Holy relics -- the bodily remains of saints and other sacred figures -- were for centuries the most revered objects in the Western world, at center-stage in Europe's great churches and cathedrals. Today some relics have been shunted to side chapels and dark crypts, yet many continue to draw prayerful pilgrims, as they have for centuries, seeking solace, inspiration, and signs of miracles. In Magnificent Corpses, Anneli Rufus recounts her visits to 18 of Europe's most significant relics. With an engaging mix of history and personal narrative, Rufus tells their secret stories and, along the way, revisits with a fresh eye the compelling accounts of the saints whose physical bodies the relics represent.

From the author of Lost Souls, Drawing Blood, and Wormwood comes a thrilling and chilling novel that bestselling author Peter Straub says serves as a “guidebook to hell.” To serial slayer Andrew Compton, murder is an art, the most intimate art. After feigning his own death to escape from prison, Compton makes his way to the United States with the sole ambition of bringing his “art” to new heights. Tortured by his own perverse desires, and drawn to possess and destroy young boys, Compton inadvertently joins forces with Jay Byrne, a dissolute playboy who has pushed his “art” to limits even Compton hadn’t previously imagined. Together, Compton and Byrne set their sights on an exquisite young Vietnamese-American runaway, Tran, whom they deem to be the perfect victim. Swiftly moving from the grimy streets of London’s Piccadilly Circus to the decadence of the New Orleans French Quarter, Poppy Z. Brite dissects the landscape of torture and invites us into the mind of a killer. Exquisite Corpse confirms Brite as a writer who defies categorization. It is a novel for those who dare trespass where the sacred and profane become one.

An intriguing visual history of the veneration in European churches and monasteries of bejeweled and decorated skeletons Death has never looked so beautiful. The fully articulated skeleton of a female saint, dressed in an intricate costume of silk brocade and gold lace, withered fingers glittering with colorful rubies, emeralds, and pearls—this is only one of the specially photographed relics featured in Heavenly Bodies. In 1578 news came of the discovery in Rome of a labyrinth of underground tombs, which were thought to hold the remains of thousands of early Christian martyrs. Skeletons of these supposed saints were subsequently sent to Catholic churches and religious houses in German-speaking Europe to replace holy relics that had been destroyed in the wake of the Protestant Reformation. The skeletons, known as “the catacomb saints,” were carefully reassembled, richly dressed in fantastic costumes, wigs, crowns, jewels, and armor, and posed in elaborate displays inside churches and shrines as reminders to the faithful of the heavenly treasures that awaited them after death. Paul Koudounaris gained unprecedented access to religious institutions to reveal these fascinating historical artifacts. Hidden for over a century as Western attitudes toward both the worship of holy relics and death itself changed, some of these ornamented skeletons appear in publication here for the first time.

A "gleaming, humane" (The New York Times Book Review) memoir of the relationship between a cadaver named Eve and a first-year medical student Medical student Christine Montross felt nervous standing outside the anatomy lab on her first day of class. Entering a room with stainless-steel tables topped by corpses in body bags was initially unnerving. But once Montross met her cadaver, she found herself intrigued by the person the woman once was and fascinated by the strange, unsettling beauty of the human form. They called her Eve. The story of Montross and Eve is a tender and surprising examination of the mysteries of the human body, and a remarkable look at our relationship with both the living and the dead.

This is the first unexpurgated English edition of Curzio Malaparte’s legendary work The Skin. The book begins in 1943, with Allied forces cementing their grip on the devastated city of Naples. The sometime Fascist and ever-resourceful Curzio Malaparte is working with the Americans as a liaison officer. He looks after Colonel Jack Hamilton, “a Christian gentleman . . . an American in the noblest sense of the word,” who speaks French and cites the classics and holds his nose as the two men tour the squalid streets of a city in ruins where liberation is only another word for desperation. Veterans of the disbanded Italian army beg for work. A rare specimen from the city’s famous aquarium is served up at a ceremonial dinner for high Allied officers. Prostitution is rampant. The smell of death is everywhere. Subtle, cynical, evasive, manipulative, unnerving, always astonishing, Malaparte is a supreme artist of the unreliable, both the product and the prophet of a world gone rotten to the core.

"The brilliant mind behind Party of One examines the striking social trend: people are stuck and they want to change, but..." (San Francisco Chronicle) In this book, Anneli Rufus identifies an intriguing aspect of our culture: Many of us are stuck. Be it in the wrong relationship, career, or town, or just with bad habits we can't seem to quit, we even say we want to make a change, but . . . Merging interviews, personal anecdotes, and cultural criticism, Stuck is a wise and passionate exploration of the dreams we hold dearest for ourselves-and the road to actually achieving them. When faced with the possibility of change, our minds can play tricks on us. We tell ourselves: I can't make it. Or, It's not worth the effort. How is it that in a time of unprecedented freedom and opportunity, so many of us feel utterly powerless and unsure? In this book, Rufus exposes a complex network of causes for our immobilization- from fear and denial to powerful messages in popular culture or mass media that conspire to convince us that we're helpless in the face of our cravings. But there can be a light at the end of the tunnel: Rufus also tells the stories of people who have managed to become unstuck and of others who, after much reflection, have decided that where they are is best. After all, she writes, "what looks to you like a rut, others might say is true absorption in a topic, a relation­ship, a career, a pursuit, a place. What looks to you like bore­dom, others call commitment. And even contentment." A brilliant glimpse into what truly motivates-or doesn't motivate-us, Stuck will inspire you to take a look at yourself in an entirely new light.