The buzzing life of bars, warm evenings by the Manzanares river, the subterranean terrors of the Metro, icy winters and hot, empty summers, student days in the sixties, the ruthless underworld of the city's mafia, this captivating anthology reflects the character of Madrid and the lives of the madrilenos, as its inhabitants are called, in all their splendid variety. Some stories are bizarre, some funny, some serious, and as you read you'll travel through the city. The famous streets and monuments of Madrid - Cibeles, Calle de Alcala, Plaza Mayor, and the Royal Palace - as well as the poor, working-class barrios unfrequented by sightseers will pass before your eyes like a moving picture. Few of these stories have previously been translated into English. Some names, such as Benito Perez Galdos, Javier Marias, Juan Jose Millas, and Carmen Martin Gaite, will be more familiar than others but all deserve to be better known. There is a map at the back of the book to indicate the places mention

María de Zayas y Sotomayor (1590–1650?) published two collections of novellas, Novelas amorosas y exemplares (1637) and Desengaños amorosos (1647), which were immensely popular in her day. During the nineteenth and early twentieth centuries, Victorian and bourgeois sensibilities exiled her “scandalous” works to the outer fringes of serious literature. Over the last two decades, however, she has gained an enthusiastic and ever-expanding readership, drawing intense critical attention and achieving canonical status as a major figure of the Spanish Golden Age. In this first comprehensive study of Zayas’s prose, Margaret R. Greer explores the relationship between narration and desire, analyzing both the “desire for readers” displayed by Zayas in her Prologue and the sexual desire that drives the telling within the novellas themselves. Greer examines Zayas’s narrative strategies through the twin lenses of feminist and psychoanalytic theory. She devotes close attention to the weight of Renaissance literary traditions and the role of Zayas’s own cultural context in shaping her work. She discusses Zayas’s biography and the reception of her publications; her advocacy of women’s rights; her conflictive loyalty to an aristocratic, patriarchal order; her crafting of feminine tales of desire; and her erasure of the frontiers between the natural and supernatural, indeed, between love and death itself. In so doing, Greer offers an expansive analysis of this recently rediscovered Golden Age writer.

New Madrid: A Mississippi River Town in History and Legend focuses on the hearts and minds of a restless population as it moved west into the Mississippi River Valley in the 1800s. The river-port town of New Madrid, Missouri, strategically located just below the junction of the Mississippi and Ohio Rivers, and destined to be the capital of "New Spain," was en route for thousands of early Americans. New Madrid's pioneers reveal their past and their stories through letters, newspapers, official records, and other sources. The author takes the reader through the town's history, recounting tales of legendary people whose lives crossed with those of area residents. Lively illustrations, photographs, and maps enhance the stories, a treasure for anyone whose ancestors experienced the westward movement, participated in the Civil War, were slave-owners, slaves, or American Indians, or for those who are curious about American life in earlier times.

This Oxford companion provides an authoritative reference source for fairy tales, exploring the tales themselves, both ancient and modern, the writers who wrote and reworked them and related topics such as film, art, opera and even advertising.

"The short stories explore themes that concern the interior person, the inner being. "A Day Laborer" tells of a liberal intellectual who can identify with exploited laborers because he himself has been exploited; "Change of Light" describes the spiritual peace that comes to a writer as a result of physical blindness; "The Golden Rose" shows through a series of contrasts - good and evil, heaven and earth, light and darkness - that virtue and sacrifice are rewarded; "Queen Margaret" chronicles the misery of failed opera singers who find happiness after leaving the short-lived glory of the theater; "Torso" relates the faithfulness of a servant who is rejected by a young master; "The Burial of the Sardine," with echoes of Francisco de Goya, represents the ephemeral nature of joy as experienced during Shrovetide in a city dominated by the clergy; and "Two Scholars" recounts how envy and vanity affect a personal relationship."--BOOK JACKET.