Science shamelessly steals from God’s creation, yet refuses to give God the glory! How the glow of a cat’s eyes innovates road reflectors The naturally sticky inspirations for Velcro and barbed wire A fly’s ear, the lizard’s foot, the moth’s eye, and other natural examples are inspiring improvements and new technologies in our lives Engineers and inventors have long examined God’s creation to understand and copy complex, proven mechanics of design in the science known as biomimicry. Much of this inspiration is increasingly drawn from amazing aspects of nature, including insects to plants to man in search of wisdom and insight. We are surrounded daily by scientific advancements that have become everyday items, simply because man is copying from God’s incredible creation, without acknowledging the Creator.

Scrumptious recipes... a family secret... and one smart cookie ready for a challenge! Mina is excited to start her mentorship at A Batch Made in Heaven, the bakery in her hometown that's famous for their inventive cookies. Mina dreams of becoming a baker herself someday. But there's a problem. Flynn, the (undeniably cute) son of the owner, won't let Mina into the kitchen: the top secret Cookie Vault. If Mina can't bake, then she can't enter the big cookie competition... and if she can't enter, she'll never win the money to help her dad open the restaurant he's always wanted. What secret is Flynn hiding? And will Mina's entire plan crumble like an overbaked cookie, or can she find a way to help her family and her heart?

With remarkably original formulations, Naomi Seidman examines the ways that Hebrew, the Holy Tongue, and Yiddish, the vernacular language of Ashkenazic Jews, came to represent the masculine and feminine faces, respectively, of Ashkenazic Jewish culture. Her sophisticated history is the first book-length exploration of the sexual politics underlying the "marriage" of Hebrew and Yiddish, and it has profound implications for understanding the centrality of language choices and ideologies in the construction of modern Jewish identity. Seidman particularly examines this sexual-linguistic system as it shaped the work of two bilingual authors, S.Y. Abramovitsh, the "grand-father" of modern Hebrew and Yiddish literature; and Dvora Baron, the first modern woman writer in Hebrew (and a writer in Yiddish as well). She also provides an analysis of the roles that Hebrew "masculinity" and Yiddish "femininity" played in the Hebrew-Yiddish language wars, the divorce that ultimately ended the marriage between the languages. Theorists have long debated the role of mother and father in the child's relationship to language. Seidman presents the Ashkenazic case as an illuminating example of a society in which "mother tongue" and "father tongue" are clearly differentiated. Her work speaks to important issues in contemporary scholarship, including the psychoanalysis of language acquisition, the feminist critique of Zionism, and the nexus of women's studies and Yiddish literary history. With remarkably original formulations, Naomi Seidman examines the ways that Hebrew, the Holy Tongue, and Yiddish, the vernacular language of Ashkenazic Jews, came to represent the masculine and feminine faces, respectively, of Ashkenazic Jewish culture. Her sophisticated history is the first book-length exploration of the sexual politics underlying the "marriage" of Hebrew and Yiddish, and it has profound implications for understanding the centrality of language choices and ideologies in the construction of modern Jewish identity. Seidman particularly examines this sexual-linguistic system as it shaped the work of two bilingual authors, S.Y. Abramovitsh, the "grand-father" of modern Hebrew and Yiddish literature; and Dvora Baron, the first modern woman writer in Hebrew (and a writer in Yiddish as well). She also provides an analysis of the roles that Hebrew "masculinity" and Yiddish "femininity" played in the Hebrew-Yiddish language wars, the divorce that ultimately ended the marriage between the languages. Theorists have long debated the role of mother and father in the child's relationship to language. Seidman presents the Ashkenazic case as an illuminating example of a society in which "mother tongue" and "father tongue" are clearly differentiated. Her work speaks to important issues in contemporary scholarship, including the psychoanalysis of language acquisition, the feminist critique of Zionism, and the nexus of women's studies and Yiddish literary history.

Pejoratively referred to as "idols" in the Hebrew Bible and in western tradition, the cult image occupied a central place in the cultures of the ancient Near East. In Mesopotamia, a ritual (mis pi) was used to "give birth" to the god represented by the cult image. In this volume, three separate essays examine the topic within different ancient Near Eastern cultures, and a fourth provides a modern analogy as counterpoint.

Life isn't exactly paradise for aspiring artist Morning Glory Conroy. Anxious about an upcoming comics festival and worried about her best friend Julia's deteriorating home life, Glory has enough to juggle without also being swept off her feet by the guy Julia likes. Gabriel is the answer to every girl's prayers: sweet, full of wonder at the world, and divinely handsome. But does he count as a real boyfriend if his overbearing guardian forbids even kissing? Not to mention the added complication of his mischievous cousin Luci trailing Glory's every move just to cause trouble. Glory is in for a startling revelation when she discovers Gabriel's true identity—and learns that their romance has distracted him from an important mission. Will it take a miracle to sort out this mess, or can Glory move heaven and earth to help the people she loves?

As the sun rises on her snow-covered world, Little Cub wonders aloud… “What is heaven like?” With tender words, her Papa describes a wonderful place, free of sadness and tears, where God warmly welcomes his loved ones after their life on earth is over. Little Cub and Papa spend the day wandering their beautiful, invigorating arctic world while she asks all about God’s home: How do we get to heaven? Will we eat there? Will I get to see you in heaven? Papa patiently answers each question, assuring her that… “Heaven will be full of everything good.” This gentle story provides satisfying answers for a young child’s most difficult questions about what happens after this life, inviting “little cubs” to find comfort in knowing that God Gave Us Heaven. Also available: God Gave Us You God Gave Us Two God Gave Us Christmas

This beautiful children’s book in verse lets kids know that they were individually created by God, who loves and cares for them. Heaven Made You speaks directly to young children with an important message about their origin as part of God’s creation. With simple yet beautiful words, little ones are told of their priceless value, and learn about the wonders God performed when He made them. Singer and songwriter Kimberly Hazlett offers this beautifully depicted book as a companion to the lullaby song, “Heaven Made You.”