This is the first book to analyse the cultural representations of female identity that were created by the interaction between choreography and literary writing in German modernism. It explores the connections between dance, literature and gender discourses with a focus on a key period of the Austro-German dance scene: the years between 1900 and 1933. Drawing on influential feminist and gender theories, this book evaluates the choreographies of leading artists such as Grete Wiesenthal, Mary Wigman, Valeska Gert, Anita Berber, and the sensational 'dream' dancer Madeleine Guipet. In response to growing criticism of ballet, German modern dance reflected and helped shape a reassessment of images of the female, embracing both essentialist and constructionist models of femininity. It also triggered a range of literary responses from dance artists themselves and from contemporary authors - some high-profile, others less well known. This interdisciplinary work offers analyses and part-translations of texts by Alfred Döblin, Frank Wedekind and Carl Sternheim, amongst others, which have to date received little attention in Anglo-American cultural studies due to their unavailability in English.

Climate change poses a severe threat to the global ecosystem which will impact all nations around the world including ASEAN member countries. Urgent and integrated effort is critical to reduce the amount of carbon dioxide which traps heat in the atmosphere and causes climate change. Plants have the capacity to absorb and store a large amount of carbon. Recent researches suggest that seagrass ecosystem is one of the most promising carbon sequester and carbon sink. Seagrass absorbs carbon dioxide and converts it into potential energy which is stored in the form of organic carbon. The seagrass’ organic carbon and organic matter from other sources is trapped in the seagrass sediments. Due to this capacity, seagrass is recognized as a natural carbon dioxide removal (NCDR). Compared to tropical rainforests, seagrass meadows have more potential to capture and store a large amount of carbon (i.e. blue carbon). ASEAN countries share similar concerns and equal responsibility to preserve the seagrass ecosystem as a natural-based approach on mitigating global climate change. However, seagrass ecosystem in each of the ASEAN country has its own unique characteristics, posing challenges on the contribution assessment of each country. Thus, a general platform to collect data and calculate carbon sequestration from the seagrass ecosystem needs to be developed, to equally compare data and information among the ASEAN countries. Accordingly, this guideline was developed as a mean to fulfil the need.

The border between intimate memory and historical revelation is explored in this wide-ranging collection, which features original contributions from leading figures in the life writing field from Australia, Canada, Europe, UK, and the USA. The transmission and preservation of personal knowledge and stories from generation to generation frequently requires crossing into the private, contested spaces of memory. The most secret accounts or guarded remnants of information can sometimes lead to the most profound insights. In this context, there is a delicate balance between life writing’s role in revealing lives and the desire to be respectful towards them. As the essays in this book attest, exposing secrets, even if humiliating, can be a way of honouring lives. Throughout runs the framing theme of memory as the source of all intergenerational transmission of culture and history—whether relating to family, community, nation, ancestry, or political allegiance—and the importance of the intimate and personal in that process of handing on. This book was originally published as a special issue of Life Writing.

In this volume, twenty-four creators come together with three scholars to discuss Contemporary Circus, bridging the divide between practice and theory. Lavers, Leroux, and Burtt offer conversations across four key themes: Apparatus, Politics, Performers, and New Work. Extensively illustrated with fifty photos of Contemporary Circus productions, and extensively annotated, Contemporary Circus thematically groups and contextualises extracts of conversations to provide a sophisticated and wide-ranging study supported by critical theory. Of interest to both practitioners and scholars, Contemporary Circus uses the lens of ‘contestation,’ or calling things into question, to provide a portal into ways of seeing today’s circus performance. Conversations with: Lachlan Binns and Jascha Boyce (Gravity and Other Myths), Tilde Björfors (Cirkus Cirkör), Kim ‘Busty Beatz’ Bowers (Hot Brown Honey), Shana Carroll (The 7 Fingers), David Clarkson (Stalker), Philippe Decouflé (Compagnie DCA), Fez Faanana (Briefs), Mike Finch (Circus Oz), Daniele Finzi Pasca (Compagnia Finzi Pasca), Sean Gandini (Gandini Juggling), Firenza Guidi (ElanFrantoio, NoFit State Circus), Jo Lancaster and Simon Yates (Acrobat), Johann Le Guillerm (Cirque Ici), Yaron Lifschitz (Circa), Chelsea McGuffin (Company 2), Phia Ménard (Compagnie Non Nova), Jennifer Miller (Circus Amok), Adrien Mondot (Compagnie Adrien M and Claire B), Charlotte Mooney and Tina Koch (Ockham’s Razor), Philippe Petit (high wire artist), and Elizabeth Streb (STREB EXTREME ACTION).

This groundbreaking text examines the problem of user authentication from a completely new viewpoint. Rather than describing the requirements, technologies and implementation issues of designing point-of-entry authentication, the book introduces and investigates the technological requirements of implementing transparent user authentication – where authentication credentials are captured during a user’s normal interaction with a system. This approach would transform user authentication from a binary point-of-entry decision to a continuous identity confidence measure. Topics and features: discusses the need for user authentication; reviews existing authentication approaches; introduces novel behavioural biometrics techniques; examines the wider system-specific issues with designing large-scale multimodal authentication systems; concludes with a look to the future of user authentication.