Mechanics are defined as a branch of physical science that deals with energy and forces and their effect on things in the universe. This book presents mechanics of magick based on their consistency in practice across the majority of magickal systems of thought and their effectiveness in creating changes in one's reality. Thorough explanations of each mechanic are followed by scientific knowledge, anecdotes and examples to illustrate each mechanic's efficacy and why they apply to all paths of magickal practice.

An award-winning Oxford physicist draws on classic sci-fi, fantasy fiction, and everyday phenomena to explain and celebrate the magical properties of the world around us. If you were to present the feats of modern science to someone from the past, those feats would surely be considered magic. Theoretical physicist Felix Flicker proves that they are indeed magic—just familiar magic. The name for this magic is “condensed matter physics.” Most people haven’t heard of the field, yet more than a third of physicists identify as condensed matter researchers, making it the most active area in the subject—with good reason. Condensed matter is the solids, liquids, and gasses that surround us—and the more exotic matters—which dictate every aspect of our present existence and hold the keys to a brighter future, from quantum computing to real-life invisibility cloaks. Flicker teases out the magical threads that run through our daily lives. Condensed matter physics allows you to create anything abiding by the laws of reality—and often, we find that those laws can be bent. Flicker explains how to create new particles that never existed before, how to make crystals shoot out of such intense light they can cut through metal, how to separate the poles of a magnet, and more. The book’s endearing conceit is that you are an aspiring wizard whose ability to cast spells (i.e. to do science) is dependent on your grasp of the fundamentals of our universe. This book contains no equations or charts—instead, it’s full of owls and mountains and infinite libraries, and staffs and wands, and martial arts and mythical islands ruled by sage knot-makers. Part of the book’s magic is that, for all these fanciful trappings, it still feels practical and applicable. The Magick of Physics will open your eyes to magic that surround us everyday.

Witchcraft Unleashed is a comprehensive guide that explores the world of black magic and provides readers with the knowledge and tools necessary to tap into its power. From understanding the basics of black magic to harnessing the power of the elements, this book delves into various aspects of dark arts. It covers topics such as curses and hexes, summoning spirits and demons, spellcasting and incantations, creating potions and elixirs, dark divination, the art of necromancy, forbidden knowledge and rites, dark transformation and shapeshifting, dark magic for love and lust, covens and secret societies, mastering dark powers, and confronting the light. This book offers a well-researched exploration of black magic's history, ethics, and varied practices. It provides step-by-step instructions, rituals, and guidance for those interested in delving into the world of dark magic. Witchcraft Unleashed serves as a valuable resource for both beginners and experienced practitioners looking to deepen their understanding and mastery of black magic.

Modern practicing occultists have argued that renowned horror writer H. P. Lovecraft was in possession of in-depth knowledge of black magick. Literary scholars claim that he was a master of his genre and craft, and his findings are purely psychological, nothing more. Was Lovecraft a practitioner of the dark arts himself? Was he privileged to knowledge that cannot be otherwise explained? Weaving the life story of Lovecraft in and out of an analysis of various modern magickal systems, scholar John Steadman has found direct and concrete examples that demonstrate that Lovecraft’s works and specifically his Cthulhu Mythos and his creation of the Necronomicon are a legitimate basis for a working magickal system. Whether you believe Lovecraft had supernatural powers or not, no one can argue against Lovecraft’s profound influence on many modern black arts and the darker currents of western occultism.

RuneQuest Core book

When it comes to images, we are all animists. Deep down, we all know that images can – at least potentially – be alive or come to life. Nowadays, we may tend to rationalize our ingrained animism and explain it away as a mere projection only happening in the space between image and viewer. In the Middle Ages, however, imagery made enthusiastic use of magical, miraculous and mechanical means of animation, empowered and ensouled by both natural and supernatural principles of life. This animist book investigates magic, miracles and mechanics as motors of animation and seeks to understand the living image in solidarity with medieval experience rather than dismissive alienation of it. Effigies did bleed, weep or lactate, either through divine intervention or through hydraulic machinery. Statues did move or speak, either as demonic oracles or as talking heads with implanted speaking tubes. Marvels made by magic or by miracles were real, as real as the wonders of physical mechanics moving bodily matter. We just need to look and listen more carefully to comprehend these fluid realities, even when – especially when – they challenge our received worldview. Animation was by no means uncontested or uncontradicted, but even its stiffest critics knew that gods and demons could intervene in inanimate matter to set it in motion, to speak in tongues and exude the liquids of life.