Beautiful Keweenaw is the setting for a ring of thieves who supply Karl Carlson with the copper he sells to European jewelers. Soon enough, the thieves tire of the low return on their efforts and approach Carlson with demands to become partners. When Carlson balks and is murdered, detectives Lou Searing and Belle Franklin seek justice for the retired Indiana police officer .

A dramatic and compelling journey into the dark heart of globalization. What happens when multinational corporations decide that the use of armed force is just business by other means? In Making a Killing, Madelaine Drohan looks at the shocking number of companies that have linked up with mercenaries, warlords, armies and private militias in order to make a profit. In a world where multinationals often rival national governments in size and clout, the implications of such partnerships are ominous. What leads respectable corporations down the path to violence? Drohan answers this question by examining the actions of several companies operating in Africa, such as Ranger Oil West Africa, which used the mercenary group Executive Outcomes to take on rebels in Angola’s long-running civil war; and Talisman Energy, whose security was provided by Sudanese army units conducting a scorched-earth policy in the oil fields. Drohan traces the modern roots of corporate armed force, beginning with Cecil Rhodes’ British South Africa Company, which at the turn of the century built its own army. Also included is the stranger-than-fiction tale of ex-MI5 spymaster Sir Percy Sillitoe, who was hired by the De Beers diamond king to prevent the Soviet Union from acquiring smuggled diamonds in order to develop the hydrogen bomb. These accounts read like adventure stories in the tradition of Rudyard Kipling and Ian Fleming, but they are essential reading for anyone interested in the effects of unfettered multinational influence. Making a Killing provides a road map for corporations, policy makers and investors struggling to come to terms with their roles in today’s increasingly globalized world.

"Bob Hicok is a spectrum... I’d love to see an MRI of his brain while he’s writing, as the neurons show us what’s possible, how a human can be a thought leader, taking us into the future... Hicok interrogates the world with mercy and wit and style and intelligence and modest swag. He’s one of America’s favorites—and to make the reader want to share the poet’s reality fulfills poetry’s finest aspiration." —Washington Independent Review of Books "In his ninth collection, Hicok navigates a world bereft of empathy and kindness, leading by example with a charm and emotional intelligence that speaks to a deep insight into the human condition... Mixing cleverness with tenderness, Hicok demonstrates how to be a beacon of light in the darkest of settings." —Publishers Weekly Bob Hicok’s tenth collection of poetry, Hold, moves nimbly between childlike revelry and serious introspection. While confronting the rampant hypocrisies of the American collective unconscious, Hicok is guided by his deep and tender sense of whimsy and humility. Pointing to the natural world as a mirror through which to rediscover human beauty, he pauses to unapologetically celebrate the wonder of living at all. From "About the size of it": . . . my breath shuttling in and out, as if it can’ t decide between stay and go, the little bird long gone by the time I realize the sun has set and it will soon feel like my father was never here, which is no big deal compared to the erasures the world endures and offers every day, except this one is mine Bob Hicok teaches at Virginia Tech University and is the author of ten collections, including Animal Soul, This Clumsy Living , Elegy Owed, and Sex & Love &. He is the recipient of two fellowships from the National Endowment for the Arts and the Guggenheim Foundation, respectively.

What is sacrifice? How can we identify it in the archaeological record? And what does it tell us about the societies that practice it? Sacred Killing: The Archaeology of Sacrifice in the Ancient Near East investigates these and other questions through the evidence for human and animal sacrifice in the Near East from the Neolithic to the Hellenistic periods. Drawing on sociocultural anthropology and history in addition to archaeology, the book also includes evidence from ancient China and a riveting eyewitness account and analysis of sacrifice in contemporary India, which engage some of the key issues at stake. Sacred Killing vividly presents a variety of methods and theories in the study of one of the most profound and disturbing ritual activities humans have ever practiced.