For many, madness is something read about in books or seen on TV--something scary, foreign, and impossible to understand. For Lisa Nugent and her twin sister Shell, however, madness was impossible to avoid--it was home. Growing up in Essex in the seventies and eighties, Lisa learned quickly that her family wasn't like her classmates' families--their mothers were friendly, fierce, or demure women. They had their quirks, but they didn't assault their husbands, and their frenzied screams didn't chase their children out of the house in the middle of the night. Not like her mother. Now, for the first time, Lisa relives those troubled years, recounting her development from a nervous, shy, and friendless child through to the woman she is today. Madness and Me isn't just a memoir about surviving an abusive, paranoid parent--it's about the importance of family, the pain of loss, and learning to love even when it's the hardest thing in the world to do. A work of tenderness, dignity, and humour, Madness and Me is sure to appeal to lovers of memoir and drama alike.

After her journey through madness Mary O'Hagan realised the mental health system and society did more harm than good. 'Madness Made Me' is a myth-busting account of madness and our customary responses to it through the lens of lived experience. O'Hagan's journey took her from the psychiatric hospital to the United Nations and many places in between as a leader in the international mad movement. Her fundamental message is that madness is profoundly disruptive but full human experience. The trouble is most people don't see it that way, from the experts who make up clever theories about brain disease to the people down the road who have irrational fears about mad axe-murderers. 'Madness Made Me' is a compelling and beautifully written book that uncovers widespread injustice. It ends with vision for a world that holds hope for people with mental distress and treats them with respect and humanity.

"When Andres saw the new kid in the neighborhood solve a Rubik's cube super fast, he wondered if he could learn to solve one too. He tried twisting and turning the multicolored cube but it seemed impossible. With a little encouragement from his mom, Andres began to practice every day. And when he discovered a Rubik's cube competition to qualify for the biggest championship, he knew he had to try! Andres and His Rubik's Cube Madness is based on the true story of Andres "€" a boy who cleverly practiced hard and learned hundreds of algorithms to solve the Rubik's cube in lightning speed. He was dedicated and persistent, but most importantly, he never gave up."

"The vast literature on Virginia Woolf's life, work, and marriage falls into two groups. A large majority is certain that she was mentally ill, and a small minority is equally certain that she was not mentally ill but was misdiagnosed by psychiatrists. In this daring exploration of Woolf's life and work, Thomas Szasz--famed for his radical critique of psychiatric concepts, coercions, and excuses--examines the evidence and rejects both views. Instead, he looks at how Virginia Woolf, as well as her husband Leonard, used the concept of madness and the profession of psychiatry to manage and manipulate their own and each other's lives.Do we explain achievement when we attribute it to the fictitious entity we call ""genius""? Do we explain failure when we attribute it to the fictitious entity we call ""madness""? Or do we deceive ourselves the same way that the person deceives himself when he attributes the easy ignition of hydrogen to its being ""flammable""? Szasz interprets Virginia Woolf's life and work as expressions of her character, and her character as the ""product"" of her free will. He offers this view as a corrective against the prevailing, ostensibly scientific view that attributes both her ""madness"" and her ""genius"" to biological-genetic causes. We tend to attribute exceptional achievement to genius, and exceptional failure to madness. Both, says Szasz, are fictitious entities."

This is one of the wisest books I've read in years... —New York Times Book Review No writer I know of comes close to even trying to articulate the weird magic of poetry as Ruefle does. She acknowledges and celebrates in the odd mystery and mysticism of the act—the fact that poetry must both guard and reveal, hint at and pull back... Also, and maybe most crucially, Ruefle’s work is never once stuffy or overdone: she writes this stuff with a level of seriousness-as-play that’s vital and welcome, that doesn’t make writing poetry sound anything but wild, strange, life-enlargening fun. -The Kenyon Review Profound, unpredictable, charming, and outright funny...These informal talks have far more staying power and verve than most of their kind. Readers may come away dazzled, as well as amused... —Publishers Weekly This is a book not just for poets but for anyone interested in the human heart, the inner-life, the breath exhaling a completion of an idea that will make you feel changed in some way. This is a desert island book. —Matthew Dickman The accomplished poet is humorous and self-deprecating in this collection of illuminating essays on poetry, aesthetics and literature... —San Francisco Examiner Over the course of fifteen years, Mary Ruefle delivered a lecture every six months to a group of poetry graduate students. Collected here for the first time, these lectures include "Poetry and the Moon," "Someone Reading a Book Is a Sign of Order in the World," and "Lectures I Will Never Give." Intellectually virtuosic, instructive, and experiential, Madness, Rack, and Honey resists definition, demanding instead an utter—and utterly pleasurable—immersion. Finalist for the 2012 National Book Critics Circle Award. Mary Ruefle has published more than a dozen books of poetry, prose, and erasures. She lives in Vermont.

Edgar Award for Best Young Adult Mystery Mindy McGinnis, the acclaimed author of Not a Drop to Drink and In a Handful of Dust, combines murder, madness, and mystery in a beautifully twisted gothic historical thriller perfect for fans of novels such as Asylum and The Diviners as well as television's True Detective and American Horror Story. Grace Mae is already familiar with madness when family secrets and the bulge in her belly send her to an insane asylum—but it is in the darkness that she finds a new lease on life. When a visiting doctor interested in criminal psychology recognizes Grace's brilliant mind beneath her rage, he recruits her as his assistant. Continuing to operate under the cloak of madness at crime scenes allows her to gather clues from bystanders who believe her less than human. Now comfortable in an ethical asylum, Grace finds friends—and hope. But gruesome nights bring Grace and the doctor into the circle of a killer who will bring her shaky sanity and the demons in her past dangerously close to the surface.

Dr. Gabriella Mondini, a strong-willed, young Venetian woman, has followed her father in the path of medicine. She possesses a singleminded passion for the art of physick, even though, in 1590, the male-dominated establishment is reluctant to accept a woman doctor. So when her father disappears on a mysterious journey, Gabriella's own status in the Venetian medical society is threatened. Her father has left clues -- beautiful, thoughtful, sometimes torrid, and often enigmatic letters from his travels as he researches his vast encyclopedia, The Book of Diseases. After ten years of missing his kindness, insight, and guidance, Gabriella decides to set off on a quest to find him -- a daunting journey that will take her through great university cities, centers of medicine, and remote villages across Europe. Despite setbacks, wary strangers, and the menaces of the road, the young doctor bravely follows the clues to her lost father, all while taking notes on maladies and treating the ill to supplement her own work. Gorgeous and brilliantly written, and filled with details about science, medicine, food, and madness, The Book of Madness and Cures is an unforgettable debut.