight of the wicked in rabbinic texts, flight and death of King Lear’s father and a Soviet-era Buryat Buddhist monk, flight and doom of the fool in an early modern German broadsheet, and more. The book explains and moves beyond extant scholarly wisdom on how the polemic against Mani (the founder of Manichaeism) was tinged with hues of Simon Magus. The novelty of this book is that it shows that Simon Magus’ receptions teach us a great deal about the contexts in which this archetype was deployed.

This is a story about a wee little man who was 3 feet tall, named Magus, who lived deep in the woods. Magus lived in his house all alone in the woods, and he did not have a friend in the world, he did not see the need to have friends. Once he tried to be friends with the neighbor boys, but they teased him and broke his fishing rod. After that incident, Magus did not worry about the boys, he had no time to play with them anyway, because he spent every minute of his free time fishing. But things always change. Until one day...

This is by no means simply a theoretical treatise accessible only to specialists. Any discerning reader can cope with the initiatory contents of 'The Tarot', perceiving completely new horizons of thought, activity, psychology, cosmogony and practical magic in this traditional form of Hermetic Occultism. An enormous number of questions that occur to the earnest seeker are answered in new and fascinating ways. The attentive reader is offered the opportunity to understand the true meaning of one's own life and destiny, as well as that of the epoch in which we live.