"Madness on the Couch" tells the dramatic story of psychiatry's failed quest to conquer mental illness through "talk therapy". Focusing on three diseases--schizophrenia, autism, and obsessive-compulsive disorder--Dolnick describes in detail how psychoanalysts began to blame the victims for their own illnesses. of photos.

Pills replaced the couch; neuroscience took the place of talk therapy; and as psychoanalysis faded from the scene, so did the castrating mothers and hysteric spinsters of Freudian theory. Or so the story goes. In Prozac on the Couch, psychiatrist Jonathan Michel Metzl boldly challenges recent psychiatric history, showing that there’s a lot of Dr. Freud encapsulated in late-twentieth-century psychotropic medications. Providing a cultural history of treatments for depression, anxiety, and other mental illnesses through a look at the professional and popular reception of three “wonder drugs”—Miltown, Valium, and Prozac—Metzl explains the surprising ways Freudian gender categories and popular gender roles have shaped understandings of these drugs. Prozac on the Couch traces the notion of “pills for everyday worries” from the 1950s to the early twenty-first century, through psychiatric and medical journals, popular magazine articles, pharmaceutical advertisements, and popular autobiographical "Prozac narratives.” Metzl shows how clinical and popular talk about these medications often reproduces all the cultural and social baggage associated with psychoanalytic paradigms—whether in a 1956 Cosmopolitan article about research into tranquilizers to “cure” frigid women; a 1970s American Journal of Psychiatry ad introducing Jan, a lesbian who “needs” Valium to find a man; or Peter Kramer’s description of how his patient “Mrs. Prozac” meets her husband after beginning treatment. Prozac on the Couch locates the origins of psychiatry’s “biological revolution” not in the Valiumania of the 1970s but in American popular culture of the 1950s. It was in the 1950s, Metzl points out, that traditional psychoanalysis had the most sway over the American imagination. As the number of Miltown prescriptions soared (reaching 35 million, or nearly one per second, in 1957), advertisements featuring uncertain brides and unfaithful wives miraculously cured by the “new” psychiatric medicines filled popular magazines. Metzl writes without nostalgia for the bygone days of Freudian psychoanalysis and without contempt for psychotropic drugs, which he himself regularly prescribes to his patients. What he urges is an increased self-awareness within the psychiatric community of the ways that Freudian ideas about gender are entangled in Prozac and each new generation of wonder drugs. He encourages, too, an understanding of how ideas about psychotropic medications have suffused popular culture and profoundly altered the relationship between doctors and patients.

The Velvet Marigold Couch is a chilling look into the hellish torture of bipolar psychosis and alcohol and drug addiction. When Tasha Pedersen was six years old she watched as the walls of her safe suburban bedroom were engulfed in flames. Running down the hall, followed by the heat of the raging fire, she burst into her parents' bedroom screaming. By the time her father picked her up and comforted her, the fire was gone. As real as it was to her, it had actually only existed in her mind. Growing up in the shadow of an abusive and alcoholic older sister, Tasha takes her first drink at age 15 and quickly gets lost in a life of vodka, pot, cocaine, LSD and non-stop addiction. As she spins further out of control, she begins to hear voices, hallucinate and have delusions. Everything continues to spiral into chaos until she completely loses all sense of reality. The voices convince her that she must kill her father and tell her that the only way to save the world is by cutting off her own hand. Thankfully she is hospitalized before she can harm anyone else or herself. She then begins the long and rocky path towards wholeness. With a diagnosis of Bipolar I, she bravely recovers from both her mental illness and alcoholism and winds up finding deep faith in Native American ceremonies that completely turn her life around. The Velvet Marigold Couch: My Private Waltz Into Madness, is a story of the true horror of bipolar disorder, the destructive power of addiction and the strength and courage it takes to heal from them both. It ultimately shows how anyone can triumph over severe adversity and come out spirited and whole.

Only book that focuses on psychoanalysis and European Cinema As well as more academic essays the book contains transcriptions of informal discussions between experts and live audiences

Drawing on her experience of growing up with a depressed mother and then, years later, of becoming a depressed mother herself, Books for a Better Life winner Anne Sheffield casts long-overdue light on the grave threat to the health and happiness of millions of women and their children posed by maternal depression. One of every four women suffers from depression at some point in her life, often during the prime childbearing years, yet most fail to recognize the true source of their lack of joy in life and in parenting, their irritability and exhaustion, and the flawed personal relationships that characterize this common, treatable disease. With honesty and empathy, Sheffield uses her own story as a springboard to alert other mothers to the dangers their unrecognized depression holds not only for themselves, but also for their children, whose risk of developing the illness is three times higher than the risk to children of non-depressed parents. She draws on extensive research by experts in psychiatry, psychology, and child development to explain why and how children with a depressed mother may lose out on a rewarding social life, perform below their academic potential, or fall victim to substance abuse. Chapters on each age-group -- infancy and toddlerhood, school age, and adolescence -- pinpoint the symptoms and effects of a mother's depression on her children and offer advice on how to recognize these effects and so lessen or avoid them. And because depression's fallout destroys family cohesion and harmony, Sheffield draws attention to its impact on marital relations and outlines a strategy for fathers that will help them and their children weather the crisis. The detailed information in Sorrow's Web about how to treat depression at any period in a mother's life -- during pregnancy or following delivery, when her children are teenagers, or later in life -- will help readers of all ages choose wisely from the range of medical and psychotherapeutic options available. Sheffield offers insider tips on how to tell the difference between good and poor practitioners, how to ensure that the illness does not return, and how to recognize and respond to warning signs of depression in vulnerable children. Dedicated to the author's daughter, Sorrow's Web seamlessly weaves together real-life stories with street-smart advice. As the first book to demystify, destigmatize, and humanize a long- taboo subject, it points the way to sustaining and regaining a loving relationship between mother and child.

Feminist icon Phyllis Chesler's pioneering work, Women and Madness, remains startlingly relevant today, nearly fifty years since its first publication in 1972. With over 2.5 million copies sold, this landmark book is unanimously regarded as the definitive work on the subject of women's psychology. Now back in print, this completely revised and updated edition adds perspectives on eating disorders, postpartum depression, biological psychology, important feminist political findings, female genital mutilation, and more.

This new collection of essays by distinguished international scholars and clinicians will revolutionize your understanding of madness. Essential for those on both sides of the couch eager to make sense of the plethora of theories about madness available today, Lacan on Madness: Madness, Yes You Can’t provides compelling and original perspectives following the work of Jacques Lacan. Patricia Gherovici and Manya Steinkoler suggest new ways of working with phenomena often considered impermeable to clinical intervention or discarded as meaningless. This book offers a fresh view on a wide variety of manifestations and presentations of madness, featuring clinical case studies, new theoretical developments in psychosis, and critical appraisal of artistic expressions of insanity. Lacan on Madness uncovers the logics of insanity while opening new possibilities of treatment and cure. Intervening in current debates about normalcy and pathology, causation and prognosis, the authors propose effective modalities of treatment, and challenge popular ideas of what constitutes a cure offering a reassessment of the positive and creative potential of madness. Gherovici and Steinkoler’s book makes Lacanian ideas accessible by showing how they are both clinically and critically useful. It is invaluable reading for psychoanalysts, clinicians, academics, graduate students, and lay persons.