A beautifully illustrated exploration of the famed palace-city that was once the heart of Islamic Spain Madinat al-Zahra, a tenth-century palace-city on the western outskirts of Córdoba, Spain, and a UNESCO World Heritage Site, stands as a testament to the multicultural environment fostered by its founders. Built by ʿAbd al-Rahman III (r. 929–961), a member of the Umayyad dynasty and the first caliph of al-Andalus, the city symbolized the caliph’s aspiration to rule over the Fatimid Caliphs of Ifriqiya in North Africa and the Abbasid Caliphs in Baghdad and was the site of vast cultural and artistic creation. The companion volume to an exhibition at New York University’s Institute for the Study of the Ancient World, this book showcases the complex visual vocabulary of Madinat al-Zahra, which derived from diverse cultural traditions and was translated into new and unique architectural and material cultures. Thematic essays examine the history of the Islamic Caliphate in Muslim Iberia (al-Andalus), the cultural and artistic traditions of the time, and the resulting multicultural society, while shorter, object-focused chapters explore the variety of works found at the ancient site—from jewelry and ceramics to medical texts and epigraphic materials. Contributors include Nour Ammari, Maribel Fierro Bello, Gerrit Bos, Roberta Casagrande-Kim, Patrice Cressier, Miquel Forcada, Teresa Garulo, Fabian Käs, Ana Labarta, Eduardo Manzano Moreno, Antonia Martínez Núñez, Jorge Elices Ocón, Mariam Rosser-Owen, Irene Montilla Torres, Antonio Vallejo Triano, and Mercè Viladrich. Distributed for the Institute for the Study of the Ancient World at New York University Exhibition Schedule Institute for the Study of the Ancient World, New York University October 30, 2024–March 2, 2025

From 711 when they arrived on the Iberian Peninsula until 1492 when scholars contribute a wide-ranging series of essays and catalogue entries which are fully companion to the 373 illustrations (324 in color) of the spectacular art and architecture of the nearly vanished culture. 91/2x121/2 they were expelled by Ferdinand and Isabella, the Muslims were a powerful force in al-Andalus, as they called the Iberian lands they controlled. This awe-inspiring volume, which accompanies a major exhibition presented at the Alhambra in Granada and The Metropolitan Museum of Art in New York, is devoted to the little-known artistic legacy of Islamic Spain, revealing the value of these arts as part of an autonomous culture and also as a presence with deep significance for both Europe and the Islamic world. Twenty-four international Annotation copyrighted by Book News, Inc., Portland, OR

Abd al-Rahman III (891 - 961) was the greatest of the Umayyad rulers of Spain and the first to take the title of Caliph. During his reign, Islamic Spain became wealthy and prosperous. He founded the great Caliphate of Madinat al-Zahra at Cordova and did much in his lifetime to pacify his realm and stabilise the borders with Christian Spain. He died at the apex of his power on Oct. 15, 961.

This is the story of a city, a city that is now in ruins: Madinat al Zahra. The year is 947 AD, a time when southern Spain is under the rule of the Moors. The ruler, Caliph al Rahman III is rich, powerful and cultured. His lands are, at long last, at peace and the capital, Cordoba, is considered to be not only the most beautiful city in the civilised world but also the seat of learning and culture. Against this background we meet the artisan Qasim - he and his family have moved to Madinat al Zahra to make their fortune as potters. Qasim is a good husband and father. He works hard, says his prayers and keeps out of trouble. But Qasim has a secret; his past is not what it seems. When a stranger arrives asking questions about him, he is worried that his secret will be discovered and everything he has worked for will be destroyed. In the meantime, unbeknown to Qasim, his youngest son, Omar meets and falls in love with a slave girl who has been sold into the Caliph's harem. The young man is obsessed with the thought of seeing this beautiful woman again and breaks into the palace grounds to meet her. Omar's infatuation with the slave girl has consequences that he could never have foreseen, not only for himself but for all his family."

This is the definitive survey of Islamic architecture. Working from a social, rather than a technical perspective, Hillenbrand shows how the buildings fulfilled their intended functions within the community. Lavishly illustrated.